7089 lines
321 KiB
HTML
7089 lines
321 KiB
HTML
<h1 id="awesome-sci-fi-awesome">Awesome Sci-Fi <a
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href="https://awesome.re"><img src="https://awesome.re/badge.svg"
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alt="Awesome" /></a></h1>
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<blockquote>
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<p>Sci-Fi worth consuming</p>
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</blockquote>
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<p>I <a
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href="https://twitter.com/sindresorhus/status/557586610850897920">asked
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on Twitter</a> for recommendations as I want to get into reading Sci-Fi
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novels. The below is the result. Thanks everyone for recommending your
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favorites! :)</p>
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<p><em>For fantasy books, see <a
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href="https://github.com/RichardLitt/awesome-fantasy">awesome-fantasy</a>.</em></p>
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<p><img
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src="https://cloud.githubusercontent.com/assets/170270/7630100/242bda3a-fa33-11e4-881a-589cffa0c421.gif" /></p>
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<h2 id="contents">Contents</h2>
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<ul>
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<li><a href="#novels">Novels</a>
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<ul>
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<li><a href="#science-fiction">Science Fiction</a></li>
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<li><a href="#hard-science-fiction">Hard Science Fiction</a></li>
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<li><a href="#cyberpunk">Cyberpunk</a></li>
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<li><a href="#Utopia">Utopia</a></li>
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<li><a href="#dystopia">Dystopia</a></li>
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<li><a href="#space-opera">Space Opera</a></li>
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<li><a href="#post-apocalyptic">Post Apocalyptic</a></li>
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<li><a href="#military-science-fiction">Military Science
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Fiction</a></li>
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<li><a href="#police-procedural-science-fiction">Police Procedural
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Science Fiction</a></li>
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<li><a href="#techno-thriller">Techno Thriller</a></li>
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<li><a href="#fantasy">Fantasy</a></li>
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<li><a href="#drama">Drama</a></li>
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<li><a href="#biopunk">Biopunk</a></li>
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<li><a href="#speculative-fiction">Speculative Fiction</a></li>
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<li><a href="#time-travel">Time Travel</a></li>
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<li><a href="#comedy">Comedy</a></li>
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<li><a href="#horror">Horror</a></li>
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</ul></li>
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<li><a href="#short-story-collections">Short Story Collections</a></li>
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<li><a href="#movies">Movies</a></li>
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<li><a href="#movie-series">Movie Series</a></li>
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<li><a href="#tv-series">TV Series</a></li>
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<li><a href="#comic-books">Comic Books</a></li>
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<li><a href="#links">Links</a></li>
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</ul>
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<h2 id="novels">Novels</h2>
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<p>🌟 means that it’s a classic.</p>
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<p>🔥 means that it has more than 100 000 ratings on Goodreads.</p>
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<p><em>The <code>[number]</code> at the end is the rounded version of
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the rating on Goodreads.</em></p>
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<h3 id="science-fiction">Science Fiction</h3>
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<h4 id="accelerando-2005-by-charles-stross-3.9"><a
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href="https://www.goodreads.com/book/show/17863.Accelerando">Accelerando</a>
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(2005) <em>by <a
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href="https://en.wikipedia.org/wiki/Charles_Stross">Charles
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Stross</a></em> [3.9]</h4>
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<p>Accelerando is an excellent exploration of Posthumanism. It’s my go
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to recommendation for people wanting to read about that stuff. - <a
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href="https://github.com/erbridge"><span class="citation"
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data-cites="erbridge">@erbridge</span></a></p>
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<p>It’s also worth mentioning that <a
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href="https://www.antipope.org/charlie/blog-static/fiction/accelerando/accelerando-intro.html">the
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ebook is available for free in a variety of formats on Stross’s
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website</a>. - <a href="https://github.com/alex-keyes"><span
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class="citation" data-cites="AlexKeyes">@AlexKeyes</span></a></p>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>The Singularity. It is the era of the posthuman. Artificial
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intelligences have surpassed the limits of human intellect.
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Biotechnological beings have rendered people all but extinct. Molecular
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nanotechnology runs rampant, replicating and reprogramming at will.
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Contact with extraterrestrial life grows more imminent with each new
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day.</p>
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<p>Struggling to survive and thrive in this accelerated world are three
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generations of the Macx clan: Manfred, an entrepreneur dealing in
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intelligence amplification technology whose mind is divided between his
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physical environment and the Internet; his daughter, Amber, on the run
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from her domineering mother, seeking her fortune in the outer system as
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an indentured astronaut; and Sirhan, Amber’s son, who finds his destiny
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linked to the fate of all of humanity.</p>
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<p>For something is systemically dismantling the nine planets of the
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solar system. Something beyond human comprehension. Something that has
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no use for biological life in any form.</p>
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</blockquote>
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</details>
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<h4 id="babel-17-1966-by-samuel-r.-delany-3.8"><a
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href="https://www.goodreads.com/book/show/1199688.Babel_17">Babel-17</a>
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(1966) <em>by <a
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href="https://en.wikipedia.org/wiki/Samuel_R._Delany">Samuel R.
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Delany</a></em> [3.8]</h4>
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<p>This intense linguistic thriller will change the way you think about
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language. - <a href="https://github.com/helderroem"><span
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class="citation" data-cites="helderroem">@helderroem</span></a></p>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>Babel-17 is all about the power of language. Humanity, which has
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spread throughout the universe, is involved in a war with the Invaders,
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who have been covertly assassinating officials and sabotaging
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spaceships. The only clues humanity has to go on are strange alien
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messages that have been intercepted in space. Poet and linguist Rydra
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Wong is determined to understand the language and stop the alien
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threat.</p>
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</blockquote>
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</details>
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<h4 id="barsoom-series-1912-1927-by-edgar-rice-burroughs-3.8"><a
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href="https://www.goodreads.com/series/43942-barsoom">Barsoom series</a>
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(1912-1927) <em>by <a
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href="https://en.wikipedia.org/wiki/Edgar_Rice_Burroughs">Edgar Rice
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Burroughs</a></em> [3.8] 🌟</h4>
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<p>Now more than a century old, has that unique writing style you can
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only find in adventure classics. - <a
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href="https://github.com/uraimo"><span class="citation"
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data-cites="uraimo">@uraimo</span></a></p>
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<p>Books:</p>
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<ul>
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<li><a
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href="https://www.goodreads.com/book/show/40395.A_Princess_of_Mars">A
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Princess of Mars</a> [3.8]</li>
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<li><a
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href="https://www.goodreads.com/book/show/841973.The_Gods_of_Mars">The
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Gods of Mars</a> [3.8]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40379.The_Warlord_of_Mars">The
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Warlord of Mars</a> [3.8]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40387.Thuvia_Maid_of_Mars">Thuvia,
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Maid of Mars</a> [3.7]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40378.The_Chessmen_of_Mars">The
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Chessmen of Mars</a> [3.7]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40385.The_Master_Mind_of_Mars">The
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Master Mind of Mars</a> [3.8]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40386.A_Fighting_Man_of_Mars">A
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Fighting Man of Mars</a> [3.8]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40376.Swords_of_Mars">Swords
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of Mars</a> [4.0]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40384.Synthetic_Men_of_Mars">Synthetic
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Men of Mars</a> [3.8]</li>
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<li><a
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href="https://www.goodreads.com/book/show/215954.Llana_of_Gathol">Llana
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of Gathol</a> [3.7]</li>
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<li><a
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href="https://www.goodreads.com/book/show/40388.John_Carter_of_Mars">John
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Carter of Mars</a> [3.8]</li>
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</ul>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>Barsoom is planet Mars from American Edgar Rice Burroughs. First
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serialized as Under the Moons of Mars in 1912, published as A Princess
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of Mars in 1917. Dying Mars was based on outdated scientific ideas of
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canals. The savage, frontier world has honor, noble sacrifice and
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constant struggle, where martial prowess is paramount and races fight
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over dwindling resources.</p>
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</blockquote>
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</details>
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<h4 id="bobiverse-series-2016-by-dennis-e.-taylor-4.35"><a
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href="https://www.goodreads.com/book/show/32109569-we-are-legion-we-are-bob">Bobiverse
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Series</a> (2016) <em>by <a
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href="https://www.goodreads.com/author/show/12130438.Dennis_E_Taylor">Dennis
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E. Taylor</a></em> [4.35]</h4>
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<p>Like Accelerando, this series is an excellent exploration of
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posthumanism. It also has themes of space exploration, references to
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various other series, and is all around a great amount of fun to read.
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It’s also free if you have kindle unlimited. - <a
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href="https://github.com/alex-keyes"><span class="citation"
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data-cites="AlexKeyes">@AlexKeyes</span></a></p>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>Bob Johansson has just sold his software company and is looking
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forward to a life of leisure. There are places to go, books to read, and
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movies to watch. So it’s a little unfair when he gets himself killed
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crossing the street.</p>
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<p>Bob wakes up a century later to find that corpsicles have been
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declared to be without rights, and he is now the property of the state.
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He has been uploaded into computer hardware and is slated to be the
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controlling AI in an interstellar probe looking for habitable planets.
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The stakes are high: no less than the first claim to entire worlds. If
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he declines the honor, he’ll be switched off, and they’ll try again with
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someone else. If he accepts, he becomes a prime target. There are at
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least three other countries trying to get their own probes launched
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first, and they play dirty.</p>
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<p>The safest place for Bob is in space, heading away from Earth at top
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speed. Or so he thinks. Because the universe is full of nasties, and
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trespassers make them mad - very mad.</p>
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</blockquote>
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</details>
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<h4 id="childhoods-end-1953-by-arthur-c.-clarke-4.0"><a
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href="https://www.goodreads.com/book/show/414999.Childhood_s_End">Childhood’s
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End</a> (1953) <em>by <a
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href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
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Clarke</a></em> [4.0]</h4>
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<p>This book is interesting for its view of what a golden age of mankind
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would look like, and what would the shortcomings of that be. It also has
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a very interesting take on mass psychology - I don’t want to give away
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too much, but the Overlords are a nifty bunch. This is a good early
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Clarke, and has two of his favorite themes; the first that remote work
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will be possible with technology, and the second that any sufficiently
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advanced technology is indistinguishable from magic. - <a
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href="https://github.com/RichardLitt"><span class="citation"
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data-cites="RichardLitt">@RichardLitt</span></a></p>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>Without warning, giant silver ships from deep space appear in the
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skies above every major city on Earth. Manned by the Overlords, in fifty
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years, they eliminate ignorance, disease, and poverty. Then this golden
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age ends—and then the age of Mankind begins…</p>
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</blockquote>
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</details>
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<h4 id="cities-in-flight-1970-by-james-blish-4.0"><a
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href="https://www.goodreads.com/book/show/141805.Cities_in_Flight">Cities
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in Flight</a> (1970) <em>by <a
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href="https://en.wikipedia.org/wiki/James_Blish">James Blish</a></em>
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[4.0]</h4>
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<p>This is a long book, but absolutely fantastic. It redefined for me
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the scale at which science fiction was possible, especially given the
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human elements are very fleshed out (as opposed to other massive space
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epics, like Olaf Stapledon’s ‘Last and First Men’). A brilliant look at
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the future, going off of only two small changes - what if we had drugs
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to defeat death, and cities could fly. - <a
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href="https://github.com/RichardLitt"><span class="citation"
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data-cites="RichardLitt">@RichardLitt</span></a></p>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>Originally published in four volumes nearly fifty years ago,
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<em>Cities in Flight</em> brings together the famed “Okie novels” of
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science fiction master James Blish. Named after the migrant workers of
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America’s Dust Bowl, these novels convey Blish’s “history of the
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future,” a brilliant and bleak look at a world where cities roam the
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Galaxy looking for work and a sustainable way of life.</p>
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<p>In the first novel, <em>They Shall Have Stars</em>, man has
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thoroughly explored the Solar System, yet the dream of going even
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further seems to have died in all but one man. His battle to realize his
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dream results in two momentous discoveries anti-gravity and the secret
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of immortality. In <em>A Life for the Stars</em>, it is centuries later
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and antigravity generations have enabled whole cities to lift off the
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surface of the earth to become galactic wanderers. In <em>Earthman, Come
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Home</em>, the nomadic cities revert to barbarism and marauding rogue
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cities begin to pose a threat to all civilized worlds. In the final
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novel, <em>The Triumph of Time</em>, history repeats itself as the
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cities once again journey back in to space making a terrifying discovery
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which could destroy the entire Universe. A serious and haunting vision
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of our world and its limits, <em>Cities in Flight</em> marks the return
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to print of one of science fiction’s most inimitable writers.</p>
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</blockquote>
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</details>
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<h4 id="contact-1985-by-carl-sagan-4.1"><a
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href="https://www.goodreads.com/book/show/61666.Contact">Contact</a>
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(1985) <em>by <a href="https://en.wikipedia.org/wiki/Carl_Sagan">Carl
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Sagan</a></em> [4.1]</h4>
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<p>Based on Sagan’s own studies as an astrophysicist and philosopher,
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Contact provides a possible glimpse of the world’s reaction to
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extraterrestrial life - <span class="citation"
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data-cites="augustopedro">@augustopedro</span></p>
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<details>
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<summary>
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Description
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</summary>
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<blockquote>
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<p>At first it seemed impossible - a radio signal that came not from
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Earth but from far beyond the nearest stars. But then the signal was
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translated, and what had been impossible became terrifying. For the
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signal contains the information to build a Machine that can travel to
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the stars. A Machine that can take a human to meet those that sent the
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message. They are eager to meet us: they have been watching and waiting
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for a long time. And now they will judge.</p>
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</blockquote>
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</details>
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<h4 id="dark-matter-2016-by-blake-crouch-4.1"><a
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href="https://www.goodreads.com/book/show/27833670-dark-matter">Dark
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Matter</a> (2016) <em>by <a
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href="https://en.wikipedia.org/wiki/Blake_Crouch">Blake Crouch</a></em>
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[4.1] 🔥</h4>
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<p>An interesting take on the possibility of the multiverse,
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Schrödinger’s cat, and how every choice, big or small, has led to this
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exact moment. - <a href="https://github.com/thedeany"><span
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class="citation" data-cites="thedeany">@thedeany</span></a></p>
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||
<details>
|
||
<summary>
|
||
Description
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</summary>
|
||
<blockquote>
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<p>Jason Dessen is walking home through the chilly Chicago streets one
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night, looking forward to a quiet evening in front of the fireplace with
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his wife, Daniela, and their son, Charlie—when his reality shatters.</p>
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<p>It starts with a man in a mask kidnapping him at gunpoint, for
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reasons Jason can’t begin to fathom—what would anyone want with an
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ordinary physics professor?—and grows even more terrifying from there,
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as Jason’s abductor injects him with some unknown drug and watches while
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he loses consciousness.</p>
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<p>When Jason awakes, he’s in a lab, strapped to a gurney—and a man he’s
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never seen before is cheerily telling him “welcome back!”</p>
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<p>Jason soon learns that in this world he’s woken up to, his house is
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not his house. His wife is not his wife. His son was never born.</p>
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<p>And someone is hunting him.</p>
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</blockquote>
|
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</details>
|
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<h4 id="doorways-in-the-sand-1976-by-roger-zelazny-4.0"><a
|
||
href="https://www.goodreads.com/book/show/61998.Doorways_in_the_Sand">Doorways
|
||
in the Sand</a> (1976) <em>by <a
|
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href="https://en.wikipedia.org/wiki/Roger_Zelazny">Roger
|
||
Zelazny</a></em> [4.0]</h4>
|
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<p>What a weird, funny and lovely little book. - <a
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||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Fred Cassidy, a perpetual student, scrounger, and acrophile, is the
|
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last known person to have seen an important stone that his friend had.
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Various criminals, Anglophile zealots, government agents and aliens
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torture, shoot, beat, trick, chase, terrorize, assault telepathically,
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stalk, and importune Fred in attempts to get him to tell them the
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location of the stone. He denies any knowledge of its whereabouts, and
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decides to make his own investigation.</p>
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</blockquote>
|
||
</details>
|
||
<h4 id="dune-chronicles-1963-1994-by-frank-herbert-4.1"><a
|
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href="https://www.goodreads.com/series/45935-dune-chronicles">Dune
|
||
Chronicles</a> (1963-1994) <em>by <a
|
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href="https://en.wikipedia.org/wiki/Frank_Herbert">Frank
|
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Herbert</a></em> [4.1] 🌟 🔥</h4>
|
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<p>I think what is most fascinating about Dune isn’t that it is so
|
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commonly read, but the ubiquity with which it is referenced. Once you
|
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read this, you start seeing Dune quotes everywhere. Dune is monumental
|
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in scope, and the cautionary tone in which it was written - this is what
|
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happens when you put faith in a single person trained scientifically -
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almost completely backfires in an amazing story of heroism, revenge, and
|
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reconciliation. A book worth reading multiple times. Of course, it is
|
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also a series - the first stands alone, and I haven’t read beyond the
|
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first two. There almost isn’t a need. Dune alone is that good. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set in the far future amidst a sprawling feudal interstellar empire
|
||
where planetary dynasties are controlled by noble houses that owe an
|
||
allegiance to the imperial House Corrino, <em>Dune</em> tells the story
|
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of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir
|
||
of House Atreides) as he and his family accept control of the desert
|
||
planet Arrakis, the only source of the “spice” melange, the most
|
||
important and valuable substance in the cosmos. The story explores the
|
||
complex, multilayered interactions of politics, religion, ecology,
|
||
technology and human emotion, as the forces of the empire confront each
|
||
other for control of Arrakis.</p>
|
||
<p>Published in 1965, it won the Hugo Award in 1966 and the inaugural
|
||
Nebula Award for Best Novel. <em>Dune</em> is frequently cited as the
|
||
world’s best-selling SF novel.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="embassytown-2011-by-china-miéville-3.8"><a
|
||
href="https://www.goodreads.com/book/show/9265453-embassytown">Embassytown</a>
|
||
(2011) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/China_Mi%C3%A9ville">China
|
||
Miéville</a></em> [3.8]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the far future, humans have colonized a distant planet, home to
|
||
the enigmatic Ariekei, sentient beings famed for a language unique in
|
||
the universe, one that only a few altered human ambassadors can
|
||
speak.</p>
|
||
<p>Avice Benner Cho, a human colonist, has returned to Embassytown after
|
||
years of deep-space adventure. She cannot speak the Ariekei tongue, but
|
||
she is an indelible part of it, having long ago been made a figure of
|
||
speech, a living simile in their language.</p>
|
||
<p>When distant political machinations deliver a new ambassador to
|
||
Arieka, the fragile equilibrium between humans and aliens is violently
|
||
upset. Catastrophe looms, and Avice is torn between competing
|
||
loyalties—to a husband she no longer loves, to a system she no longer
|
||
trusts, and to her place in a language she cannot speak yet speaks
|
||
through her.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="expanse-2011-2021-by-james-s.a.-corey-4.17-avg"><a
|
||
href="https://www.goodreads.com/series/56399-expanse">Expanse</a>
|
||
(2011-2021) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/James_S._A._Corey">James S.A.
|
||
Corey</a></em> [4.17 (avg)]</h4>
|
||
<p>A series comprised (as of 2019) of eight full-length novels with a
|
||
total of nine entries planned. Several shorts not relevant to the main
|
||
plot also exist. Notable for this series is the attention to detail
|
||
regarding the actual physics involved in space travel and the challenges
|
||
of daily life outside a friendly biosphere. The narrative, which is told
|
||
from the changing perspectives of a cast of diverse characters, offers a
|
||
healthy mix of humor and suspension, making it an entertaining read. -
|
||
<a href="https://github.com/jpkempf"><span class="citation"
|
||
data-cites="jpkempf">@jpkempf</span></a></p>
|
||
<p>The books are real page turners with its mix of high politics, space
|
||
battles, ancient mysteries, day-to-day grit and cultural differences,
|
||
and the world Expanse starts out with really changes over the course of
|
||
the books. You may find book four (Cibola Burn) a bit slow, but keep at
|
||
it, subsequent books really pay dividends. - <a
|
||
href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Humanity has colonized the solar system - Mars, the Moon, the
|
||
Asteroid Belt and beyond - but the stars are still out of our reach.</p>
|
||
<p>Jim Holden is XO of an ice miner making runs from the rings of Saturn
|
||
to the mining stations of the Belt. When he and his crew stumble upon a
|
||
derelict ship, “The Scopuli,” they find themselves in possession of a
|
||
secret they never wanted. A secret that someone is willing to kill for -
|
||
and kill on a scale unfathomable to Jim and his crew. War is brewing in
|
||
the system unless he can find out who left the ship and why.</p>
|
||
</blockquote>
|
||
</details>
|
||
<p>Books: - <a
|
||
href="https://www.goodreads.com/book/show/8855321-leviathan-wakes">Leviathan
|
||
Wakes</a> [4.2] 🔥 - <a
|
||
href="https://www.goodreads.com/book/show/12591698-caliban-s-war">Caliban’s
|
||
War</a> [4.3] 🔥 - <a
|
||
href="https://www.goodreads.com/book/show/16131032-abaddon-s-gate">Abaddon’s
|
||
Gate</a> [4.2] - <a
|
||
href="https://www.goodreads.com/book/show/18656030-cibola-burn">Cibola
|
||
Burn</a> [4.2] - <a
|
||
href="https://www.goodreads.com/book/show/22886612-nemesis-games">Nemesis
|
||
Games</a> [4.4] - <a
|
||
href="https://www.goodreads.com/book/show/25877663-babylon-s-ashes">Babylon’s
|
||
Ashes</a> [4.2] - <a
|
||
href="https://www.goodreads.com/book/show/34600958-persepolis-rising">Persepolis
|
||
Rising</a> [4.3] - <a
|
||
href="https://www.goodreads.com/book/show/28335698-tiamat-s-wrath">Tiamat’s
|
||
Wrath</a> [4.5] - <a
|
||
href="https://www.goodreads.com/book/show/28335699-leviathan-falls">Leviathan
|
||
Falls</a> [4.5]</p>
|
||
<h4 id="flatland-1884-by-edwin-a.-abbott-3.8"><a
|
||
href="https://www.goodreads.com/book/show/433567.Flatland">Flatland</a>
|
||
(1884) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Edwin_Abbott_Abbott">Edwin A.
|
||
Abbott</a></em> [3.8] 🌟</h4>
|
||
<p>This book will teach you to stretch your imagination and see things
|
||
in a different way. - <a href="https://github.com/elssar"><span
|
||
class="citation" data-cites="elssar">@elssar</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>This masterpiece of science (and mathematical) fiction is a
|
||
delightfully unique and highly entertaining satire that has charmed
|
||
readers for more than 100 years. The work of English clergyman, educator
|
||
and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the
|
||
journeys of A. Square, a mathematician and resident of the
|
||
two-dimensional Flatland, where women—thin, straight lines—are the
|
||
lowliest of shapes, and where men may have any number of sides,
|
||
depending on their social status.</p>
|
||
<p>Through strange occurrences that bring him into contact with a host
|
||
of geometric forms, Square has adventures in Spaceland (three
|
||
dimensions), Lineland (one dimension) and Pointland (no dimensions) and
|
||
ultimately entertains thoughts of visiting a land of four dimensions—a
|
||
revolutionary idea for which he is returned to his two-dimensional
|
||
world. Charmingly illustrated by the author, Flatland is not only
|
||
fascinating reading, it is still a first-rate fictional introduction to
|
||
the concept of the multiple dimensions of space. “Instructive,
|
||
entertaining, and stimulating to the imagination.” — <em>Mathematics
|
||
Teacher</em></p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="flowers-for-algernon-1959-by-daniel-keyes-4.0"><a
|
||
href="https://www.goodreads.com/book/show/18373.Flowers_for_Algernon">Flowers
|
||
for Algernon</a> (1959) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Daniel_Keyes">Daniel Keyes</a></em>
|
||
[4.0] 🌟 🔥</h4>
|
||
<p>This book is often given to high school students, but stands up well
|
||
as an adult read. I think the best part about it is what Charlie does
|
||
once he starts being intelligent; he suddenly likes art and making
|
||
things and scientific theory. I think the altruism and openness of that
|
||
time shows that the experiment, such as it was, didn’t change
|
||
everything. It’s fun to think about. Also, this book made me cry the
|
||
first time I read it. I was 25. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>With more than five million copies sold, <em>Flowers for
|
||
Algernon</em> is the beloved, classic story of a mentally disabled man
|
||
whose experimental quest for intelligence mirrors that of Algernon, an
|
||
extraordinary lab mouse. In poignant diary entries, Charlie tells how a
|
||
brain operation increases his IQ and changes his life. As the
|
||
experimental procedure takes effect, Charlie’s intelligence expands
|
||
until it surpasses that of the doctors who engineered his metamorphosis.
|
||
The experiment seems to be a scientific breakthrough of paramount
|
||
importance—until Algernon begins his sudden, unexpected deterioration.
|
||
Will the same happen to Charlie?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="foundation-trilogy-1951-by-isaac-asimov-4.22-avg"><a
|
||
href="%5Bhttps://www.goodreads.com/book/show/29579.Foundation%5D(https://www.goodreads.com/series/59386-foundation-publication-order)">Foundation
|
||
Trilogy</a> (1951) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Isaac_Asimov">Isaac Asimov</a></em>
|
||
[4.22 (avg)] 🌟 🔥</h4>
|
||
<p>Isaac Asimov’s original “Foundation Trilogy” is a mesmerizing voyage
|
||
into the realm of science fiction, presenting a grand game of 4D chess
|
||
spread over centuries, propelled by the innovative concept of
|
||
‘psychohistory’. Its thought-provoking exploration of power, control,
|
||
and inevitability underscores its status as a seminal piece in the
|
||
pantheon of sci-fi literature. - <a
|
||
href="https://github.com/edoardodanna"><span class="citation"
|
||
data-cites="edoardodanna">@edoardodanna</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>For twelve thousand years the Galactic Empire has ruled supreme. Now
|
||
it is dying. But only Hari Sheldon, creator of the revolutionary science
|
||
of psychohistory, can see into the future—to a dark age of ignorance,
|
||
barbarism, and warfare that will last thirty thousand years. To preserve
|
||
knowledge and save mankind, Seldon gathers the best minds in the
|
||
Empire—both scientists and scholars—and brings them to a bleak planet at
|
||
the edge of the Galaxy to serve as a beacon of hope for a future
|
||
generations. He calls his sanctuary the Foundation.</p>
|
||
<p>But soon the fledgling Foundation finds itself at the mercy of
|
||
corrupt warlords rising in the wake of the receding Empire. Mankind’s
|
||
last best hope is faced with an agonizing choice: submit to the
|
||
barbarians and be overrun—or fight them and be destroyed.</p>
|
||
</blockquote>
|
||
</details>
|
||
<p>Books: - <a
|
||
href="https://www.goodreads.com/book/show/29579.Foundation">Foundation</a>
|
||
[4.2] 🔥 - <a
|
||
href="https://www.goodreads.com/book/show/29581.Foundation_and_Empire">Foundation
|
||
and Empire</a> [4.2] 🔥 - <a
|
||
href="https://www.goodreads.com/book/show/29580.Second_Foundation">Second
|
||
Foundation</a> [4.3] 🔥</p>
|
||
<h4
|
||
id="frankenstein-or-the-modern-prometheus-1818-by-mary-wollstonecraft-shelley-3.7"><a
|
||
href="https://www.goodreads.com/book/show/18490.Frankenstein">Frankenstein;
|
||
or, The Modern Prometheus</a> (1818) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Mary_Shelley">Mary Wollstonecraft
|
||
Shelley</a></em> [3.7] 🌟 🔥</h4>
|
||
<p>Archetypal tale of mad science with the theme of ‘how far can Science
|
||
go’ that arguably spawned the modern genre of Science Fiction. - <a
|
||
href="https://github.com/katamaritaco"><span class="citation"
|
||
data-cites="katamaritaco">@katamaritaco</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Mary Shelley began writing Frankenstein when she was only eighteen.
|
||
At once a Gothic thriller, a passionate romance, and a cautionary tale
|
||
about the dangers of science, Frankenstein tells the story of committed
|
||
science student Victor Frankenstein. Obsessed with discovering the cause
|
||
of generation and life and bestowing animation upon lifeless matter,
|
||
Frankenstein assembles a human being from stolen body parts but; upon
|
||
bringing it to life, he recoils in horror at the creature’s hideousness.
|
||
Tormented by isolation and loneliness, the once-innocent creature turns
|
||
to evil and unleashes a campaign of murderous revenge against his
|
||
creator, Frankenstein.</p>
|
||
<p>Frankenstein, an instant bestseller and an important ancestor of both
|
||
the horror and science fiction genres, not only tells a terrifying
|
||
story, but also raises profound, disturbing questions about the very
|
||
nature of life and the place of humankind within the cosmos: What does
|
||
it mean to be human? What responsibilities do we have to each other? How
|
||
far can we go in tampering with Nature? In our age, filled with news of
|
||
organ donation genetic engineering, and bioterrorism, these questions
|
||
are more relevant than ever.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="glasshouse-2006-by-charles-stross-3.8"><a
|
||
href="https://www.goodreads.com/book/show/17866.Glasshouse">Glasshouse</a>
|
||
(2006) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Charles_Stross">Charles
|
||
Stross</a></em> [3.8]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>When Robin wakes up in a clinic with most of his memories missing, it
|
||
doesn’t take him long to discover that someone is trying to kill him.
|
||
It’s the twenty-seventh century, when interstellar travel is by teleport
|
||
gate and conflicts are fought by network worms that censor refugees’
|
||
personalities and target historians. The civil war is over and Robin has
|
||
been demobilized, but someone wants him out of the picture because of
|
||
something his earlier self knew.</p>
|
||
<p>On the run from a ruthless pursuer and searching for a place to hide,
|
||
he volunteers to participate in a unique experimental polity, the
|
||
Glasshouse, constructed to simulate a pre-accelerated culture.
|
||
Participants are assigned anonymized identities: It looks like the ideal
|
||
hiding place for a posthuman on the run. But in this escape-proof
|
||
environment, Robin will undergo an even more radical change, placing him
|
||
at the mercy of the experimenters—and at the mercy of his own unbalanced
|
||
psyche…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="home-fires-2011-by-gene-wolfe-3.3"><a
|
||
href="https://www.goodreads.com/book/show/8694515-home-fires">Home
|
||
Fires</a> (2011) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Gene_Wolfe">Gene Wolfe</a></em>
|
||
[3.3]</h4>
|
||
<p>This is a pretty good book. Like later Gene Wolfe books, it reads a
|
||
bit dry, and the main character is sometimes one sided. But the context
|
||
and the fleshed out world entirely make up for it, as does Gene Wolfe’s
|
||
standard of never mentioning an important detail more than once as a
|
||
foreshadowing. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Gene Wolfe takes us to a future North America at once familiar and
|
||
utterly strange. A young man and woman, Skip and Chelle, fall in love in
|
||
college and marry, but she is enlisted in the military, there is a war
|
||
on, and she must serve her tour of duty before they can settle down. But
|
||
the military is fighting a war with aliens in distant solar systems, and
|
||
her months in the service will be years in relative time on Earth.
|
||
Chelle returns to recuperate from severe injuries, after months of
|
||
service, still a young woman but not necessarily the same person—while
|
||
Skip is in his forties and a wealthy businessman, but eager for her
|
||
return.</p>
|
||
<p>Still in love (somewhat to his surprise and delight), they go on a
|
||
Caribbean cruise to resume their marriage. Their vacation rapidly
|
||
becomes a complex series of challenges, not the least of which are
|
||
spies, aliens, and battles with pirates who capture the ship for ransom.
|
||
There is no writer in SF like Gene Wolfe and no SF novel like <em>Home
|
||
Fires</em>.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="jean-le-flambeur-series-2010-2012-2014-by-hannu-rajaniemi-4.0-avg"><a
|
||
href="https://www.goodreads.com/series/57134-jean-le-flambeur">Jean le
|
||
Flambeur Series</a> (2010, 2012, 2014) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Hannu_Rajaniemi">Hannu
|
||
Rajaniemi</a></em> [4.0 (avg)]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Jean le Flambeur gets up in the morning and has to kill himself
|
||
before his other self can kill him first. Just another day in the
|
||
Dilemma Prison. Rescued by the mysterious Mieli and her flirtatious
|
||
spacecraft, Jean is taken to the Oubliette, the Moving City of Mars,
|
||
where time is a currency, memories are treasures, and a
|
||
moon-turned-singularity lights the night. Meanwhile, investigator
|
||
Isidore Beautrelet, called in to investigate the murder of a
|
||
chocolatier, finds himself on the trail of an arch-criminal, a man named
|
||
le Flambeur…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="jem-1979-by-frederik-pohl-3.6"><a
|
||
href="https://www.goodreads.com/book/show/591572.Jem">Jem</a> (1979)
|
||
<em>by <a href="https://en.wikipedia.org/wiki/Frederik_Pohl">Frederik
|
||
Pohl</a></em> [3.6]</h4>
|
||
<p>This book has a few beautiful passages. It deals mainly with the
|
||
ethics of using alien species for nationalistic purposes, and for that
|
||
alone was an interesting read. Like a lot of science fiction, I found it
|
||
a bit hard to empathize with any particular characters, but it’s a short
|
||
read and worth it anyway. The politics are a bit dated. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The discovery of another habitable world might spell salvation to the
|
||
three bitterly competing power blocs of the resource-starved 21st
|
||
century; but when their representatives arrive on Jem, with its multiple
|
||
intelligent species, they discover instead the perfect situation into
|
||
which to export their rivalries. Subtitled, with savage irony, “<em>The
|
||
Making of a Utopia</em>”, Jem is one of Frederik Pohl’s most powerful
|
||
novels.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="lord-of-light-1967-by-roger-zelazny-4.1"><a
|
||
href="https://www.goodreads.com/book/show/13821.Lord_of_Light">Lord of
|
||
Light</a> (1967) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Roger_Zelazny">Roger
|
||
Zelazny</a></em> [4.1]</h4>
|
||
<p>This was like if Hermann Hesse decided he was tired of writing
|
||
Steppenwolf and Siddhartha and wanted to do something interesting for a
|
||
change. What a weird book. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Earth is long since dead. On a colony planet, a band of men has
|
||
gained control of technology, made themselves immortal, and now rule
|
||
their world as the gods of the Hindu pantheon. Only one dares oppose
|
||
them: he who was once Siddhartha and is now Mahasamatman. Binder of
|
||
Demons, Lord of Light.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="planet-wizard-1969-by-john-jakes-3.3"><a
|
||
href="https://www.goodreads.com/book/show/11796889-the-planet-wizard">Planet
|
||
Wizard</a> (1969) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/John_Jakes">John Jakes</a></em>
|
||
[3.3]</h4>
|
||
<p>This book has a banger name. The story of a conman wizard who’s not
|
||
really a wizard, forced to travel to another planet in order to exorcize
|
||
the demons of a ruined sister planet. John Jakes is more well known for
|
||
his historical fiction, so it’s interesting to read his take on a
|
||
different genre. - <a href="https://github.com/just-an-e"><span
|
||
class="citation" data-cites="just-an-e">@just-an-e</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>On a post-apocalyptic world far from Earth, Magus Blacklaw, a
|
||
traveling mountebank, is in trouble with the law. He and his daughter
|
||
soon fall in with a young man, and pretty soon all three are condemned
|
||
to ride a skysled to exorcize the demons of a formerly commercial sister
|
||
planet.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="red-dwarf-1989-by-grant-naylor-4.3"><a
|
||
href="https://www.goodreads.com/book/show/70956.Red_Dwarf_Omnibus">Red
|
||
Dwarf</a> (1989) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Grant_Naylor">Grant Naylor</a></em>
|
||
[4.3]</h4>
|
||
<p>Actually four books by two authors. It was made into a TV series but
|
||
the books should be consumed instead. Very high quality over the top
|
||
deep space trouble with anti-hero Lister and his crew. - <a
|
||
href="https://github.com/montao"><span class="citation"
|
||
data-cites="montao">@montao</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>…three million years from Earth, marooned in the wrong dimension of
|
||
the wrong reality, and down to his last two cigarettes.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="remembrance-of-earths-past-trilogy-2014-2016-by-liu-cixin"><a
|
||
href="https://www.goodreads.com/series/189931-remembrance-of-earth-s-past">Remembrance
|
||
of Earth’s Past Trilogy</a> (2014-2016) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Liu_Cixin">Liu Cixin</a></em></h4>
|
||
<p>Although each part can be read independently, the whole trilogy has a
|
||
consistent story line which happens in a very huge time-space context
|
||
and the first just a beginning. The later two are especially much more
|
||
hardcore and dramatical, however, gloomy as well. While the first one
|
||
got the Hugo Award, I’d like to say that it really worth a try for the
|
||
whole trilogy, don’t miss the later two. - <a
|
||
href="https://github.com/cp4"><span class="citation"
|
||
data-cites="cp4">@cp4</span></a></p>
|
||
<p>Books: - <a
|
||
href="https://www.goodreads.com/book/show/20518872-the-three-body-problem">The
|
||
Three-Body Problem</a> [4.0] 🔥 - <a
|
||
href="https://www.goodreads.com/book/show/23168817-the-dark-forest">The
|
||
Dark Forest</a> [4.4] - <a
|
||
href="https://www.goodreads.com/book/show/25451264-death-s-end">Death’s
|
||
End</a> [4.4]</p>
|
||
<h5 id="the-three-body-problem-2014-4.0"><a
|
||
href="https://www.goodreads.com/book/show/20518872-the-three-body-problem">The
|
||
Three Body Problem</a> (2014) [4.0]</h5>
|
||
<p>This book is not just filled to the brim with interesting and novel
|
||
ideas about technology and civilization, it also offers some really
|
||
great insights into China and its recent history.</p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set against the backdrop of China’s Cultural Revolution, a secret
|
||
military project sends signals into space to establish contact with
|
||
aliens. An alien civilization on the brink of destruction captures the
|
||
signal and plans to invade Earth. Meanwhile, on Earth, different camps
|
||
start forming, planning to either welcome the superior beings and help
|
||
them take over a world seen as corrupt, or to fight against the
|
||
invasion. The result is a science fiction masterpiece of enormous scope
|
||
and vision.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h5 id="the-dark-forest-2015-4.4"><a
|
||
href="https://www.goodreads.com/book/show/23168817-the-dark-forest">The
|
||
Dark Forest</a> (2015) [4.4]</h5>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In The Dark Forest, Earth is reeling from the revelation of a coming
|
||
alien invasion — four centuries in the future. The aliens’ human
|
||
collaborators have been defeated but the presence of the sophons, the
|
||
subatomic particles that allow Trisolaris instant access to all human
|
||
information, means that Earth’s defense plans are exposed to the enemy.
|
||
Only the human mind remains a secret.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h5 id="deaths-end-2016-4.4"><a
|
||
href="https://www.goodreads.com/book/show/25451264-death-s-end">Death’s
|
||
End</a> (2016) [4.4]</h5>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Now this epic trilogy concludes with Death’s End. Half a century
|
||
after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence
|
||
keeps the Trisolaran invaders at bay. Earth enjoys unprecedented
|
||
prosperity due to the infusion of Trisolaran knowledge. With human
|
||
science advancing daily and the Trisolarans adopting Earth culture, it
|
||
seems that the two civilizations will soon be able to co-exist
|
||
peacefully as equals without the terrible threat of mutually assured
|
||
annihilation. But the peace has also made humanity complacent.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="rendezvous-with-rama-1973-by-arthur-c.-clarke-4.0"><a
|
||
href="https://www.goodreads.com/book/show/112537.Rendezvous_with_Rama">Rendezvous
|
||
with Rama</a> (1973) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
|
||
Clarke</a></em> [4.0]</h4>
|
||
<p>This book is filled with a quiet suspense that is almost palpable; in
|
||
that, it does an extraordinary job of showing how humans respond to
|
||
alien encounters. The otherworldliness of Rama isn’t always interesting,
|
||
but the reaction of the reader to it is. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>At first, only a few things are known about the celestial object that
|
||
astronomers dub Rama. It is huge, weighing more than ten trillion tons.
|
||
And it is hurtling through the solar system at an inconceivable speed.
|
||
Then a space probe confirms the unthinkable: Rama is no natural object.
|
||
It is, incredibly, an interstellar spacecraft. Space explorers and
|
||
planet-bound scientists alike prepare for mankind’s first encounter with
|
||
alien intelligence. It will kindle their wildest dreams… and fan their
|
||
darkest fears. For no one knows who the Ramans are or why they have
|
||
come. And now the moment of rendezvous awaits—just behind a Raman
|
||
airlock door.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="roadside-picnic-1972-by-arkady-strugatsky-boris-strugatsky-4.2"><a
|
||
href="https://www.goodreads.com/book/show/331256.Roadside_Picnic">Roadside
|
||
Picnic</a> (1972) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arkady_and_Boris_Strugatsky">Arkady
|
||
Strugatsky & Boris Strugatsky</a></em> [4.2]</h4>
|
||
<p>Twitter user: One of the best books I have ever read.</p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Red Schuhart is a stalker, one of those strange misfits compelled to
|
||
venture illegally into the Zone and collect the strange artifacts that
|
||
the alien visitors left scattered there. His whole life, even the nature
|
||
of his daughter, is determined by the Zone.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="solaris-1961-by-stanisław-lem-3.9"><a
|
||
href="https://www.goodreads.com/book/show/95558.Solaris">Solaris</a>
|
||
(1961) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Stanis%C5%82aw_Lem">Stanisław
|
||
Lem</a></em> [3.9] 🌟</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A classic work of science fiction by renowned Polish novelist and
|
||
satirist Stanisław Lem.</p>
|
||
<p>When Kris Kelvin arrives at the planet Solaris to study the ocean
|
||
that covers its surface, he finds a painful, hitherto unconscious memory
|
||
embodied in the living physical likeness of a long-dead lover. Others
|
||
examining the planet, Kelvin learns, are plagued with their own
|
||
repressed and newly corporeal memories. The Solaris ocean may be a
|
||
massive brain that creates these incarnate memories, though its purpose
|
||
in doing so is unknown, forcing the scientists to shift the focus of
|
||
their quest and wonder if they can truly understand the universe without
|
||
first understanding what lies within their hearts.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="space-trilogy-out-of-the-silent-planet-perelandra-and-that-hideous-strength-by-c.-s.-lewis-4.1"><a
|
||
href="https://www.goodreads.com/book/show/30628.Out_of_the_Silent_Planet_Perelandra_That_Hideous_Strength?ac=1">Space
|
||
Trilogy: Out of the Silent Planet, Perelandra, and That Hideous
|
||
Strength</a> <em>by <a
|
||
href="https://en.wikipedia.org/wiki/C._S._Lewis">C. S. Lewis</a></em>
|
||
[4.1]</h4>
|
||
<h5 id="out-of-the-silent-planet-1938-by-c.-s.-lewis-3.9"><a
|
||
href="https://www.goodreads.com/book/show/25350.Out_of_the_Silent_Planet">Out
|
||
of the Silent Planet</a> (1938) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/C._S._Lewis">C. S. Lewis</a></em>
|
||
[3.9]</h5>
|
||
<p>A fairly well-wrapped first book in a trilogy, that has some very
|
||
imaginative and well worked through takes on what Martian life may have
|
||
looked like at the time. I love the imagery, and the theology isn’t as
|
||
worked through everything as the other books. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the first novel of C. S. Lewis’s classic science fiction trilogy,
|
||
Dr. Ransom, a Cambridge academic, is abducted and taken on a spaceship
|
||
to the red planet of Malacandra, which he knows as Mars. His captors are
|
||
plotting to plunder the planet’s treasures and plan to offer Ransom as a
|
||
sacrifice to the creatures who live there. Ransom discovers he has come
|
||
from the “silent planet”–Earth–whose tragic story is known throughout
|
||
the universe…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h5 id="perelandra-1944-by-c.-s.-lewis-4.0"><a
|
||
href="https://www.goodreads.com/book/show/100924.Perelandra">Perelandra</a>
|
||
(1944) <em>by <a href="https://en.wikipedia.org/wiki/C._S._Lewis">C. S.
|
||
Lewis</a></em> [4.0]</h5>
|
||
<p>This book has a wonderful look at non-technological space travel and
|
||
what paradise might look like on another planet. Lots of good
|
||
philosophy, too. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The second novel in Lewis’s science fiction trilogy tells of
|
||
Dr. Ransom’s voyage to the planet of Perelandra (Venus). Dr. Ransom is
|
||
sent by the Elida to Perelandra (Venus) to battle against evil incarnate
|
||
and preserve a second Eden from the evil forces present in the possessed
|
||
body of his enemy, Weston. Through these works, Lewis explores issues of
|
||
good and evil, and his remarkable and vividly imaginative descriptions
|
||
of other worlds cements his place as a first-class author of science
|
||
fiction adventure.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h5 id="that-hideous-strength-1945-by-c.-s.-lewis-3.9"><a
|
||
href="https://www.goodreads.com/book/show/100933.That_Hideous_Strength">That
|
||
Hideous Strength</a> (1945) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/C._S._Lewis">C. S. Lewis</a></em>
|
||
[3.9]</h5>
|
||
<p>One of the weirdest books I have read and enjoyed. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The third novel in the science-fiction trilogy by C. S. Lewis. This
|
||
final story is set on Earth, and tells of a terrifying conspiracy
|
||
against humanity. The story surrounds Mark and Jane Studdock, a newly
|
||
married couple. Mark is a sociologist who is enticed to join an
|
||
organization called N.I.C.E. which aims to control all human life. His
|
||
wife, meanwhile, has bizarre prophetic dreams about a decapitated
|
||
scientist, Alcasan. As Mark is drawn inextricably into the sinister
|
||
organization, he discovers the truth of his wife’s dreams when he meets
|
||
the literal head of Alcasan which is being kept alive by infusions of
|
||
blood. Jane seeks help concerning her dreams at a community called
|
||
St. Anne’s, where she meets their leader—Dr. Ransom (the main character
|
||
of the previous two titles in the trilogy). The story ends in a final
|
||
spectacular scene at the N.I.C.E. headquarters where Merlin appears to
|
||
confront the powers of Hell.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="speaker-for-the-dead-1994-by-orson-scott-card-4.0"><a
|
||
href="https://www.goodreads.com/book/show/7967.Speaker_for_the_Dead">Speaker
|
||
for the Dead</a> (1994) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Orson_Scott_Card">Orson Scott
|
||
Card</a></em> [4.0]</h4>
|
||
<p>I had been putting off reading this book for years, after reading
|
||
<em>Ender’s Game</em> and not knowing wanting to belittle it with a bad
|
||
sequel (like I thought <em>Ender’s Shadow</em> had been). I regret that
|
||
immensely, having now read this book; it is deep, insightful, and
|
||
brilliantly written. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the aftermath of his terrible war, Ender Wiggin disappeared, and a
|
||
powerful voice arose: the Speaker for the Dead, who told of the true
|
||
story of the Bugger War.</p>
|
||
<p>Now long years later, a second alien race has been discovered, but
|
||
again the aliens’ ways are strange and frightening…again, humans die.
|
||
And it is only the Speaker for the Dead, who is also Ender Wiggin the
|
||
Xenocide, who has the courage to confront the mystery…and the truth.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="spin-2005-by-robert-charles-wilson-4.0"><a
|
||
href="https://www.goodreads.com/book/show/910863.Spin">Spin</a> (2005)
|
||
<em>by <a
|
||
href="https://en.wikipedia.org/wiki/Robert_Charles_Wilson">Robert
|
||
Charles Wilson</a></em> [4.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>One night in October when he was ten years old, Tyler Dupree stood in
|
||
his back yard and watched the stars go out. They all flared into
|
||
brilliance at once, then disappeared, replaced by a flat, empty black
|
||
barrier. He and his best friends, Jason and Diane Lawton, had seen what
|
||
became known as the Big Blackout. It would shape their lives.</p>
|
||
<p>Life on Earth is about to get much, much stranger.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stand-on-zanzibar-1968-by-john-brunner-4.0"><a
|
||
href="https://www.goodreads.com/book/show/41069.Stand_on_Zanzibar">Stand
|
||
on Zanzibar</a> (1968) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/John_Brunner_%28novelist%29">John
|
||
Brunner</a></em> [4.0]</h4>
|
||
This book was written about 2010, and what the world would be like when
|
||
the world is over populated. It is still very pertinent today,
|
||
especially given the style of writing, which seems to have too much
|
||
information packed in than needed. ‘Muckers’, the idea of people who go
|
||
crazy without reason due to overcrowdedness, are a really interesting
|
||
concept given the rise in anti-terrorist rhetoric in recent years. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Norman Niblock House is a rising executive at General Technics, one
|
||
of a few all-powerful corporations. His work is leading General Technics
|
||
to the forefront of global domination, both in the marketplace and
|
||
politically—it’s about to take over a country in Africa. Donald Hogan is
|
||
his roommate, a seemingly sheepish bookworm. But Hogan is a spy, and
|
||
he’s about to discover a breakthrough in genetic engineering that will
|
||
change the world… and kill him. These two men’s lives weave through one
|
||
of science fiction’s most praised novels. Written in a way that echoes
|
||
John Dos Passos’ <em>U.S.A.</em> trilogy, <em>Stand on Zanzibar</em> is
|
||
a cross-section of a world overpopulated by the billions. Where society
|
||
is squeezed into hive-living madness by god-like mega computers,
|
||
mass-marketed psychedelic drugs, and mundane uses of genetic
|
||
engineering. Though written in 1968, it speaks of 2010, and is
|
||
frighteningly prescient and intensely powerful.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="star-maker-1937-by-olaf-stapledon-3.9"><a
|
||
href="https://www.goodreads.com/book/show/525304.Star_Maker">Star
|
||
Maker</a> (1937) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Olaf_Stapledon">Olaf
|
||
Stapledon</a></em> [3.9] 🌟</h4>
|
||
<p>If you’re going to read one Science Fiction book to get a broader
|
||
perspective on what it means to be human and the size of space and time,
|
||
read this one. It blew me away. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Star Maker</em> is a science fiction novel by Olaf Stapledon,
|
||
published in 1937. The book describes a history of life in the universe,
|
||
dwarfing in scale Stapledon’s previous book, <em>Last and First Men</em>
|
||
(1930), a history of the human species over two billion years. <em>Star
|
||
Maker</em> tackles philosophical themes such as the essence of life, of
|
||
birth, decay and death, and the relationship between creation and
|
||
creator. A pervading theme is that of progressive unity within and
|
||
between different civilizations. Some of the elements and themes briefly
|
||
discussed prefigure later fiction concerning genetic engineering and
|
||
alien life forms. Arthur C. Clarke considered <em>Star Maker</em> to be
|
||
one of the finest works of science fiction ever written.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-deep-range-1957-by-arthur-c.-clarke-3.7"><a
|
||
href="https://www.goodreads.com/book/show/20410412-the-deep-range">The
|
||
Deep Range</a> (1957) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
|
||
Clarke</a></em> [3.7]</h4>
|
||
<p>This is one of Arthur C. Clarke’s novels that is less about space and
|
||
more about humanity, and the oceans. Clarke lived for a large part of
|
||
his later life in Sri Lanka, and always loved the sea; in this book,
|
||
that sentiment really comes out. I love it for that. It also has a nice
|
||
view of ocean management, which is rare for books set in the future. -
|
||
<a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A century into the future, humanity lives mostly on the sea. Gigantic
|
||
whale herds are tended by submariners, and vast plankton farms feed the
|
||
world.</p>
|
||
<p>Walter Franklin, once a space engineer, now works on a submarine
|
||
patrol. This novel tells the story of his adventures, including
|
||
Franklin’s capture of an enormous kraken at 12,000 feet under the sea;
|
||
his search for a monstrous sea serpent; and the thrilling rescue of a
|
||
sunken submarine-all set against the backdrop of a futuristic world
|
||
that’s both imaginative and believable.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-fifth-head-of-cerberus-1972-by-gene-wolfe-4.0"><a
|
||
href="https://www.goodreads.com/book/show/845501.The_Fifth_Head_of_Cerberus">The
|
||
Fifth Head of Cerberus</a> (1972) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Gene_Wolfe">Gene Wolfe</a></em>
|
||
[4.0]</h4>
|
||
<p>This is an incredible book. Absolutely incredible. The first section,
|
||
about a son of a scientist, is a great example of Wolfe’s ability to
|
||
make the future sound like the Victorian past, and to add decay to what,
|
||
to our eyes, seems incredibly futuristic. The story about the traveler
|
||
and the aborigines on Saint Croix is something I think about a lot -
|
||
“old men think long thoughts”, in particular, is a thought that I love,
|
||
especially given its context. Gene Wolfe also uses the epistolary novel
|
||
technique incredibly well in the third story. But the best part is how
|
||
you come to realize that each of these stories is intertwined with the
|
||
others, subtly. Amazing storytelling. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Gene Wolfe’s <em>The Fifth Head of Cerberus</em> is a universally
|
||
acknowledged masterpiece of science fiction by one of the field’s most
|
||
brilliant writers. Far out from Earth, two sister planets, Saint Anne
|
||
and Saint Croix, circle each other in an eternal dance. It is said a
|
||
race of shapeshifters once lived here, only to perish when men came. But
|
||
one man believes they can still be found, somewhere in the back of the
|
||
beyond.</p>
|
||
<p>In <em>The Fifth Head of Cerberus</em>, Wolfe skillfully interweaves
|
||
three bizarre tales to create a mesmerizing pattern: the harrowing
|
||
account of the son of a mad genius who discovers his hideous heritage; a
|
||
young man’s mythic dreamquest for his darker half; the bizarre chronicle
|
||
of a scientists’ nightmarish imprisonment. Like an intricate, braided
|
||
knot, the pattern at last unfolds to reveal astonishing truths about
|
||
this strange and savage alien landscape.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="the-first-fifteen-lives-of-harry-august-2014-_by-claire-north-4.01"><a
|
||
href="https://www.goodreads.com/book/show/35066358-the-first-fifteen-lives-of-harry-august">The
|
||
First Fifteen Lives of Harry August</a> (2014) _by <a
|
||
href="https://en.wikipedia.org/wiki/Catherine_Webb">Claire North</a>
|
||
[4.01]</h4>
|
||
<p>An awesome book. Intriguing ,funny and moving. Never mind the
|
||
negative reviews…I would have given it a 6th star if I could. - <a
|
||
href="https://github.com/naz2001"><span class="citation"
|
||
data-cites="naz2001">@naz2001</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Some stories cannot be told in just one lifetime. Harry August is on
|
||
his deathbed. Again. No matter what he does or the decisions he makes,
|
||
when death comes, Harry always returns to where he began, a child with
|
||
all the knowledge of a life he has already lived a dozen times before.
|
||
Nothing ever changes. Until now. As Harry nears the end of his eleventh
|
||
life, a little girl appears at his bedside. “I nearly missed you, Doctor
|
||
August,” she says. “I need to send a message.” This is the story of what
|
||
Harry does next, and what he did before, and how he tries to save a past
|
||
he cannot change and a future he cannot allow.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-gods-themselves-1972-by-isaac-asimov-4.1"><a
|
||
href="https://www.goodreads.com/book/show/41821.The_Gods_Themselves">The
|
||
Gods Themselves</a> (1972) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Isaac_Asimov">Isaac Asimov</a></em>
|
||
[4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the twenty-second century Earth obtains limitless, free energy
|
||
from a source science little understands: an exchange between Earth and
|
||
a parallel universe, using a process devised by the aliens. But even
|
||
free energy has a price. The transference process itself will eventually
|
||
lead to the destruction of Earth’s Sun—and of Earth itself.</p>
|
||
<p>Only a few know the terrifying truth—an outcast Earth scientist, a
|
||
rebellious alien inhabitant who senses the imminent annihilation of the
|
||
Sun. They know the truth—but who will listen? They have foreseen the
|
||
cost of abundant energy—but who will believe? These few beings, human
|
||
and alien, hold the key to Earth’s survival.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-golden-age-2002-2003-by-john-c.-wright-4.1"><a
|
||
href="https://www.goodreads.com/series/41545-golden-age">The Golden
|
||
Age</a> (2002, 2003) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/John_C._Wright_%28author%29">John C.
|
||
Wright</a></em> [4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The Golden Age is 10,000 years in the future in our solar system, an
|
||
interplanetary utopian society filled with immortal humans.</p>
|
||
<p>Phaethon, of Radamanthus House, is attending a glorious party at his
|
||
family mansion celebrating the thousand-year anniversary of the High
|
||
Transcendence. There he meets an old man who accuses him of being an
|
||
imposter, and then a being from Neptune who claims to be an old friend.
|
||
The Neptunian tells him that essential parts of his memory were removed
|
||
and stored by the very government that Phaethon believes to be wholly
|
||
honorable. It shakes his faith. Is he indeed an exile from himself? He
|
||
can’t resist investigating, even though to do so could mean the loss of
|
||
his inheritance, his very place in society. His quest must be to regain
|
||
his true identity and fulfill the destiny he chose for himself.</p>
|
||
<p><em>The Golden Age</em> is just the beginning of Phaethon’s story,
|
||
which continues in <em>The Phoenix Exultant</em>.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-ice-people-1968-by-rené-barjavel-4.1"><a
|
||
href="https://www.goodreads.com/book/show/106753.The_Ice_People">The Ice
|
||
People</a> (1968) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ren%C3%A9_Barjavel">René
|
||
Barjavel</a></em> [4.1]</h4>
|
||
<p>A really good book. Many people have described it as “the best book
|
||
of Sci-Fi / romance”. I would like to see it, one day, as a movie. - <a
|
||
href="https://github.com/Gibet"><span class="citation"
|
||
data-cites="Gibet">@Gibet</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>When a French expedition in Antarctica reveals ruins of a 900,000
|
||
year old civilization, scientists from all over the world flock to the
|
||
site to help explore & understand. The entire planet watches via
|
||
global satellite tv, mesmerized, as they uncover a chamber in which a
|
||
man & a woman have been in suspended animation since, as the French
|
||
title suggests, ‘the night of time’. The woman, Eléa, is awakened. Thru
|
||
a translating machine she tells the story of her world, herself &
|
||
her husband Paikan & how war destroyed her civilization. She also
|
||
hints at an incredibly advanced knowledge her still-dormant companion
|
||
possesses, knowledge that could give energy & food to all humans at
|
||
no cost. But the superpowers of the world are not ready to let Eléa’s
|
||
secrets spread, & show that, 900,000 years & an apocalypse
|
||
later, humankind has not grown up & is ready to make the same
|
||
mistakes again.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-invisible-man-1897-by-h.-g.-wells-3.6"><a
|
||
href="https://www.goodreads.com/book/show/17184.The_Invisible_Man">The
|
||
Invisible Man</a> (1897) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/H._G._Wells">H. G. Wells</a></em>
|
||
[3.6] 🌟 🔥</h4>
|
||
<p>This is more of a read about what happens when you are outside the
|
||
law than anything else. Fascinating, and kind of reads like Sherlock
|
||
Holmes at times. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>This masterpiece of science fiction is the fascinating story of
|
||
Griffin, a scientist who creates a serum to render himself invisible,
|
||
and his descent into madness that follows.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-left-hand-of-darkness-1969-by-ursula-le-guin-4.1"><a
|
||
href="https://www.goodreads.com/book/show/18423.The_Left_Hand_of_Darkness">The
|
||
Left Hand of Darkness</a> (1969) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ursula_K._Le_Guin">Ursula Le
|
||
Guin</a></em> [4.1]</h4>
|
||
<p>Ursula Le Guin is an amazing writer, and this is one of her seminal
|
||
works. It explores sexuality and humanity in ways that I didn’t know
|
||
were possible. I loved it. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A groundbreaking work of science fiction, The Left Hand of Darkness
|
||
tells the story of a lone human emissary to Winter, an alien world whose
|
||
inhabitants can choose -and change - their gender. His goal is to
|
||
facilitate Winter’s inclusion in a growing intergalactic civilization.
|
||
But to do so he must bridge the gulf between his own views and those of
|
||
the completely dissimilar culture that he encounters.</p>
|
||
<p>Embracing the aspects of psychology, society, and human emotion on an
|
||
alien world, The Left Hand of Darkness stands as a landmark achievement
|
||
in the annals of intellectual science fiction.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="the-long-way-to-a-small-angry-planet-2014-by-becky-chambers-4.17"><a
|
||
href="https://www.goodreads.com/book/show/22733729-the-long-way-to-a-small-angry-planet">The
|
||
Long Way to a Small, Angry Planet</a> (2014) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Becky_Chambers_(author)">Becky
|
||
Chambers</a></em> [4.17]</h4>
|
||
<p>Funny, touching, and full of unexpected details. - <a
|
||
href="https://github.com/lgierth"><span class="citation"
|
||
data-cites="lgierth">@lgierth</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Follow a motley crew on an exciting journey through space—and one
|
||
adventurous young explorer who discovers the meaning of family in the
|
||
far reaches of the universe—in this light-hearted debut space opera from
|
||
a rising sci-fi star.</p>
|
||
<p>Life aboard the Wayfarer is chaotic and crazy—exactly what Rosemary
|
||
wants. It’s also about to get extremely dangerous when the crew is
|
||
offered the job of a lifetime. Tunneling wormholes through space to a
|
||
distant planet is definitely lucrative and will keep them comfortable
|
||
for years. But risking her life wasn’t part of the plan. In the far
|
||
reaches of deep space, the tiny Wayfarer crew will confront a host of
|
||
unexpected mishaps and thrilling adventures that force them to depend on
|
||
each other. To survive, Rosemary’s got to learn how to rely on this
|
||
assortment of oddballs—an experience that teaches her about love and
|
||
trust, and that having a family isn’t necessarily the worst thing in the
|
||
universe.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-murderbot-diaries-2017--by-martha-wells-4.3"><a
|
||
href="https://www.goodreads.com/series/191900">The Murderbot Diaries</a>
|
||
(2017-) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Martha_Wells">Martha Wells</a></em>
|
||
[4.3]</h4>
|
||
<p><em>The Murderbot Diaries</em> is a series of novellas, each one
|
||
around 150 pages starring a human-like android who keeps getting sucked
|
||
back into adventure after adventure, though it just wants to be left
|
||
alone, away from humanity and small talk and watch tv series. If you
|
||
enjoy Ann Leckie’s <em>Imperial Raadch</em> series or Iain M. Banks’
|
||
<em>Culture</em> novels, this series of novellas might be for you. They
|
||
are light, fun to read but yet still engaging enough to get your
|
||
synapses fired up. - <a href="https://github.com/oschrenk"><span
|
||
class="citation" data-cites="oschrenk">@oschrenk</span></a></p>
|
||
<p>Books:</p>
|
||
<ul>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/32758901-all-systems-red">All
|
||
Systems Red</a> [4.2]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/36223860-artificial-condition">Artificial
|
||
Condition</a> [4.3]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/35519101-rogue-protocol">Rogue
|
||
Protocol</a> [4.4]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/35519109-exit-strategy">Exit
|
||
Strategy</a> [4.4]</li>
|
||
</ul>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a corporate-dominated spacefaring future, planetary missions must
|
||
be approved and supplied by the Company. Exploratory teams are
|
||
accompanied by Company-supplied security androids, for their own safety.
|
||
But in a society where contracts are awarded to the lowest bidder,
|
||
safety isn’t a primary concern.</p>
|
||
<p>On a distant planet, a team of scientists are conducting surface
|
||
tests, shadowed by their Company-supplied ’droid — a self-aware SecUnit
|
||
that has hacked its own governor module, and refers to itself (though
|
||
never out loud) as “Murderbot.” Scornful of humans, all it really wants
|
||
is to be left alone long enough to figure out who it is.</p>
|
||
<p>But when a neighboring mission goes dark, it’s up to the scientists
|
||
and their Murderbot to get to the truth.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-polity-1998-2018-by-neal-asher-4.11"><a
|
||
href="https://www.goodreads.com/series/49128-polity-universe-chronological-order">The
|
||
Polity</a> (1998-2018) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Neal_Asher">Neal Asher</a></em>
|
||
[4.11]</h4>
|
||
<p>Neal Asher has written almost 20 books (if you include short story
|
||
compilations) set within the universe of the Polity, an interstellar
|
||
human civilization ruled by (mostly) benevolent AIs, all overseen by the
|
||
most powerful AI of all: Earth Central. There are several distinct
|
||
series within the larger Polity collection, as well as several
|
||
standalone novels and short story collections. The <em>Ian Cormac</em>
|
||
series follows a human agent of Earth Central as he investigates threats
|
||
towards the Polity. The <em>Spatterjay</em> series explores the hostile
|
||
world of Spatterjay and the lives of its hoopers: humans infected by an
|
||
alien virus that grants its hosts functional immortality, immense
|
||
strength, and incredible durability, but not without a cost. The
|
||
<em>Transformations</em> series focuses on a rogue AI named Penny Royal
|
||
capable of granting almost any wish, but its help is always a
|
||
double-edged sword. His most recent series, <em>Rise of the Jain</em>,
|
||
is about the re-emergence of an ancient and incredibly powerful alien
|
||
race that disappeared after seeding the galaxy with technological seeds
|
||
designed to destroy any intelligent civilization that came across
|
||
one.</p>
|
||
<p>All of Asher’s <em>Polity</em> novels are chock full of amazing
|
||
technology, vibrant characters, picture-painting prose, and themes that
|
||
explore the nature and limits of humanity. I was tempted to put this
|
||
series under the Hard Sci-Fi category, as Asher introduces very few
|
||
technologies that can’t be extrapolated from existing tech, but a few
|
||
things (e.g. FTL travel) and the distance in the future in which the
|
||
series is set convinced me it should probably not be included in the
|
||
“hard” category. - <a href="https://github.com/isochronous"><span
|
||
class="citation" data-cites="isochronous">@isochronous</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The phrase ‘world-building’ brings immediately to mind fantasy
|
||
especially places like the Middle Earth of Tolkien but we don’t hear
|
||
‘universe-building’ nearly enough. SF authors not only have to create
|
||
the history and society for one place, which isn’t usually even a planet
|
||
in fantasy, but for an almost unimaginable universe, which needs to be
|
||
filled with a multitude of races and planets with their own technology
|
||
and vast history.</p>
|
||
<p>In the universe of the Polity Neal Asher has created ancient, but no
|
||
longer completely active, races who remain a threat to the existence of
|
||
humanity. He tells in passing of how a ‘Quiet War’ replaced humans with
|
||
the artificial intelligence and in doing so allowed humans more freedom
|
||
than if they’d remained under their own governance. We get to see a
|
||
world pre-Polity in The Line of the Polity and post-Polity twenty years
|
||
later in The Technician, though the comparison is an aside to the
|
||
storytelling.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-voyage-of-the-space-beagle-1950-by-a.e.-van-vogt-3.9"><a
|
||
href="https://www.goodreads.com/book/show/1981484.The_Voyage_of_the_Space_Beagle">The
|
||
Voyage of the Space Beagle</a> (1950) <em>by <a
|
||
href="https://www.goodreads.com/author/show/1293688.A_E_van_Vogt">A.E.
|
||
Van Vogt</a></em> [3.9]</h4>
|
||
<p>This space opera novel reminds me of a series of <em>Star Trek</em>
|
||
episodes, if <a
|
||
href="https://en.wikipedia.org/wiki/Star_Trek_V:_The_Final_Frontier">Roddenberry’s
|
||
final frontier</a> had been a Machiavellian rather than a utopian vision
|
||
of the future. Unlike the crew of Trek’s <em>Enterprise</em>, the
|
||
<em>Beagle</em> crew engage in power struggles between its civilian and
|
||
military leaders. The plot of the third section is very reminiscent of
|
||
the <em>Alien</em> movie. - <a href="https://github.com/neontapir"><span
|
||
class="citation" data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The book can be roughly divided into four sections corresponding to
|
||
the four short stories on which it was based. In the first part, the
|
||
<em>Space Beagle</em> is infiltrated by Coeurl, a starving, intelligent
|
||
and vicious cat-like carnivore with tentacles on its shoulders. In the
|
||
second, the ship is almost destroyed by internal warfare caused by
|
||
telepathic contact with a race of bird-like aliens. The third features
|
||
Ixtl, a scarlet alien that kidnaps several crew members in order to
|
||
implant parasitic eggs in their stomachs. In the last section, the crew
|
||
battles Anabis, a galaxy-spanning consciousness.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-war-of-the-worlds-1898-by-h.-g.-wells-3.8"><a
|
||
href="https://www.goodreads.com/book/show/8909.The_War_of_the_Worlds">The
|
||
War of the Worlds</a> (1898) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/H._G._Wells">H. G. Wells</a></em>
|
||
[3.8] 🌟 🔥</h4>
|
||
<p>This is always fun; it’s a classic, and it is fun remembering what
|
||
science fiction was like before there were tropes. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Man had not yet learned to fly when H. G. Wells conceived this story
|
||
of a Martian attack on England. Giant cylinders crash to Earth,
|
||
disgorging huge, unearthly creatures armed with heat-rays and fighting
|
||
machines. Amid the boundless destruction they cause, it looks as if the
|
||
end of the world has come.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="xenogenesis-trilogy-1987-1989-by-octavia-butler"><a
|
||
href="https://www.goodreads.com/book/show/39334343-lilith-s-brood">Xenogenesis
|
||
Trilogy</a> (1987-1989) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Octavia_E._Butler">Octavia
|
||
Butler</a></em></h4>
|
||
<p>Very interesting exploration of what happens when aliens arrive on
|
||
earth, after the planet has been ravaged by war, with their own ideas of
|
||
a path forward. Humans must learn to coexist with the Oankali, genetic
|
||
colonizers of the cosmos, and confront what this means for their future
|
||
— deciding whether to give up an essential part of their identity in
|
||
order to survive. I enjoyed the first book the most, for the
|
||
worldbuilding and the way it introduces the Oankali and key concepts,
|
||
but the series has a satisfying arc so I think it’s worth reading all
|
||
three books. - <a href="https://github.com/bschlagel"><span
|
||
class="citation" data-cites="bschlagel">@bschlagel</span></a></p>
|
||
<h5 id="dawn-1987-4.1"><a
|
||
href="https://www.goodreads.com/book/show/36694961-dawn">Dawn</a> (1987)
|
||
[4.1]</h5>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Lilith Iyapo has just lost her husband and son when atomic fire
|
||
consumes Earth—the last stage of the planet’s final war. Hundreds of
|
||
years later Lilith awakes, deep in the hold of a massive alien
|
||
spacecraft piloted by the Oankali—who arrived just in time to save
|
||
humanity from extinction. They have kept Lilith and other survivors
|
||
asleep for centuries, as they learned whatever they could about Earth.
|
||
Now it is time for Lilith to lead them back to her home world, but life
|
||
among the Oankali on the newly resettled planet will be nothing like it
|
||
was before.</p>
|
||
<p>The Oankali survive by genetically merging with primitive
|
||
civilizations—whether their new hosts like it or not. For the first time
|
||
since the nuclear holocaust, Earth will be inhabited. Grass will grow,
|
||
animals will run, and people will learn to survive the planet’s untamed
|
||
wilderness. But their children will not be human. Not exactly.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h5 id="adulthood-rites-1988-4.2"><a
|
||
href="https://www.goodreads.com/book/show/19105727-adulthood-rites">Adulthood
|
||
Rites</a> (1988) [4.2]</h5>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In this sequel to Dawn, Lilith Iyapo has given birth to what looks
|
||
like a normal human boy named Akin. But Akin actually has five parents:
|
||
a male and female human, a male and female Oankali, and a sexless Ooloi.
|
||
The Oankali and Ooloi are part of an alien race that rescued humanity
|
||
from a devastating nuclear war, but the price they exact is a high one
|
||
the aliens are compelled to genetically merge their species with other
|
||
races, drastically altering both in the process.</p>
|
||
<p>On a rehabilitated Earth, this “new” race is emerging through
|
||
human/Oankali/Ooloi mating, but there are also “pure” humans who choose
|
||
to resist the aliens and the salvation they offer. These resisters are
|
||
sterilized by the Ooloi so that they cannot reproduce the genetic defect
|
||
that drives humanity to destroy itself, but otherwise they are left
|
||
alone (unless they become violent).</p>
|
||
<p>When the resisters kidnap young Akin, the Oankali choose to leave the
|
||
child with his captors, for he the most “human” of the Oankali children
|
||
will decide whether the resisters should be given back their fertility
|
||
and freedom, even though they will only destroy themselves again.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h5 id="imago-1989-4.2"><a
|
||
href="https://www.goodreads.com/book/show/17609348-imago">Imago</a>
|
||
(1989) [4.2]</h5>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Child of two species, but part of neither, a new being must find his
|
||
way.</p>
|
||
<p>Human and Oankali have been mating since the aliens first came to
|
||
Earth to rescue the few survivors of an annihilating nuclear war. The
|
||
Oankali began a massive breeding project, guided by the ooloi, a sexless
|
||
subspecies capable of manipulating DNA, in the hope of eventually
|
||
creating a perfect starfaring race.</p>
|
||
<p>Jodahs is supposed to be just another hybrid of human and Oankali,
|
||
but as he begins his transformation to adulthood he finds himself
|
||
becoming ooloi—the first ever born to a human mother. As his body
|
||
changes, Jodahs develops the ability to shapeshift, manipulate matter,
|
||
and cure or create disease at will. If this frightened young man is able
|
||
to master his new identity, Jodahs could prove the savior of what’s left
|
||
of mankind. Or, if he is not careful, he could become a plague that will
|
||
destroy this new race once and for all.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="hard-science-fiction">Hard Science Fiction</h3>
|
||
<p><em>Novels which place an emphasis on scientific accuracy and/or
|
||
technical detail; where the science itself is a central topic.</em></p>
|
||
<h4 id="a-deepness-in-the-sky-2000-by-vernor-vinge-4.32"><a
|
||
href="https://www.goodreads.com/book/show/226004.A_Deepness_in_the_Sky">A
|
||
Deepness in the Sky</a> (2000) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Vernor_Vinge">Vernor Vinge</a></em>
|
||
[4.32]</h4>
|
||
<p>Though written after <em>A Fire upon the Deep</em>, <em>A Deepness in
|
||
the Sky</em> is a prequel to Vinge’s earlier novel, and shares one of
|
||
its protagonists: the Qeng Ho trader Pham Nuwen. Though I read <em>A
|
||
Fire upon the Deep</em> once and enjoyed it, I’ve read <em>A Deepness in
|
||
the Sky</em> at least half a dozen times, and consider it my favorite
|
||
hard sci-fi novel, period. Vernor Vinge was one of the first people to
|
||
propose the idea of the technological singularity, and the near-future
|
||
novels he wrote a decade or more ago have revealed themselves to be
|
||
almost eerily prescient. - <a
|
||
href="https://github.com/isochronous"><span class="citation"
|
||
data-cites="isochronous">@isochronous</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>After thousands of years searching, humans stand on the verge of
|
||
first contact with an alien race. Two human groups: the Qeng Ho, a
|
||
culture of free traders, and the Emergents, a ruthless society based on
|
||
the technological enslavement of minds.</p>
|
||
<p>The group that opens trade with the aliens will reap unimaginable
|
||
riches. But first, both groups must wait at the aliens’ very doorstep
|
||
for their strange star to relight and for their planet to reawaken, as
|
||
it does every two hundred and fifty years….</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="a-fire-upon-the-deep-1992-by-vernor-vinge-4.1"><a
|
||
href="https://www.goodreads.com/book/show/77711.A_Fire_Upon_the_Deep">A
|
||
Fire Upon the Deep</a> (1992) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Vernor_Vinge">Vernor Vinge</a></em>
|
||
[4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>A Fire upon the Deep</em> is the big, breakout book that fulfills
|
||
the promise of Vinge’s career to date: a gripping tale of galactic war
|
||
told on a cosmic scale.</p>
|
||
<p>Thousands of years hence, many races inhabit a universe where a
|
||
mind’s potential is determined by its location in space, from
|
||
superintelligent entities in the Transcend, to the limited minds of the
|
||
Unthinking Depths, where only simple creatures and technology can
|
||
function. Nobody knows what strange force partitioned space into these
|
||
“regions of thought,” but when the warring Straumli realm use an ancient
|
||
Transcendent artifact as a weapon, they unwittingly unleash an awesome
|
||
power that destroys thousands of worlds and enslaves all natural and
|
||
artificial intelligence.</p>
|
||
<p>Fleeing the threat, a family of scientists, including two children,
|
||
are taken captive by the Tines, an alien race with a harsh medieval
|
||
culture, and used as pawns in a ruthless power struggle. A rescue
|
||
mission, not entirely composed of humans, must rescue the children—and a
|
||
secret that may save the rest of interstellar civilization.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="aurora-2015-by-kim-stanley-robinson-3.7"><a
|
||
href="https://www.goodreads.com/book/show/23197269-aurora">Aurora</a>
|
||
(2015) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Kim_Stanley_Robinson">Kim Stanley
|
||
Robinson</a></em> [3.7]</h4>
|
||
<p>This was, I thought, an emotional read. I really connected with the
|
||
characters and their struggle. It was interesting seeing the ways they
|
||
overcame each obstacle despite overwhelming odds. It also shows what
|
||
could happen when desperate people are left to fend for themselves
|
||
without a governing force. - <a
|
||
href="https://github.com/davidmerrique"><span class="citation"
|
||
data-cites="davidmerrique">@davidmerrique</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A major new novel from one of science fiction’s most powerful voices,
|
||
AURORA tells the incredible story of our first voyage beyond the solar
|
||
system.</p>
|
||
<p>Brilliantly imagined and beautifully told, it is the work of a writer
|
||
at the height of his powers.</p>
|
||
<p>Our voyage from Earth began generations ago.</p>
|
||
<p>Now, we approach our new home.</p>
|
||
<p>AURORA.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="blindsight-firefall-1-2006-by-peter-watts-4.0"><a
|
||
href="https://www.goodreads.com/book/show/48484.Blindsight">Blindsight
|
||
(Firefall #1)</a> (2006) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_Watts_%28author%29">Peter
|
||
Watts</a></em> [4.0]</h4>
|
||
<p>A cast of strange and wonderful characters. Overarching themes on
|
||
consciousness, transhumanism, humanity and first contact. This book has
|
||
everything. - <a href="https://github.com/davidmerrique"><span
|
||
class="citation"
|
||
data-cites="davidmerrique">@davidmerrique</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>It’s been two months since a myriad of alien objects clenched about
|
||
the Earth, screaming as they burned. The heavens have been silent
|
||
since—until a derelict space probe hears whispers from a distant comet.
|
||
Something talks out there: but not to us. Who to send to meet the alien,
|
||
when the alien doesn’t want to meet? Send a linguist with
|
||
multiple-personality disorder, and a biologist so spliced to machinery
|
||
he can’t feel his own flesh. Send a pacifist warrior, and a vampire
|
||
recalled from the grave by the voodoo of paleogenetics. Send a man with
|
||
half his mind gone since childhood. Send them to the edge of the solar
|
||
system, praying you can trust such freaks and monsters with the fate of
|
||
a world. You fear they may be more alien than the thing they’ve been
|
||
sent to find—but you’d give anything for that to be true, if you knew
|
||
what was waiting for them.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="children-of-time-children-of-time-1-2015-by-adrian-tchaikovsky-4.29"><a
|
||
href="https://www.goodreads.com/book/show/25499718-children-of-time">Children
|
||
of Time (Children of Time #1)</a> (2015) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Adrian_Tchaikovsky">Adrian
|
||
Tchaikovsky</a></em> [4.29]</h4>
|
||
<p>A truly epic “evolutionary science fiction” story about animal uplift
|
||
that feels very well researched. Tchaikovsky manages to perfectly
|
||
immerse the reader in a radically different mindset. Even arachnofobics
|
||
will root for the protagonists of the story. - <a
|
||
href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The last remnants of the human race left a dying Earth, desperate to
|
||
find a new home among the stars. Following in the footsteps of their
|
||
ancestors, they discover the greatest treasure of the past age — a world
|
||
terraformed and prepared for human life. But all is not right in this
|
||
new Eden. In the long years since the planet was abandoned, the work of
|
||
its architects has borne disastrous fruit. The planet is not waiting for
|
||
them, pristine and unoccupied. New masters have turned it from a refuge
|
||
into mankind’s worst nightmare. Now two civilizations are on a collision
|
||
course, both testing the boundaries of what they will do to survive. As
|
||
the fate of humanity hangs in the balance, who are the true heirs of
|
||
this new Earth?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="diaspora-1997-by-greg-egan-4.1"><a
|
||
href="https://www.goodreads.com/book/show/156785.Diaspora">Diaspora</a>
|
||
(1997) <em>by <a href="https://en.wikipedia.org/wiki/Greg_Egan">Greg
|
||
Egan</a></em> [4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>By the end of the 30th century humanity has the capability to travel
|
||
the universe, to journey beyond earth and beyond the confines of the
|
||
vulnerable human frame.</p>
|
||
<p>The descendants of centuries of scientific, cultural and physical
|
||
development divide into three: fleshers—true Homo sapiens; Gleisner
|
||
robots—embodying human minds within machines that interact with the
|
||
physical world; and polises—supercomputers teeming with intelligent
|
||
software, containing the direct copies of billions of human
|
||
personalities now existing only in the virtual reality of the polis.</p>
|
||
<p>Diaspora is the story of Yatima—a polis being created from random
|
||
mutations of the Konishi polis base mind seed—and of humankind, Of an
|
||
astrophysical accident that spurs the thousandfold cloning of the
|
||
polises. Of the discovery of an alien race and of a kink in time that
|
||
means humanity—whatever form it takes—will never again be threatened by
|
||
acts of God.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="dragons-egg-1980-by-robert-l.-forward-4.1"><a
|
||
href="https://www.goodreads.com/book/show/263466.Dragon_s_Egg">Dragon’s
|
||
Egg</a> (1980) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Robert_L._Forward">Robert L.
|
||
Forward</a></em> [4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a moving story of sacrifice and triumph, human scientists
|
||
establish a relationship with intelligent life forms—the cheela—living
|
||
on Dragon’s Egg, a neutron star where one Earth hour is equivalent to
|
||
hundreds of their years. The cheela culturally evolve from savagery to
|
||
the discovery of science, and for a brief time men are their diligent
|
||
teachers.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="echopraxia-firefall-2-2014-by-peter-watts-3.8"><a
|
||
href="https://www.goodreads.com/book/show/18490708-echopraxia">Echopraxia
|
||
(Firefall #2)</a> (2014) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_Watts_%28author%29">Peter
|
||
Watts</a></em> [3.8]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Prepare for a different kind of singularity in this follow-up to the
|
||
Hugo-nominated novel Blindsight</p>
|
||
<p>It’s the eve of the twenty-second century: a world where the dearly
|
||
departed send postcards back from Heaven and evangelicals make
|
||
scientific breakthroughs by speaking in tongues; where genetically
|
||
engineered vampires solve problems intractable to baseline humans and
|
||
soldiers come with zombie switches that shut off self-awareness during
|
||
combat. And it’s all under surveillance by an alien presence that
|
||
refuses to show itself.</p>
|
||
<p>Daniel Bruks is a living fossil: a field biologist in a world where
|
||
biology has turned computational, a cat’s-paw used by terrorists to kill
|
||
thousands. Taking refuge in the Oregon desert, he’s turned his back on a
|
||
humanity that shatters into strange new subspecies with every heartbeat.
|
||
But he awakens one night to find himself at the center of a storm that
|
||
will turn all of history inside-out.</p>
|
||
<p>Now he’s trapped on a ship bound for the center of the solar system.
|
||
To his left is a grief-stricken soldier, obsessed by whispered messages
|
||
from a dead son. To his right is a pilot who hasn’t yet found the man
|
||
she’s sworn to kill on sight. A vampire and its entourage of zombie
|
||
bodyguards lurk in the shadows behind. And dead ahead, a handful of
|
||
rapture-stricken monks takes them all to a meeting with something they
|
||
will only call “The Angels of the Asteroids.”</p>
|
||
<p>Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with
|
||
the biggest evolutionary breakpoint since the origin of thought
|
||
itself.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="manifold-series-1999-2003-by-stephen-baxter-3.8-avg"><a
|
||
href="https://www.goodreads.com/series/49783-manifold">Manifold
|
||
series</a> (1999-2003) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Stephen_Baxter_(author)">Stephen
|
||
Baxter</a></em> [3.8 avg]</h4>
|
||
<p>Stephen Baxter explores the Fermi Paradox in different ways over the
|
||
course of three books (and a collection of novellas), in a gloriously
|
||
hard scifi style. It is very thought provoking, and also utterly brutal
|
||
and bleak. Space and time is cold and uncaring. - <a
|
||
href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Each one of the main novels deals with a possible resolution to the
|
||
Fermi paradox. The first, Time, is set in a universe that is completely
|
||
devoid of intelligent life beyond that of mankind and its creations
|
||
(i.e. A.I. and uplifted animals).</p>
|
||
<p>The second in the series, Space, proposes the opposite: that life is
|
||
endemic to the universe, and there is intelligence in nearly all
|
||
possible places of the cosmos. The solution to the Fermi Paradox in this
|
||
novel is that intelligent life is continually wiped out by cosmic
|
||
disasters before it has time to spread too far.</p>
|
||
<p>The third novel, Origin, is set in a multiverse that is a compromise
|
||
between the ideals in the first two novels: that life is only on Earth,
|
||
but at the same time is everywhere. This novel solves the Fermi Paradox
|
||
by suggesting that intelligent life is segregated into separate parallel
|
||
universes.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="nexus-2012-by-ramez-naam-4.1"><a
|
||
href="https://www.goodreads.com/book/show/24968342-nexus">Nexus</a>
|
||
(2012) <em>by <a href="https://en.wikipedia.org/wiki/Ramez_Naam">Ramez
|
||
Naam</a></em> [4.1]</h4>
|
||
<p>Near-future hard Sci-Fi at its best. Lots of awards and endorsements,
|
||
even a <a
|
||
href="https://twitter.com/ID_AA_Carmack/status/494337667035697152">thumbs
|
||
up</a> from John Carmack. Can’t go wrong. - <a
|
||
href="https://github.com/christianboyle"><span class="citation"
|
||
data-cites="christianboyle">@christianboyle</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the near future, the experimental nano-drug Nexus can link humans
|
||
together, mind to mind. There are some who want to improve it. There are
|
||
some who want to eradicate it. And there are others who just want to
|
||
exploit it.</p>
|
||
<p>When a young scientist is caught improving Nexus, he’s thrust over
|
||
his head into a world of danger and international espionage—for there is
|
||
far more at stake than anyone realizes.</p>
|
||
<p>From the halls of academe to the halls of power; from the
|
||
headquarters of an elite agency in Washington, D.C. to a secret lab
|
||
beneath Shanghai; from the underground parties of San Francisco to the
|
||
illegal biotech markets of Bangkok; from an international neuroscience
|
||
conference to a remote monastery in the mountains of Thailand—Nexus is a
|
||
thrill ride through a future on the brink of explosion.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="permutation-city-1994-by-greg-egan-4.1"><a
|
||
href="https://www.goodreads.com/book/show/156784.Permutation_City">Permutation
|
||
City</a> (1994) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Greg_Egan">Greg Egan</a></em>
|
||
[4.1]</h4>
|
||
<p>With all the ideas contained in Permutation City, a typical Sci-Fi
|
||
author would have written at least 5 separate books. - <a
|
||
href="https://github.com/uraimo"><span class="citation"
|
||
data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the not-too-distant future, technology has given birth to a form
|
||
of immortality. The human mind can be scanned and uploaded into a
|
||
virtual reality program to become a perfect electronic “Copy,” aware of
|
||
itself. A new Copy finds himself forced to cooperate in scientific
|
||
experiments with the flesh-and-blood man he was copied from.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="red-mars-1993-by-kim-stanley-robinson-3.8"><a
|
||
href="https://www.goodreads.com/book/show/77507.Red_Mars">Red Mars</a>
|
||
(1993) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Kim_Stanley_Robinson">Kim Stanley
|
||
Robinson</a></em> [3.8]</h4>
|
||
<p>An interesting take on the near-future colonization of Mars by one
|
||
hundred of the world’s greatest scientists, filled with political
|
||
intrigue and “hard science” alike. Admittedly some parts can be a slog,
|
||
think A Song of Ice and Fire: awesome narrative in the grand scheme,
|
||
with perhaps a bit too much description of Martian landscape/house
|
||
sigils. - <a href="https://github.com/rubzo"><span class="citation"
|
||
data-cites="rubzo">@rubzo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>For eons, sandstorms have swept the barren desolate landscape of the
|
||
red planet. For centuries, Mars has beckoned to mankind to come and
|
||
conquer its hostile climate. Now, in the year 2026, a group of one
|
||
hundred colonists is about to fulfill that destiny. John Boone, Maya
|
||
Toitavna, Frank Chalmers, and Arkady Bogdanov lead a mission whose
|
||
ultimate goal is the terraforming of Mars. For some, Mars will become a
|
||
passion driving them to daring acts of courage and madness; for others
|
||
it offers and opportunity to strip the planet of its riches. And for the
|
||
genetic “alchemists,” Mars presents a chance to create a biomedical
|
||
miracle, a breakthrough that could change all we know about life… and
|
||
death.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="schilds-ladder-2002-by-greg-egan-3.9"><a
|
||
href="https://www.goodreads.com/book/show/156780.Schild_s_Ladder">Schild’s
|
||
Ladder</a> (2002) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Greg_Egan">Greg Egan</a></em>
|
||
[3.9]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Twenty thousand years into the future, an experiment in quantum
|
||
physics has had a catastrophic result, creating an enormous, rapidly
|
||
expanding vacuum that devours everything it comes in contact with. Now
|
||
humans must confront this deadly expansion. Tchicaya, aboard a starship
|
||
trawling the border of the vacuum, has allied himself with the
|
||
Yielders—those determined to study the vacuum while allowing it to grow
|
||
unchecked. But when his fiery first love, Mariama, reenters his life on
|
||
the side of the Preservationists—those working to halt and destroy the
|
||
vacuum—Tchicaya finds himself struggling with an inner turmoil he has
|
||
known since childhood.</p>
|
||
<p>However, in the center of the vacuum, something is developing that
|
||
neither Tchicaya and the Yielders nor Mariama and the Preservationists
|
||
could ever have imagined possible: life.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-martian-2012-by-andy-weir-4.4"><a
|
||
href="https://www.goodreads.com/book/show/18007564-the-martian">The
|
||
Martian</a> (2012) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Andy_Weir_%28writer%29">Andy
|
||
Weir</a></em> [4.4]</h4>
|
||
<p>This is a fun read; Weir manages to write an evocative
|
||
techno-thriller without having his characters stoop to constant navel
|
||
gazing and lonesome pining. This could be described as Robinson Crusoe -
|
||
in Space. The characters on the earth side aren’t the greatest, but the
|
||
humor throughout the book really pulls it together, and watching a
|
||
master at work as far as mechanical engineering goes was fascinating.
|
||
Loved it. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Apollo 13</em> meets <em>Cast Away</em> in this grippingly
|
||
detailed, brilliantly ingenious man-vs-nature survival thriller, set on
|
||
the surface of Mars. Six days ago, astronaut Mark Watney became one of
|
||
the first men to walk on the surface of Mars. Now, he’s sure he’ll be
|
||
the first man to die there.</p>
|
||
<p>It started with the dust storm that holed his suit and nearly killed
|
||
him, and that forced his crew to leave him behind, sure he was already
|
||
dead. Now he’s stranded millions of miles from the nearest human being,
|
||
with no way to even signal Earth that he’s alive—and even if he could
|
||
get word out, his food would be gone years before a rescue mission could
|
||
arrive. Chances are, though, he won’t have time to starve to death. The
|
||
damaged machinery, unforgiving environment, or plain-old “human error”
|
||
are much more likely to get him first.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>But Mark isn’t ready to give up yet. Drawing on his ingenuity, his
|
||
engineering skills—and a relentless, dogged refusal to quit—he
|
||
steadfastly confronts one seemingly insurmountable obstacle after the
|
||
next. But will his resourcefulness be enough to overcome the impossible
|
||
odds against him?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-sands-of-mars-1951-by-arthur-c.-clarke-3.7"><a
|
||
href="https://www.goodreads.com/book/show/149063.The_Sands_of_Mars">The
|
||
Sands of Mars</a> (1951) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
|
||
Clarke</a></em> [3.7]</h4>
|
||
<p>This book is most interesting for its pretty cool take on
|
||
terraforming a planet, and how that goes both for the inhabitants and
|
||
what it means for nationalism (or planetism, as it were). - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Space writers holiday. When a celebrated science fiction writer takes
|
||
to space on his first trip to Mars, he’s sure to be in for some heckling
|
||
from the spaceship crew. But Martin Gibson, man about space, takes it
|
||
all in his stride. That is, until he lands on the red planet. Once there
|
||
the intrepid author causes one problem after another as he stumbles upon
|
||
Mars’ most carefully hidden secrets and threatens the future of an
|
||
entire planet.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="cyberpunk">Cyberpunk</h3>
|
||
<p><em>Future-based novels with advanced science and technology coupled
|
||
with a disrupted social order.</em></p>
|
||
<h4 id="altered-carbon-2002-by-richard-k.-morgan-4.1"><a
|
||
href="https://www.goodreads.com/book/show/40445.Altered_Carbon">Altered
|
||
Carbon</a> (2002) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Richard_K._Morgan">Richard K.
|
||
Morgan</a></em> [4.1]</h4>
|
||
<p>A fun and fast-paced hard-boiled cyberpunk noir, almost impossible to
|
||
put down. - <a href="https://github.com/helderroem"><span
|
||
class="citation" data-cites="helderroem">@helderroem</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>It’s the twenty-fifth century, and advances in technology have
|
||
redefined life itself. A person’s consciousness can now be stored in the
|
||
brain and downloaded into a new body (or “sleeve”,) making death nothing
|
||
more than a minor blip on a screen. Onetime U.N. Envoy Takeshi Kovacs
|
||
has been killed before, but his last death was particularly painful.
|
||
Resleeved into a body in Bay City (formerly San Francisco,) Kovacs is
|
||
thrown into the dark heart of a shady, far-reaching conspiracy that is
|
||
vicious even by the standards of a society that treats existence as
|
||
something that can be bought and sold. For Kovacs, the shell that blew a
|
||
hole in his chest was only the beginning.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="greg-mandel-series-1993-1994-1995-by-peter-f.-hamilton-3.9"><a
|
||
href="https://www.goodreads.com/series/43978-greg-mandel">Greg Mandel
|
||
Series</a> (1993, 1994, 1995) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_F._Hamilton">Peter F.
|
||
Hamilton</a></em> [3.9]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Greg Mandel, late of the Mindstar Battalion, has been many things in
|
||
his life. Commando. Freedom fighter. Assassin. Now he’s a freelance
|
||
operative with a very special edge: telepathy.</p>
|
||
<p>In the high-tech, hard-edged world of computer crime, zero-gravity
|
||
smuggling, and artificial intelligence, Greg Mandel is the man to call
|
||
when things get rough. But when an elusive saboteur plagues a powerful
|
||
organization known as Event Horizon, Mandel must cut his way through a
|
||
maze of corporate intrigue and startling new scientific discoveries.</p>
|
||
<p>And nothing less than the future is at stake.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="hard-boiled-wonderland-and-the-end-of-the-world-1985-by-haruki-murakami-4.2"><a
|
||
href="https://www.goodreads.com/book/show/10374.Hard_Boiled_Wonderland_and_the_End_of_the_World">Hard-Boiled
|
||
Wonderland and the End of the World</a> (1985) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Haruki_Murakami">Haruki
|
||
Murakami</a></em> [4.2]</h4>
|
||
<p>My favorite of Murakami’s. Great mix of quirky, mundane, and
|
||
fascinating ideas. Short read too. - <a
|
||
href="https://github.com/desandro"><span class="citation"
|
||
data-cites="desandro">@desandro</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A narrative particle accelerator that zooms between Wild Turkey
|
||
Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John
|
||
Coltrane and <em>Lord Jim</em>. Science fiction, detective story and
|
||
post-modern manifesto all rolled into one rip-roaring novel,
|
||
<em>Hard-Boiled Wonderland and the End of the World</em> is the tour de
|
||
force that expanded Haruki Murakami’s international following. Tracking
|
||
one man’s descent into the Kafkaesque underworld of contemporary Tokyo,
|
||
Murakami unites East and West, tragedy and farce, compassion and
|
||
detachment, slang and philosophy.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="neuromancer-1984-by-william-gibson-3.9"><a
|
||
href="https://www.goodreads.com/book/show/22328.Neuromancer">Neuromancer</a>
|
||
(1984) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/William_Gibson">William
|
||
Gibson</a></em> [3.9] 🌟 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The Matrix is a world within the world, a global consensus
|
||
hallucination, the representation of every byte of data in
|
||
cyberspace…</p>
|
||
<p>Case had been the sharpest data-thief in the business, until vengeful
|
||
former employers crippled his nervous system. But now a new and very
|
||
mysterious employer recruits him for a last-chance run. The target: an
|
||
unthinkably powerful artificial intelligence orbiting Earth in service
|
||
of the sinister Tessier-Ashpool business clan. With a dead man riding
|
||
shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case
|
||
embarks on an adventure that ups the ante on an entire genre of
|
||
fiction.</p>
|
||
<p>Hotwired to the leading edges of art and technology,
|
||
<em>Neuromancer</em> ranks with <em>1984</em> and <em>Brave New
|
||
World</em> as one of the century’s most potent visions of the
|
||
future.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="reamde-2011-by-neal-stephenson-3.9"><a
|
||
href="https://www.goodreads.com/book/show/10552338-reamde">REAMDE</a>
|
||
(2011) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Neal_Stephenson">Neal
|
||
Stephenson</a></em> [3.9]</h4>
|
||
<p>With REAMDE (sic) Neal Stephenson returns with a much more down to
|
||
earth cyberpunk story, closer to our own future and shaped not by the
|
||
cyberpunk futures imagined in the early nineties but rather what we
|
||
actually got instead in the 2000s. A few wrong turns quickly turns into
|
||
a world-spanning chase, featuring terrorists, russian mobsters, online
|
||
gaming and a more realistic, contemporary take on cyberpunk
|
||
storytelling. - <a href="https://github.com/nahkampf"><span
|
||
class="citation" data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Four decades ago, Richard Forthrast, the black sheep of an Iowa
|
||
family, fled to a wild and lonely mountainous corner of British Columbia
|
||
to avoid the draft. Smuggling backpack loads of high-grade marijuana
|
||
across the border into Northern Idaho, he quickly amassed an enormous
|
||
and illegal fortune. With plenty of time and money to burn, he became
|
||
addicted to an online fantasy game in which opposing factions battle for
|
||
power and treasure in a vast cyber realm. Like many serious gamers, he
|
||
began routinely purchasing virtual gold pieces and other desirables from
|
||
Chinese gold farmers—young professional players in Asia who accumulated
|
||
virtual weapons and armor to sell to busy American and European
|
||
buyers.</p>
|
||
<p>For Richard, the game was the perfect opportunity to launder his
|
||
aging hundred dollar bills and begin his own high-tech start up—a
|
||
venture that has morphed into a Fortune 500 computer gaming group,
|
||
Corporation 9592, with its own super successful online role-playing
|
||
game, T’Rain. But the line between fantasy and reality becomes
|
||
dangerously blurred when a young gold farmer accidently triggers a
|
||
virtual war for dominance—and Richard is caught at the center.</p>
|
||
<p>In this edgy, 21st century tale, Neal Stephenson, one of the most
|
||
ambitious and prophetic writers of our time, returns to the terrain of
|
||
his cyberpunk masterpieces Snow Crash and Cryptonomicon, leading readers
|
||
through the looking glass and into the dark heart of imagination.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="snow-crash-1992-by-neal-stephenson-4.0"><a
|
||
href="https://www.goodreads.com/book/show/830.Snow_Crash">Snow Crash</a>
|
||
(1992) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Neal_Stephenson">Neal
|
||
Stephenson</a></em> [4.0] 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In reality, Hiro Protagonist delivers pizza for Uncle Enzo’s
|
||
CosoNostra Pizza Inc., but in the Metaverse he’s a warrior prince.
|
||
Plunging headlong into the enigma of a new computer virus that’s
|
||
striking down hackers everywhere, he races along the neon-lit streets on
|
||
a search-and-destroy mission for the shadowy virtual villain threatening
|
||
to bring about infocalypse. <em>Snow Crash</em> is a mind-altering romp
|
||
through a future America so bizarre, so outrageous… you’ll recognize it
|
||
immediately.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-demolished-man-1951-by-alfred-bester-4.0"><a
|
||
href="https://www.goodreads.com/book/show/76740.The_Demolished_Man">The
|
||
Demolished Man</a> (1951) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Alfred_Bester">Alfred
|
||
Bester</a></em> [4.0]</h4>
|
||
<p>I think of this book often, even though initially I had consigned it
|
||
as a cheap paperback crime thriller set in space. The main part of this
|
||
book that is interesting is the implications regarding policed thoughts,
|
||
especially given recent advances in government surveillance. The other
|
||
part of this book I think about a lot is the advertising jingle -
|
||
<em>Tenser, Tenser, said the tensor</em> - which plays a major role.
|
||
I’ve still got no idea what it is meant to mean. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a world in which the police have telepathic powers, how do you get
|
||
away with murder? Ben Reichs heads a huge 24th century business empire,
|
||
spanning the solar system. He is also an obsessed, driven man determined
|
||
to murder a rival. To avoid capture, in a society where murderers can be
|
||
detected even before they commit their crime, is the greatest challenge
|
||
of his life.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="the-diamond-age-or-a-young-ladys-illustrated-primer-1995-by-neal-stephenson-4.2"><a
|
||
href="https://www.goodreads.com/book/show/827.The_Diamond_Age">The
|
||
Diamond Age: Or, A Young Lady’s Illustrated Primer</a> (1995) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Neal_Stephenson">Neal
|
||
Stephenson</a></em> [4.2]</h4>
|
||
<p>This book had me looking up more words than any book had me do for a
|
||
long time. A mildly interesting story, with cunning turns and twists, in
|
||
a very interesting world. What surprised me most was that the book
|
||
already foresaw cryptocurrencies, 3d-printers and fleets of UAV’s while
|
||
already being 20+ years old. - <a
|
||
href="https://github.com/fritzvd"><span class="citation"
|
||
data-cites="fritzvd">@fritzvd</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>The Diamond Age: Or, A Young Lady’s Illustrated Primer</em> is a
|
||
postcyberpunk novel by Neal Stephenson. It is to some extent a science
|
||
fiction coming-of-age story, focused on a young girl named Nell, and set
|
||
in a future world in which nanotechnology affects all aspects of life.
|
||
The novel deals with themes of education, social class, ethnicity, and
|
||
the nature of artificial intelligence.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-stars-my-destination-1955-by-alfred-bester-4.2"><a
|
||
href="https://www.goodreads.com/book/show/333867.The_Stars_My_Destination">The
|
||
Stars My Destination</a> (1955) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Alfred_Bester">Alfred
|
||
Bester</a></em> [4.2]</h4>
|
||
<p>This book is fantastic not for the novelty of non-technological
|
||
teleportation, but because of the main character. What happens when
|
||
someone who has been ignored by society finds himself in a position of
|
||
power? This book reminds me a tiny bit of Ender’s Game - imagine what
|
||
would happen if Mazer Rackham, another tattooed Maori hero, wanted more
|
||
than to be a military genius. I loved it. I quote the poem to myself all
|
||
the time, and have set a variant of it as my twitter bio for years now.
|
||
- <a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In this pulse-quickening novel, Alfred Bester imagines a future in
|
||
which people “jaunte” a thousand miles with a single thought, where the
|
||
rich barricade themselves in labyrinths and protect themselves with
|
||
radioactive hit men—and where an inarticulate outcast is the most
|
||
valuable and dangerous man alive. <em>The Stars My Destination</em> is a
|
||
classic of technological prophecy and timeless narrative enchantment by
|
||
an acknowledged master of science fiction.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="thin-air-2018-by-richard-k.-morgan-4.0"><a
|
||
href="https://www.goodreads.com/book/show/25835917-thin-air">Thin
|
||
Air</a> (2018) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Richard_K._Morgan">Richard K.
|
||
Morgan</a></em> [4.0]</h4>
|
||
<p>Modernized cyberpunk with the noir grit dialled up to eleven. - <a
|
||
href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An ex-corporate enforcer, Hakan Veil, is forced to bodyguard Madison
|
||
Madekwe, part of a colonial audit team investigating a disappeared
|
||
lottery winner on Mars. But when Madekwe is abducted, and Hakan nearly
|
||
killed, the investigation takes him farther and deeper than he had ever
|
||
expected. And soon Hakan discovers the heavy price he may have to pay to
|
||
learn the truth.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="walkaway-2017-by-cory-doctorow-3.7"><a
|
||
href="https://www.goodreads.com/book/show/40604388-walkaway">Walkaway</a>
|
||
(2017) <em>by <a href="https://en.wikipedia.org/wiki/Cory_Doctorow">Cory
|
||
Doctorow</a></em> [3.7]</h4>
|
||
<p>Idea-driven scifi about a tech-savvy movement of “walkaways”,
|
||
disenchanted people walking away from an increasingly oppressive
|
||
capitalist society and creating their own ad-hoc societies. Doctorow
|
||
manages to combine cyberpunk “high tech, low life” with a bit of utopian
|
||
science fiction which feels very refreshing. - <a
|
||
href="https://github.com/nahkampf">nahkampf</a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a world of non-work, ruined by human-created climate change and
|
||
pollution, and where people are under surveillance and ruled over by a
|
||
mega-rich elite, Hubert, Etc, his friend Seth, and Natalie, decide that
|
||
they have nothing to lose by turning their backs and walking away from
|
||
the everyday world or “default reality”.</p>
|
||
<p>With the advent of 3D printing – and especially the ability to use
|
||
these to fabricate even better fabricators – and with machines that can
|
||
search for and reprocess waste or discarded materials, they no longer
|
||
have need of Default for the basic essentials of life, such as food,
|
||
clothing and shelter.</p>
|
||
<p>As more and more people choose to “walkaway”, the ruling elite do not
|
||
take these social changes sitting down. They use the military, police
|
||
and mercenaries to attack and disrupt the walkaways’ new
|
||
settlements.</p>
|
||
<p>One thing that the elite are especially interested in is scientific
|
||
research that the walkaways are carrying out which could finally put an
|
||
end to death – and all this leads to revolution and eventual war.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="ware-1982-2000-by-rudy-rucker-3.7"><a
|
||
href="https://www.goodreads.com/series/41816-ware">Ware</a> (1982-2000)
|
||
<em>by <a href="https://en.wikipedia.org/wiki/Rudy_Rucker">Rudy
|
||
Rucker</a></em> [3.7]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Cobb Anderson created the “boppers,” sentient robots that overthrew
|
||
their human overlords. But now Cobb is just an aging alcoholic waiting
|
||
to die, and the big boppers are threatening to absorb all of the little
|
||
boppers—and eventually every human—into a giant, melded consciousness.
|
||
Some of the little boppers aren’t too keen on the idea, and a full-scale
|
||
robot revolt is underway on the moon (where the boppers live).
|
||
Meanwhile, bopper Ralph Numbers wants to give Cobb immortality by
|
||
letting a big bopper slice up his brain and tape his “software.” It
|
||
seems like a good idea to Cobb.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="utopia">Utopia</h3>
|
||
<p><em>Utopian novels deal with imaginary communities or societies that
|
||
are desirable or pleasant.</em></p>
|
||
<h4
|
||
id="a-psalm-for-the-wild-built-monki-and-robot-1-2021-by-becky-chambers-4.3"><a
|
||
href="https://www.goodreads.com/book/show/40864002-a-psalm-for-the-wild-built">A
|
||
Psalm for the Wild-Built (Monki and Robot #1)</a> (2021) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Becky_Chambers">Becky
|
||
Chambers</a></em> [4.3]</h4>
|
||
<p>A lovely balm for the weary science fiction reader about a
|
||
post-collapse utopian society and the friendship between a human and a
|
||
robot. -<a href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Centuries before, robots of Panga gained self-awareness, laid down
|
||
their tools, wandered, en masse into the wilderness, never to be seen
|
||
again. They faded into myth and urban legend. Now the life of the tea
|
||
monk who tells this story is upended by the arrival of a robot, there to
|
||
honor the old promise of checking in. The robot cannot go back until the
|
||
question of “what do people need?” is answered. But the answer to that
|
||
question depends on who you ask, and how. They will need to ask it a
|
||
lot. Chambers’ series asks: in a world where people have what they want,
|
||
does having more matter?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-rolling-stones-1952-by-robert-a.-heinlein-3.9"><a
|
||
href="https://www.goodreads.com/book/show/50848.The_Rolling_Stones">The
|
||
Rolling Stones</a> (1952) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Robert_A._Heinlein">Robert A.
|
||
Heinlein</a></em> [3.9]</h4>
|
||
<p>A charming, fast-paced space adventure following the Stone family as
|
||
they journey through the solar system, offering a delightful mix of
|
||
humor, family dynamics, and interplanetary escapades. -<a
|
||
href="https://github.com/Russolves"><span class="citation"
|
||
data-cites="Russolves">@Russolves</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>It doesn’t seem likely for twins to have the same middle name. Even
|
||
so, it’s clear that Castor and Pollux Stone both have “Trouble” written
|
||
in that spot on their birth certificates. Of course, anyone who’s met
|
||
their grandmother Hazel would know that they came by it honestly… Join
|
||
the Stone twins as they connive, cajole, and bamboozle their way across
|
||
the Solar System in the company of the most high-spirited and hilarious
|
||
family in all of science fiction. This light-hearted tale has some of
|
||
Heinlein’s sassiest dialogue (not to mention the famous Flat Cats
|
||
incident!). Oddly enough, it’s also a true example of real family
|
||
values–for when you’re a Stone, your family is your highest
|
||
priority.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-songs-of-distant-earth-1986-by-arthur-c.-clarke-3.9"><a
|
||
href="https://www.goodreads.com/book/show/117842.The_Songs_of_Distant_Earth">The
|
||
Songs of Distant Earth</a> (1986) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
|
||
Clarke</a></em> [3.9]</h4>
|
||
<p>My first Arthur C. Clarke Sci-fi book that introduced me to the world
|
||
of Arthur C. Clarke. The book deals with the utopian society where the
|
||
aliens are human beings from the old earth. -<a
|
||
href="https://github.com/DibeshMSShrestha"><span class="citation"
|
||
data-cites="DibeshMSShrestha">@DibeshMSShrestha</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Just a few islands in a planetwide ocean, Thalassa was a veritable
|
||
paradise—home to one of the small colonies founded centuries before by
|
||
robot Mother Ships when the Sun had gone nova and mankind had fled
|
||
Earth.</p>
|
||
<p>Mesmerized by the beauty of Thalassa and overwhelmed by its vast
|
||
resources, the colonists lived an idyllic existence, unaware of the
|
||
monumental evolutionary event slowly taking place beneath their
|
||
seas…</p>
|
||
<p>Then the Magellan arrived in orbit carrying one million refugees from
|
||
the last, mad days on Earth. And suddenly uncertainty and change had
|
||
come to the placid paradise that was Thalassa.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="dystopia">Dystopia</h3>
|
||
<p><em>Dystopian novels deal with imaginary communities or societies
|
||
that are undesirable or frightening.</em></p>
|
||
<h4 id="by-george-orwell-4.1"><a
|
||
href="https://www.goodreads.com/book/show/5470.1984">1984</a> (1949)
|
||
<em>by <a href="https://en.wikipedia.org/wiki/George_Orwell">George
|
||
Orwell</a></em> [4.1] 🌟 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Written in 1948, <em>1984</em> was George Orwell’s chilling prophecy
|
||
about the future.</p>
|
||
<p>While 1984 has come and gone, Orwell’s narrative is more timely that
|
||
ever. <em>1984</em> presents a “negative utopia,” that is at once a
|
||
startling and haunting vision of the world—so powerful that it’s
|
||
completely convincing from start to finish. No one can deny the power of
|
||
this novel, its hold on the imaginations of entire generations of
|
||
readers, or the resiliency of its admonitions—a legacy that seems to
|
||
grow, not lessen, with the passage of time.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="a-clockwork-orange-1962-by-anthony-burgess"><a
|
||
href="https://www.goodreads.com/book/show/227463.A_Clockwork_Orange">A
|
||
Clockwork Orange</a> (1962) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Anthony_Burgess">Anthony
|
||
Burgess</a></em></h4>
|
||
<p>[3.99]</p>
|
||
<p>Better than the movie IMHO. Written in a slang language called
|
||
Nadsat, the book really draws you into the world Alex occupies, as
|
||
opposed to Kubrick’s version of the story, portrayed in the movie. The
|
||
endings are also different! - <a
|
||
href="https://github.com/alex-keyes"><span class="citation"
|
||
data-cites="alexkeyes">@alexkeyes</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A vicious fifteen-year-old “droog” is the central character of this
|
||
1963 classic, whose stark terror was captured in Stanley Kubrick’s
|
||
magnificent film of the same title.</p>
|
||
<p>In Anthony Burgess’s nightmare vision of the future, where criminals
|
||
take over after dark, the story is told by the central character, Alex,
|
||
who talks in a brutal invented slang that brilliantly renders his and
|
||
his friends’ social pathology. A Clockwork Orange is a frightening fable
|
||
about good and evil, and the meaning of human freedom. When the state
|
||
undertakes to reform Alex — to “redeem” him — the novel asks, “At what
|
||
cost?”</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="brave-new-world-1932-by-aldous-huxley-3.9"><a
|
||
href="https://www.goodreads.com/book/show/5129.Brave_New_World">Brave
|
||
New World</a> (1932) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Aldous_Huxley">Aldous
|
||
Huxley</a></em> [3.9] 🌟 🔥</h4>
|
||
<p>This book is insidiously horrifying in its applicability, more so
|
||
than <em>1984</em> or <em>Fahrenheit 451</em>. <a
|
||
href="https://abetterkuwait.files.wordpress.com/2011/08/orwell-huxley.jpg">Here’s
|
||
a comic</a> that sums up the difference. Well worth the read. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Far in the future, the World Controllers have created the ideal
|
||
society. Through clever use of genetic engineering, brainwashing and
|
||
recreational sex and drugs, all its members are happy consumers. Bernard
|
||
Marx seems alone harbouring an ill-defined longing to break free. A
|
||
visit to one of the few remaining Savage Reservations, where the old,
|
||
imperfect life still continues, may be the cure for his distress…</p>
|
||
<p>Huxley’s ingenious fantasy of the future sheds a blazing light on the
|
||
present and is considered to be his most enduring masterpiece.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="dads-nuke-1985-by-marc-laidlaw-3.6"><a
|
||
href="https://www.goodreads.com/book/show/730945.Dad_s_Nuke">Dad’s
|
||
Nuke</a> (1985) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Marc_Laidlaw">Marc Laidlaw</a></em>
|
||
[3.6]</h4>
|
||
<p>The debut novel from the guy who would go on to write Half-Life and
|
||
Portal. A dizzyingly funny dystopia straight from the heart of the 80s.
|
||
Deftly manages the tightrope walk of absurdity without the world
|
||
crumbling underneath it. Philip K. Dick would be proud. - <a
|
||
href="https://github.com/jackflips"><span class="citation"
|
||
data-cites="jackflips">@jackflips</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The US is divided into independent, heavily defended neighborhoods;
|
||
Cobblestone Hill is a planned, self-sufficient community, dreamed up and
|
||
secretly controlled by the mysterious Doc Edison; here Dad Johnson
|
||
struggles to raise his oddball family and defend his house against
|
||
potentially hostile neighbors.</p>
|
||
<p>One-upmanship is still alive, though, and when Jock Smith plants a
|
||
rocket launcher in his backyard, Dad responds with a nuclear reactor in
|
||
his garage. (Doc Edison thoughtfully gene-splices the new Johnson baby
|
||
so that she eats nuclear waste.)</p>
|
||
<p>Dad’s son P.J., discovering that he’s been programmed to be gay (as
|
||
part of Doc Edison’s notions of a “balanced family”), flees the enclave,
|
||
only to be captured, drugged, and brainwashed by Christian Soldiers.
|
||
Dad’s wife Connie runs off with a salesman from the ubiquitous Cartel; a
|
||
bunch of Doc Edison clones show up, all quite mad; the Christian
|
||
Soldiers attempt a computerized invasion; and the feud between Dad and
|
||
Jock Smith comes to a head.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="divergent-2012-by-veronica-roth-4.2"><a
|
||
href="https://www.goodreads.com/book/show/13335037-divergent">Divergent</a>
|
||
(2012) <em>by <a
|
||
href="https://es.wikipedia.org/wiki/Veronica_Roth">Veronica
|
||
Roth</a></em> [4.2] 🔥</h4>
|
||
<p>One of my favorite trilogies! Divergent is a young adult science
|
||
fiction trilogy. This book is about a dystopian Chicago society divided
|
||
by five factions: Abnegation, Erudite, Dauntless, Amity, and Candor.
|
||
Factions that were created to maintain peace within the society. In this
|
||
book you follow the story of Beatrice, who’s decisions leads her to
|
||
discover who she really is and what is really happening. Through the
|
||
trilogy you are able to see how the character evolves and becomes more
|
||
mature with her decisions… decisions that not only impact her life but
|
||
others too. I highly recommend this book! The ending of the trilogy left
|
||
me astonished for 3 days after I finished it! (good thing I got to
|
||
discuss it with one of my friends!) - <a
|
||
href="https://github.com/GracielaGarcia"><span class="citation"
|
||
data-cites="GracielaGarcia">@GracielaGarcia</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In Beatrice Prior’s dystopian Chicago world, society is divided into
|
||
five factions, each dedicated to the cultivation of a particular
|
||
virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the
|
||
brave), Amity (the peaceful), and Erudite (the intelligent). On an
|
||
appointed day of every year, all sixteen-year-olds must select the
|
||
faction to which they will devote the rest of their lives. For Beatrice,
|
||
the decision is between staying with her family and being who she really
|
||
is—she can’t have both. So she makes a choice that surprises everyone,
|
||
including herself.</p>
|
||
<p>During the highly competitive initiation that follows, Beatrice
|
||
renames herself Tris and struggles alongside her fellow initiates to
|
||
live out the choice they have made. Together they must undergo extreme
|
||
physical tests of endurance and intense psychological simulations, some
|
||
with devastating consequences. As initiation transforms them all, Tris
|
||
must determine who her friends really are—and where, exactly, a romance
|
||
with a sometimes fascinating, sometimes exasperating boy fits into the
|
||
life she’s chosen. But Tris also has a secret, one she’s kept hidden
|
||
from everyone because she’s been warned it can mean death. And as she
|
||
discovers unrest and growing conflict that threaten to unravel her
|
||
seemingly perfect society, she also learns that her secret might help
|
||
her save those she loves . . . or it might destroy her.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="fahrenheit-451-1953-by-ray-bradbury-4.0"><a
|
||
href="https://www.goodreads.com/book/show/17470674-fahrenheit-451">Fahrenheit
|
||
451</a> (1953) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ray_Bradbury">Ray Bradbury</a></em>
|
||
[4.0] 🌟 🔥</h4>
|
||
<p>A classic, beautiful book. A short read that does a good job of
|
||
making the reader think about the ramifications of censorship, and is
|
||
still entertaining and beautiful in its own way. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The terrifyingly prophetic novel of a post-literate future.</p>
|
||
<p>Guy Montag is a fireman. His job is to burn books, which are
|
||
forbidden, being the source of all discord and unhappiness. Even so,
|
||
Montag is unhappy; there is discord in his marriage. Are books hidden in
|
||
his house? The Mechanical Hound of the Fire Department, armed with a
|
||
lethal hypodermic, escorted by helicopters, is ready to track down those
|
||
dissidents who defy society to preserve and read books.</p>
|
||
<p>The classic dystopian novel of a post-literate future, <em>Fahrenheit
|
||
451</em> stands alongside Orwell’s <em>1984</em> and Huxley’s <em>Brave
|
||
New World</em> as a prophetic account of Western civilization’s
|
||
enslavement by the media, drugs and conformity.</p>
|
||
<p>Bradbury’s powerful and poetic prose combines with uncanny insight
|
||
into the potential of technology to create a novel which, decades on
|
||
from first publication, still has the power to dazzle and shock.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="oryx-and-crake-2003-2009-2013-by-margaret-atwood-4.0"><a
|
||
href="https://www.goodreads.com/series/55674-maddaddam">Oryx and
|
||
Crake</a> (2003, 2009, 2013) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Margaret_Atwood">Margaret
|
||
Atwood</a></em> [4.0] 🔥</h4>
|
||
<p>This book is a wonderfully constructed tale that can be seen as
|
||
warning for an age where genetic engineering is up and coming and we
|
||
haven’t the faintest clue where this might lead us. I loved it to bits
|
||
and only found out there was a sequel by reading about the final episode
|
||
coming out when I was well done with the first part and devoured the
|
||
other two as eagerly as the first. That said, I find the first the best
|
||
of the three books. - <a href="https://github.com/fritzvd"><span
|
||
class="citation" data-cites="fritzvd">@fritzvd</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Oryx and Crake</em> is at once an unforgettable love story and a
|
||
compelling vision of the future. Snowman, known as Jimmy before mankind
|
||
was overwhelmed by a plague, is struggling to survive in a world where
|
||
he may be the last human, and mourning the loss of his best friend,
|
||
Crake, and the beautiful and elusive Oryx whom they both loved. In
|
||
search of answers, Snowman embarks on a journey–with the help of the
|
||
green-eyed Children of Crake–through the lush wilderness that was so
|
||
recently a great city, until powerful corporations took mankind on an
|
||
uncontrolled genetic engineering ride. Margaret Atwood projects us into
|
||
a near future that is both all too familiar and beyond our
|
||
imagining.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="ready-player-one-2011-by-ernest-cline-4.3"><a
|
||
href="https://www.goodreads.com/book/show/9969571-ready-player-one">Ready
|
||
Player One</a> (2011) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ernest_Cline">Ernest Cline</a></em>
|
||
[4.3] 🔥</h4>
|
||
<p>This is easily in one of my top 5 favorite books I’ve ever read. It’s
|
||
SO fun to read, and every single person I’ve recommended it to has loved
|
||
it. Even if you don’t understand every single reference, it’s still a
|
||
great story to follow. It has an excellent amount of humor, adventure,
|
||
and nostalgia. It also has one of the best endings I’ve ever read, which
|
||
any reader knows is a hard thing to nail. Ernest Cline really hit it out
|
||
of the park with this one. Highly recommend it. - <a
|
||
href="https://github.com/cassidoo">cassidoo</a></p>
|
||
<p>This book is AWESOME. It’s so AWESOME that it makes me want to go
|
||
back and play arcade games and rewatch all of the Macross saga. The plot
|
||
is great, the writing is great, it makes you laugh out loud if you’re a
|
||
geek and know the references, and the story is kickass. Warning: Might
|
||
be a good idea to brush up on your old school fantasy and scifi before
|
||
reading this. Just don’t go rewatch Krull, OK? - <a
|
||
href="https://github.com/RichardLitt">RichardLitt</a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>It’s the year 2044, and the real world is an ugly place.</p>
|
||
<p>Like most of humanity, Wade Watts escapes his grim surroundings by
|
||
spending his waking hours jacked into the OASIS, a sprawling virtual
|
||
utopia that lets you be anything you want to be, a place where you can
|
||
live and play and fall in love on any of ten thousand planets.</p>
|
||
<p>And like most of humanity, Wade dreams of being the one to discover
|
||
the ultimate lottery ticket that lies concealed within this virtual
|
||
world. For somewhere inside this giant networked playground, OASIS
|
||
creator James Halliday has hidden a series of fiendish puzzles that will
|
||
yield massive fortune—and remarkable power—to whoever can unlock
|
||
them.</p>
|
||
<p>For years, millions have struggled fruitlessly to attain this prize,
|
||
knowing only that Halliday’s riddles are based in the pop culture he
|
||
loved—that of the late twentieth century. And for years, millions have
|
||
found in this quest another means of escape, retreating into happy,
|
||
obsessive study of Halliday’s icons. Like many of his contemporaries,
|
||
Wade is as comfortable debating the finer points of John Hughes’s
|
||
oeuvre, playing Pac-Man, or reciting Devo lyrics as he is scrounging
|
||
power to run his OASIS rig.</p>
|
||
<p>And then Wade stumbles upon the first puzzle.</p>
|
||
<p>Suddenly the whole world is watching, and thousands of competitors
|
||
join the hunt—among them certain powerful players who are willing to
|
||
commit very real murder to beat Wade to this prize. Now the only way for
|
||
Wade to survive and preserve everything he knows is to win. But to do
|
||
so, he may have to leave behind his oh-so-perfect virtual existence and
|
||
face up to life—and love—in the real world he’s always been so desperate
|
||
to escape.</p>
|
||
<p>A world at stake. A quest for the ultimate prize. Are you ready?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-dispossessed-1974-by-ursula-k.-le-guin-4.2"><a
|
||
href="https://www.goodreads.com/book/show/13651.The_Dispossessed">The
|
||
Dispossessed</a> (1974) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ursula_K._Le_Guin">Ursula K. Le
|
||
Guin</a></em> [4.2]</h4>
|
||
<p>Sci-Fi, sociology and philosophy. - <a
|
||
href="https://twitter.com/NaxYoMizmo"><span class="citation"
|
||
data-cites="NaxYoMizmo">@NaxYoMizmo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Shevek, a brilliant physicist, decides to take action. He will seek
|
||
answers, question the unquestionable, and attempt to tear down the walls
|
||
of hatred that have isolated his planet of anarchists from the rest of
|
||
the civilized universe. To do this dangerous task will mean giving up
|
||
his family and possibly his life—Shevek must make the unprecedented
|
||
journey to the utopian mother planet, Urras, to challenge the complex
|
||
structures of life and living, and ignite the fires of change.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-handmaids-tale-1986-by-margaret-atwood-4.1"><a
|
||
href="https://www.goodreads.com/book/show/12961964-the-handmaid-s-tale">The
|
||
Handmaid’s Tale</a> (1986) <em>by <a
|
||
href="https://www.goodreads.com/author/show/3472.Margaret_Atwood">Margaret
|
||
Atwood</a></em> [4.1]</h4>
|
||
<p>A bleak and haunting tale, easy to picture playing out in today’s
|
||
political climate. There’s a reason the TV series adaptation is popular.
|
||
- <a href="https://github.com/neontapir"><span class="citation"
|
||
data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set in the near future, it describes life in what was once the United
|
||
States, now called the Republic of Gilead, a monotheocracy that has
|
||
reacted to social unrest and a sharply declining birthrate by reverting
|
||
to, and going beyond, the repressive intolerance of the original
|
||
Puritans. The regime takes the Book of Genesis absolutely at its word,
|
||
with bizarre consequences for the women and men of its population.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="make-room-make-room-1966-by-harry-harrison-3.7"><a
|
||
href="https://www.goodreads.com/book/show/473850.Make_Room_Make_Room_">Make
|
||
Room! Make Room!</a> (1966) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Harry_Harrison_(writer)">Harry
|
||
Harrison</a></em> [3.7]</h4>
|
||
<p>Great dystopian work shows the impact of <a
|
||
href="https://en.wikipedia.org/wiki/Universal_basic_income">Universal
|
||
basic income</a> to society. - <a href="https://github.com/4ndrej"><span
|
||
class="citation" data-cites="4ndrej">@4ndrej</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set in a future August 1999, novel of an overpopulated urban jungle,
|
||
a divided class system—operating within an atmosphere of riots, food
|
||
shortages, and senseless acts of violence—and a desperate hunt for the
|
||
truth by a cynical NYC detective tells a classic tale of a dark future.
|
||
The 1973 science fiction movie Soylent Green is loosely based on this
|
||
novel.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-man-in-the-high-castle-1962-by-philip-k.-dick-3.8"><a
|
||
href="https://www.goodreads.com/book/show/216363.The_Man_in_the_High_Castle">The
|
||
Man in the High Castle</a> (1962) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Philip_K._Dick">Philip K.
|
||
Dick</a></em> [3.8]</h4>
|
||
<p>My favourite of all Philip K. Dick’s novels, the I Ching and the
|
||
alternate history within an alternate history novel being interesting
|
||
elements. - <a href="https://github.com/roryrjb"><span class="citation"
|
||
data-cites="roryrjb">@roryrjb</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An alternate history novel set in 1962, fifteen years after an
|
||
alternate ending to World War II which in the novel lasted until 1947,
|
||
the novel concerns intrigues between the victorious Axis Powers—Imperial
|
||
Japan and Nazi Germany—as they rule over the former United States, as
|
||
well as daily life under the resulting totalitarian rule.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="the-metamorphosis-of-prime-intellect-2002-by-roger-williams-4.2"><a
|
||
href="https://www.goodreads.com/book/show/64341.The_Metamorphosis_of_Prime_Intellect">The
|
||
Metamorphosis of Prime Intellect</a> (2002) <em>by <a
|
||
href="https://www.goodreads.com/author/show/2765575.Roger_Williams">Roger
|
||
Williams</a></em> [4.2]</h4>
|
||
<p>An interesting take on the possibly negative consequences of the
|
||
singularity. A little more vulgar than the average Sci-Fi novel. - <a
|
||
href="https://github.com/sylvarant"><span class="citation"
|
||
data-cites="sylvarant">@sylvarant</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a time not far from our own, Lawrence sets out simply to build an
|
||
artificial intelligence that can pass as human, and finds himself
|
||
instead with one that can pass as a god. Taking the Three Laws of
|
||
Robotics literally, Prime Intellect makes every human immortal and
|
||
provides instantly for every stated human desire. Caroline finds no
|
||
meaning in this life of purposeless ease, and forgets her emptiness only
|
||
in moments of violent and profane exhibitionism. At turns shocking and
|
||
humorous, Prime Intellect looks unflinchingly at extremes of human
|
||
behavior that might emerge when all limits are removed.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="wool-omnibus-2011-by-hugh-howey-4.3"><a
|
||
href="https://www.goodreads.com/book/show/13453029-wool-omnibus">Wool
|
||
Omnibus</a> (2011) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Hugh_Howey">Hugh Howey</a></em>
|
||
[4.3]</h4>
|
||
<p>Set in the near future, the story follows a number of characters as
|
||
their lives unfold living in an underground silo. Life underground seems
|
||
quite grim, people have obviously been down there quite a while, and
|
||
even though they seem to have quite advanced technology, it’s old and
|
||
decaying. The engineers and mechanics do their best to keep the
|
||
electricity throughout the 100 levels of the silo, it’s a lottery to see
|
||
who gets to start a family as the population needs to be strictly
|
||
controlled.</p>
|
||
<p>It’s set close enough to the present that you can see how things
|
||
could end up the way they are in the silo, the political structures, the
|
||
way the silo is organized, the rivalry between the various levels and
|
||
departments; but what happened to lead to humanity living this way in
|
||
the first place? Why are they all down there, and what’s wrong with the
|
||
surface?</p>
|
||
<p>This series of books is well worth a read, I couldn’t put it down
|
||
once I got into the first few chapters. I think this series will be
|
||
recognized as a sci-fi classic in the coming years.</p>
|
||
<p>Also, the first book is available free on Kindle, so it won’t cost
|
||
you anything to check it out - except maybe a Kindle. - <a
|
||
href="https://github.com/elektrovert"><span class="citation"
|
||
data-cites="elektrovert">@elektrovert</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>This Omnibus Edition collects the five <em>Wool</em> books into a
|
||
single volume. It is for those who arrived late to the party and who
|
||
wish to save a dollar or two while picking up the same stories in a
|
||
single package.</p>
|
||
<p>This is the story of mankind clawing for survival, of mankind on the
|
||
edge. The world outside has grown unkind, the view of it limited, talk
|
||
of it forbidden. But there are always those who hope, who dream. These
|
||
are the dangerous people, the residents who infect others with their
|
||
optimism. Their punishment is simple. They are given the very thing they
|
||
profess to want: They are allowed outside.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="space-opera">Space Opera</h3>
|
||
<p><em>Novels which emphasize adventure, set mainly or entirely in outer
|
||
space, usually involving conflict between opponents possessing advanced
|
||
abilities, weapons, and other technology.</em></p>
|
||
<h4 id="ancillary-justice-2013-by-ann-leckie-4.0"><a
|
||
href="https://www.goodreads.com/book/show/17333324-ancillary-justice">Ancillary
|
||
Justice</a> (2013) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ann_Leckie">Ann Leckie</a></em>
|
||
[4.0]</h4>
|
||
<p><em>(And all the following <a
|
||
href="https://www.goodreads.com/book/show/20706284-ancillary-sword">Ancillary
|
||
Sword</a>)</em></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>On a remote, icy planet, the soldier known as Breq is drawing closer
|
||
to completing her quest.</p>
|
||
<p>Once, she was the Justice of Toren—a colossal starship with an
|
||
artificial intelligence linking thousands of soldiers in the service of
|
||
the Radch, the empire that conquered the galaxy.</p>
|
||
<p>Now, an act of treachery has ripped it all away, leaving her with one
|
||
fragile human body, unanswered questions, and a burning desire for
|
||
vengeance.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="battlefield-earth-1982-by-l.-ron-hubbard-3.4"><a
|
||
href="https://www.goodreads.com/book/show/769658.Battlefield_Earth">Battlefield
|
||
Earth</a> (1982) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/L._Ron_Hubbard">L. Ron
|
||
Hubbard</a></em> [3.4]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Earth has been dominated for 1,000 years by an alien invader—and man
|
||
is an endangered species. From the handful of surviving humans a
|
||
courageous leader emerges—Jonnie Goodboy Tyler, who challenges the
|
||
invincible might of the alien Psychlo empire in a battle of epic scale,
|
||
danger and intrigue with the fate of the Earth and of the universe in
|
||
the tenuous balance.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="commonwealth-saga-2004-2005-by-peter-f.-hamilton-4.2"><a
|
||
href="https://www.goodreads.com/series/40740-commonwealth-saga">Commonwealth
|
||
Saga</a> (2004, 2005) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_F._Hamilton">Peter F.
|
||
Hamilton</a></em> [4.2]</h4>
|
||
<p><em>(And the sequels in the <a
|
||
href="https://www.goodreads.com/series/43520-void">Void
|
||
Trilogy</a>)</em></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The year is 2380. The Intersolar Commonwealth, a sphere of stars some
|
||
four hundred light-years in diameter, contains more than six hundred
|
||
worlds, interconnected by a web of transport “tunnels” known as
|
||
wormholes. At the farthest edge of the Commonwealth, astronomer Dudley
|
||
Bose observes the impossible: Over one thousand light-years away, a
|
||
star… vanishes. It does not go supernova. It does not collapse into a
|
||
black hole. It simply disappears. Since the location is too distant to
|
||
reach by wormhole, a faster-than-light starship, the Second Chance, is
|
||
dispatched to learn what has occurred and whether it represents a
|
||
threat. In command is Wilson Kime, a five-time rejuvenated ex-NASA pilot
|
||
whose glory days are centuries behind him.</p>
|
||
<p>Opposed to the mission are the Guardians of Selfhood, a cult that
|
||
believes the human race is being manipulated by an alien entity they
|
||
call the Starflyer. Bradley Johansson, leader of the Guardians, warns of
|
||
sabotage, fearing the Starflyer means to use the starship’s mission for
|
||
its own ends.</p>
|
||
<p>Pursued by a Commonwealth special agent convinced the Guardians are
|
||
crazy but dangerous, Johansson flees. But the danger is not averted.
|
||
Aboard the Second Chance, Kime wonders if his crew has been infiltrated.
|
||
Soon enough, he will have other worries. A thousand light-years away,
|
||
something truly incredible is waiting: a deadly discovery whose
|
||
unleashing will threaten to destroy the Commonwealth… and humanity
|
||
itself. Could it be that Johansson was right?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="fallen-dragon-2001-by-peter-f.-hamilton-4.0"><a
|
||
href="https://www.goodreads.com/book/show/45258.Fallen_Dragon">Fallen
|
||
Dragon</a> (2001) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_F._Hamilton">Peter F.
|
||
Hamilton</a></em> [4.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Deploying invulnerable twenty-fifth-century soldiers called Skins,
|
||
Zantiu-Braun’s corporate starships loot entire planets. But as the Skins
|
||
invade bucolic Thallspring, Z-B’s strategy is about to go awry, all
|
||
because of: Sgt. Lawrence Newton, a dreamer whose twenty years as a Skin
|
||
have destroyed his hopes and desires; Denise Ebourn, a school teacher
|
||
and resistance leader whose guerrilla tactics rival those of Che Guevara
|
||
and George Washington and Simon Roderick, the director who serves Z-B
|
||
with a dedication that not even he himself can understand. Grimly
|
||
determined to steal, or protect, a mysterious treasure, the three
|
||
players engage in a private war that will explode into unimaginable
|
||
quests for personal grace… or galactic domination.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="house-of-suns-2008-by-alastair-reynolds-4.1"><a
|
||
href="https://www.goodreads.com/book/show/1126719.House_of_Suns">House
|
||
of Suns</a> (2008) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Alastair_Reynolds">Alastair
|
||
Reynolds</a></em> [4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Six million years ago, at the dawn of the star-faring era, Abigail
|
||
Gentian fractured herself into a thousand male and female clones, which
|
||
she called shatterlings. But now, someone is eliminating the Gentian
|
||
line. Campion and Purslane—two shatterlings who have fallen in love and
|
||
shared forbidden experiences—must determine exactly who, or what, their
|
||
enemy is, before they are wiped out of existence.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="hyperion-1989-by-dan-simmons-4.2"><a
|
||
href="https://www.goodreads.com/book/show/77566.Hyperion">Hyperion</a>
|
||
(1989) <em>by <a href="https://en.wikipedia.org/wiki/Dan_Simmons">Dan
|
||
Simmons</a></em> [4.2] 🌟 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>On the world called Hyperion, beyond the law of the Hegemony of Man,
|
||
there waits the creature called the Shrike. There are those who worship
|
||
it. There are those who fear it. And there are those who have vowed to
|
||
destroy it. In the Valley of the Time Tombs, where huge, brooding
|
||
structures move backward through time, the Shrike waits for them all. On
|
||
the eve of Armageddon, with the entire galaxy at war, seven pilgrims set
|
||
forth on a final voyage to Hyperion seeking the answers to the unsolved
|
||
riddles of their lives. Each carries a desperate hope—and a terrible
|
||
secret. And one may hold the fate of humanity in his hands.</p>
|
||
<p>A stunning tour de force filled with transcendent awe and wonder,
|
||
<em>Hyperion</em> is a masterwork of science fiction that resonates with
|
||
excitement and invention, the first volume in a remarkable new science
|
||
fiction epic by the multiple-award-winning author of <em>The Hollow
|
||
Man</em>.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="nights-dawn-trilogy-1996-1997-1999-by-peter-f.-hamilton-4.1"><a
|
||
href="https://www.goodreads.com/series/43318-night-s-dawn">Night’s Dawn
|
||
Trilogy</a> (1996, 1997, 1999) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_F._Hamilton">Peter F.
|
||
Hamilton</a></em> [4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The trilogy is set in a universe with a wealth of worlds and
|
||
artificial orbiting colonies. The plot is centered on the souls of the
|
||
dead coming back from a hellish “beyond” to possess the living, and the
|
||
latter fighting back. It was followed by a companion to the series,
|
||
<em>The Confederation Handbook</em>, an informational book containing
|
||
data about the universe of the <em>Night’s Dawn</em> trilogy. Hamilton
|
||
re-set several earlier short stories in the Confederation timeline,
|
||
published as the collection <em>A Second Chance at Eden</em>, including
|
||
the newly written title novella.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="revelation-space-2000-2018-by-alastair-reynolds-4.0-avg"><a
|
||
href="https://www.goodreads.com/series/56392-revelation-space">Revelation
|
||
Space</a> (2000-2018) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Alastair_Reynolds">Alastair
|
||
Reynolds</a></em> [4.0 avg]</h4>
|
||
<p>Alastair Reynolds’ take on the Fermi Paradox is a vast and brutal
|
||
epic, consisting of the three “main” books (forming the “Inhibitor
|
||
Trilogy”) and a few other books and novellas set in the same universe.
|
||
Revelation Space is page-turning “hard space opera” - believable but
|
||
fantastic, and delightfully bizarre at times. - <a
|
||
href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Nine hundred thousand years ago, something annihilated the Amarantin
|
||
civilization just as it was on the verge of discovering space flight.
|
||
Now one scientist, Dan Sylveste, will stop at nothing to solve the
|
||
Amarantin riddle before ancient history repeats itself. With no other
|
||
resources at his disposal, Sylveste forges a dangerous alliance with the
|
||
cyborg crew of the starship Nostalgia for Infinity. But as he closes in
|
||
on the secret, a killer closes in on him. Because the Amarantin were
|
||
destroyed for a reason — and if that reason is uncovered, the
|
||
universe—and reality itself — could be irrecoverably altered…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="salvation-2018-2020-by-peter-f.-hamilton-4.19-avg"><a
|
||
href="https://www.goodreads.com/book/show/34068552-salvation">Salvation</a>
|
||
(2018-2020) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_F._Hamilton">Peter F.
|
||
Hamilton</a></em> [4.19 avg]</h4>
|
||
<p>Peter Hamilton is back with another story featuring a wormhole-based
|
||
multi-planetary society, and this one has elements of both space opera
|
||
and cyberpunk. The perspective shifts between 2204 and several thousand
|
||
years into the future. Starts slow but when the shit hits the fan it
|
||
hits with a vengeance. Three books in total, a very good read. - <a
|
||
href="https://github.com/nahkampf"><span class="citation"
|
||
data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In 2204, humanity is expanding into the wider galaxy in leaps and
|
||
bounds. A new technology of linked jump gates has rendered most forms of
|
||
transporation–including starships–virtually obsolete. Every place on
|
||
earth, every distant planet mankind has settled, is now merely a step
|
||
away from any other. And all seems wonderful…until a crashed alien
|
||
spaceship is found on a newly-located world 89 light years from Earth,
|
||
harboring seventeen human victims. And of the high-powered team
|
||
dispatched to investigate the mystery, one is an alien spy…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-culture-series-1987-2012-by-iain-m.-banks-4.5-avg"><a
|
||
href="https://www.goodreads.com/series/49118-culture">The Culture
|
||
Series</a> (1987-2012) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Iain_Banks">Iain M. Banks</a></em>
|
||
[4.5 (avg)]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The war raged across the galaxy. Billions had died, billions more
|
||
were doomed. Moons, planets, the very stars themselves, faced
|
||
destruction, cold-blooded, brutal, and worse, random. The Idirans fought
|
||
for their Faith; the Culture for its moral right to exist. Principles
|
||
were at stake. There could be no surrender.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="post-apocalyptic">Post Apocalyptic</h3>
|
||
<p><em>Novels concerning the end of civilization, usually based in a
|
||
future resulting from a catastrophe of some sort, where only scattered
|
||
elements of technology remain.</em></p>
|
||
<h4 id="a-canticle-for-leibowitz-1959-by-walter-m.-miller-jr.-4.0"><a
|
||
href="https://www.goodreads.com/book/show/164154.A_Canticle_for_Leibowitz">A
|
||
Canticle for Leibowitz</a> (1959) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Walter_M._Miller,_Jr.">Walter M.
|
||
Miller, Jr.</a></em> [4.0]</h4>
|
||
<p>This has a particularly arid and inspired view of humanity after a
|
||
nuclear holocaust. The discovery of small things and their new
|
||
importance down the line is well done here. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Winner of the 1961 Hugo Award for Best Novel and widely considered
|
||
one of the most accomplished, powerful, and enduring classics of modern
|
||
speculative fiction, Walter M. Miller, Jr.’s <em>A Canticle for
|
||
Leibowitz</em> is a true landmark of twentieth-century literature—a
|
||
chilling and still provocative look at a post-apocalyptic future.</p>
|
||
<p>In a nightmarish ruined world slowly awakening to the light after
|
||
sleeping in darkness, the infant rediscoveries of science are secretly
|
||
nourished by cloistered monks dedicated to the study and preservation of
|
||
the relics and writings of the blessed Saint Isaac Leibowitz. From here
|
||
the story spans centuries of ignorance, violence, and barbarism, viewing
|
||
through a sharp, satirical eye the relentless progression of a human
|
||
race damned by its inherent humanness to recelebrate its grand foibles
|
||
and repeat its grievous mistakes. Seriously funny, stunning, and tragic,
|
||
eternally fresh, imaginative, and altogether remarkable, <em>A Canticle
|
||
for Leibowitz</em> retains its ability to enthrall and amaze. It is now,
|
||
as it always has been, a masterpiece.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="borne-2017-by-jeff-vandermeer-4.0"><a
|
||
href="https://www.goodreads.com/book/show/31451186-borne">Borne</a>
|
||
(2017) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Jeff_VanderMeer">Jeff
|
||
VanderMeer</a></em> [4.0]</h4>
|
||
<p>A weird, beautiful book, reminiscent of Lovecraft, Stephen King, and
|
||
Brautigan’s <em>Watermelon Sugar</em> all wrapped up in a
|
||
post-apocalyptic landscape populated by poisonous fire-breathing bears
|
||
and deprecated biotech. This book is a survival story - how to hang on
|
||
to the edges of civilization, and what that means for humanity. It also
|
||
questions identity, love, mothering, and meaning itself. Some of the
|
||
passages were astoundingly beautiful, and as much as the world would be
|
||
an awful place to live in, I found myself missing it when I finished. -
|
||
<a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the ruins of a nameless city of the future, ruled by a giant
|
||
grizzly called Mord, a woman named Rachel lives as a scavenger,
|
||
collecting genetically engineered organisms and experiments created by
|
||
the biotech firm the Company. Hidden in Mord’s fur, she finds a sea
|
||
anemone shaped creature she calls Borne.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="do-androids-dream-of-electric-sheep-1968-by-philip-k.-dick-4.1"><a
|
||
href="https://www.goodreads.com/book/show/7083.Do_Androids_Dream_of_Electric_Sheep_">Do
|
||
Androids Dream of Electric Sheep?</a> (1968) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Philip_K._Dick">Philip K.
|
||
Dick</a></em> [4.1] 🌟 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A final, apocalyptic, world war has killed millions, driving entire
|
||
species into extinction and sending the majority of mankind off-planet.
|
||
Those who remain, venerate all remaining examples of life, and owning an
|
||
animal of your own is both a symbol of status and a necessity. For those
|
||
who can’t afford an authentic animal, companies build incredibly
|
||
realistic simulacrae: horses, birds, cats, sheep… even humans.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="earth-abides-1949-by-george-r.-stewart-3.9"><a
|
||
href="https://www.goodreads.com/book/show/93269.Earth_Abides">Earth
|
||
Abides</a> (1949) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/George_R._Stewart">George R.
|
||
Stewart</a></em> [3.9]</h4>
|
||
<p>Highly plausible outcome after a near-extinction event, the human
|
||
race will hopelessly go down the path of least resistance. Great and
|
||
somewhat disheartening ending. - <a
|
||
href="https://github.com/uraimo"><span class="citation"
|
||
data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A disease of unparalleled destructive force has sprung up almost
|
||
simultaneously in every corner of the globe, all but destroying the
|
||
human race. One survivor, strangely immune to the effects of the
|
||
epidemic, ventures forward to experience a world without man. What he
|
||
ultimately discovers will prove far more astonishing than anything he’d
|
||
either dreaded or hoped for.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="riddley-walker-1980-by-russell-hoban-4.1"><a
|
||
href="https://www.goodreads.com/book/show/776573.Riddley_Walker">Riddley
|
||
Walker</a> (1980) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Russell_Hoban">Russell
|
||
Hoban</a></em> [4.1]</h4>
|
||
<p>I traveled 500 miles from Edinburgh to Kent just to go to the
|
||
Canterbury Cathedral to see the painting that inspired this book. It is
|
||
that good. It was hard for me to read as I normally speed read, and the
|
||
invented language makes it slow going, but it sticks with you and the
|
||
imagination of Hoban is uniquely vivid. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Riddley Walker</em> is a brilliant, unique, completely realized
|
||
work of fiction. One reads it again and again, discovering new wonders
|
||
every time through. Set in a remote future in a post-nuclear holocaust
|
||
England (Inland), Hoban has imagined a humanity regressed to an
|
||
iron-age, semi-literate state—and invented a language to represent it.
|
||
Riddley is at once the Huck Finn and the Stephen Dedalus of his
|
||
culture—rebel, change agent, and artist. Read again or for the first
|
||
time this masterpiece of 20th-century literature with new material by
|
||
the author.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="severance-2018-by-ling-ma-3.8"><a
|
||
href="https://www.goodreads.com/book/show/36348525-severance">Severance</a>
|
||
(2018) <em>by <a
|
||
href="https://www.goodreads.com/author/show/17343848.Ling_Ma">Ling
|
||
Ma</a></em> [3.8]</h4>
|
||
<p>Although I’d like to believe I’d do well in the apocalypse, this
|
||
story spells out how a younger me might’ve fared. - <a
|
||
href="https://github.com/neontapir"><span class="citation"
|
||
data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An offbeat office novel turns apocalyptic satire as a young woman
|
||
transforms from orphan to worker bee to survivor.</p>
|
||
<p>Candace Chen, a millennial drone self-sequestered in a Manhattan
|
||
office tower, is devoted to routine. She barely notices when a plague of
|
||
biblical proportions sweeps New York. Her bosses enlist her as part of a
|
||
dwindling skeleton crew with a big end-date payoff. Soon entirely alone,
|
||
still unfevered, she photographs the eerie, abandoned city as the
|
||
anonymous blogger NY Ghost. Candace won’t be able to make it on her own
|
||
forever, though. Enter a group of survivors, led by the power-hungry IT
|
||
tech Bob. They’re traveling to a place called the Facility, where, Bob
|
||
promises, they will have everything they need to start society anew. But
|
||
Candace is carrying a secret she knows Bob will exploit. Should she
|
||
escape from her rescuers?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-city-and-the-stars-1956-by-arthur-c.-clarke-4.1"><a
|
||
href="https://www.goodreads.com/book/show/250024.The_City_and_the_Stars">The
|
||
City and the Stars</a> (1956) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
|
||
Clarke</a></em> [4.1]</h4>
|
||
<p>One of Arthur C. Clarke’s best novels. It makes <em>Childhood’s
|
||
End</em> seem a bit immature in comparison, and evokes that strange
|
||
concept of deep space that was prevalent in the 50s and in the early
|
||
Star Trek series which seems to be out of fashion more recently. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Clarke’s masterful evocation of the far future of humanity,
|
||
considered his finest novel. <em>The City and the Stars</em> takes place
|
||
one billion years in the future, in the city of Diaspar. By this time,
|
||
the Earth is so old that the oceans have gone and humanity has all but
|
||
left. As far as the people of Diaspar know, they are the only city left
|
||
on the planet. The city of Diaspar is completely enclosed. Nobody has
|
||
come in or left the city for as long as anybody can remember, and
|
||
everybody in Diaspar has an instinctive insular conservatism. The story
|
||
behind this fear of venturing outside the city tells of a race of
|
||
ruthless invaders which beat humanity back from the stars to Earth, and
|
||
then made a deal that humanity could live—if they never left the
|
||
planet.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-city-of-ember-2003-by-jeanne-duprau-3.9"><a
|
||
href="https://www.goodreads.com/book/show/307791.The_City_of_Ember">The
|
||
City of Ember</a> (2003) <em>by <a
|
||
href="https://www.goodreads.com/author/show/2347.Jeanne_DuPrau">Jeanne
|
||
DuPrau</a></em> [3.9]</h4>
|
||
<p>A less violent coming of age story in the vein of <em>Hugo</em> or
|
||
<em>The Hunger Games</em>. - <a
|
||
href="https://github.com/neontapir"><span class="citation"
|
||
data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Many hundreds of years ago, the city of Ember was created by the
|
||
Builders to contain everything needed for human survival. It worked…but
|
||
now the storerooms are almost out of food, crops are blighted,
|
||
corruption is spreading through the city and worst of all—the lights are
|
||
failing. Soon Ember could be engulfed by darkness…</p>
|
||
<p>But when two children, Lina and Doon, discover fragments of an
|
||
ancient parchment, they begin to wonder if there could be a way out of
|
||
Ember. Can they decipher the words from long ago and find a new future
|
||
for everyone? Will the people of Ember listen to them?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-drowned-world-1963-by-j.-g.-ballard-3.6"><a
|
||
href="https://www.goodreads.com/book/show/16234584-the-drowned-world">The
|
||
Drowned World</a> (1963) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/J._G._Ballard">J. G.
|
||
Ballard</a></em> [3.6]</h4>
|
||
<p>This had some very haunting scenes. The last pages, in particular,
|
||
will stick with me for a while. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>First published in 1962, J. G. Ballard’s mesmerizing and ferociously
|
||
prescient novel imagines a terrifying future in which solar radiation
|
||
and global warming have melted the ice caps and Triassic-era jungles
|
||
have overrun a submerged and tropical London. Set during the year 2145,
|
||
the novel follows biologist Dr. Robert Kerans and his team of scientists
|
||
as they confront a surreal cityscape populated by giant iguanas, albino
|
||
alligators, and endless swarms of malarial insects. Nature has swallowed
|
||
all but a few remnants of human civilization, and, slowly, Kerans and
|
||
his companions are transformed—both physically and psychologically—by
|
||
this prehistoric environment. Echoing Joseph Conrad’s <em>Heart of
|
||
Darkness</em>—complete with a mad white hunter and his hordes of native
|
||
soldiers—this “powerful and beautifully clear” (Brian Aldiss) work
|
||
becomes a thrilling adventure and a haunting examination of the effects
|
||
of environmental collapse on the human mind.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-machine-stops-1909-by-edward-morgan-forster-4.0"><a
|
||
href="https://www.goodreads.com/book/show/4711854-the-machine-stops">The
|
||
Machine Stops</a> (1909) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/E._M._Forster">Edward Morgan
|
||
Forster</a></em> [4.0] 🌟</h4>
|
||
<p>A short and rather old post-apocalyptic story which remained stuck in
|
||
my mind like a ROM data. Being under strong impressions after consuming
|
||
it in an instant, I described this rare pearl of a story to a Norwegian
|
||
<a
|
||
href="https://en.wikipedia.org/wiki/Norwegian_University_of_Science_and_Technology">NTNU</a>
|
||
professor. To my surprise it ended as a further recommendation to his
|
||
students or/and an actual part of their course reading materials. You’ll
|
||
definitely want to read about this machine out of wedlock between
|
||
‘Facebook’ and ‘Google’ from the beginning of 20th century. I have yet
|
||
to see other such power of prediction as to where the world is now or
|
||
might go. Advice to readers: Keep in mind while reading that the text
|
||
has been coined about 100 years ago - it’s part of the magic. - <a
|
||
href="https://github.com/zarko-tg"><span class="citation"
|
||
data-cites="zarko-tg">@zarko-tg</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The story, set in a post-apocalyptic world where humanity lives
|
||
underground and relies on a giant machine to provide their needs,
|
||
predicted new technologies such as instant messaging, and the Internet.
|
||
It describes a world in which most of the human population has lost the
|
||
ability to live on the surface of the Earth. Each individual now lives
|
||
in isolation below ground in a standard ‘cell’, with all bodily and
|
||
spiritual needs met by the omnipotent, global Machine. Travel is
|
||
permitted but unpopular and rarely necessary. Communication is made via
|
||
a kind of instant messaging/video conferencing machine with which people
|
||
conduct their only activity: the sharing of ideas and what passes for
|
||
knowledge.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-road-2006-by-cormac-mccarthy-4.0"><a
|
||
href="https://www.goodreads.com/book/show/6288.The_Road">The Road</a>
|
||
(2006) <em>by <a
|
||
href="https://www.goodreads.com/author/show/4178.Cormac_McCarthy">Cormac
|
||
McCarthy</a></em> [4.0]</h4>
|
||
<p>A dreary story that compels you forward with its unyielding backdrop
|
||
and vivid characters. - <a href="https://github.com/neontapir"><span
|
||
class="citation" data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A father and his son walk alone through burned America. Nothing moves
|
||
in the ravaged landscape save the ash on the wind. It is cold enough to
|
||
crack stones, and when the snow falls it is gray. The sky is dark. Their
|
||
destination is the coast, although they don’t know what, if anything,
|
||
awaits them there. They have nothing; just a pistol to defend themselves
|
||
against the lawless bands that stalk the road, the clothes they are
|
||
wearing, a cart of scavenged food—and each other. It boldly imagines a
|
||
future in which no hope remains, but in which the father and his son,
|
||
“each the other’s world entire,” are sustained by love. Winner of the
|
||
2007 Pulitzer Prize for fiction.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-stand-1978-by-stephen-king-4.3"><a
|
||
href="https://www.goodreads.com/book/show/149267.The_Stand">The
|
||
Stand</a> (1978) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Stephen_King">Stephen King</a></em>
|
||
[4.3] 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>This is the way the world ends: with a nanosecond of computer error
|
||
in a Defense Department laboratory and a million casual contacts that
|
||
form the links in a chain letter of death.</p>
|
||
<p>And here is the bleak new world of the day after: a world stripped of
|
||
its institutions and emptied of 99 percent of its people. A world in
|
||
which a handful of panicky survivors choose sides—or are chosen. A world
|
||
in which good rides on the frail shoulders of the 108-year-old Mother
|
||
Abagail—and the worst nightmares of evil are embodied in a man with a
|
||
lethal smile and unspeakable powers: Randall Flagg, the dark man.</p>
|
||
<p>In 1978 Stephen King published <em>The Stand</em>, the novel that is
|
||
now considered to be one of his finest works. But as it was first
|
||
published, <em>The Stand</em> was incomplete, since more than 150,000
|
||
words had been cut from the original manuscript.</p>
|
||
<p>Now Stephen King’s apocalyptic vision of a world blasted by plague
|
||
and embroiled in an elemental struggle between good and evil has been
|
||
restored to its entirety. <em>The Stand: The Complete and Uncut
|
||
Edition</em> includes more than five hundred pages of material
|
||
previously deleted, along with new material that King added as he
|
||
reworked the manuscript for a new generation. It gives us new characters
|
||
and endows familiar ones with new depths. It has a new beginning and a
|
||
new ending. What emerges is a gripping work with the scope and moral
|
||
complexity of a true epic.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="time-storm-1977-by-gordon-r.-dickson-3.7"><a
|
||
href="https://www.goodreads.com/book/show/536951.Time_Storm">Time
|
||
Storm</a> (1977) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Gordon_R._Dickson">Gordon R.
|
||
Dickson</a></em> [3.7]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A time storm has devastated the Earth, and only a small fraction of
|
||
humankind remains. From the rubble, three survivors form an unlikely
|
||
alliance: a young man, a young woman, and a leopard.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="where-late-the-sweet-birds-sang-1974-by-kate-wilhelm-3.9"><a
|
||
href="https://www.goodreads.com/book/show/968827.Where_Late_the_Sweet_Birds_Sang">Where
|
||
Late the Sweet Birds Sang</a> (1974) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Kate_Wilhelm">Kate Wilhelm</a></em>
|
||
[3.9]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The spellbinding story of an isolated post-holocaust community
|
||
determined to preserve itself, through a perilous experiment in cloning.
|
||
Sweeping, dramatic, rich with humanity, and rigorous in its science,
|
||
<em>Where Late the Sweet Birds Sang</em> is widely regarded as a high
|
||
point of both humanistic and hard SF, winning SF’s Hugo Award and Locus
|
||
Award on its first publication.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="military-science-fiction">Military Science Fiction</h3>
|
||
<p><em>Novels featuring the use use of technology, mainly weapons, for
|
||
military purposes and principal characters that are members of a
|
||
military organization involved in military activity; sometimes occurring
|
||
in outer space or other planets.</em></p>
|
||
<h4 id="armor-1984-by-john-steakley-4.12"><a
|
||
href="https://www.goodreads.com/book/show/102327.Armor">Armor</a> (1984)
|
||
<em>by <a href="https://en.wikipedia.org/wiki/John_Steakley">John
|
||
Steakley</a></em> [4.12]</h4>
|
||
<p>Steakley puts his readers inside the mind of an armored soldier who
|
||
lives in constant fear of being torn apart by the enemy he was sent to
|
||
fight. The book plays brilliantly on our innate fear of bugs and
|
||
describes the visceral terror of fighting a nearly unstoppable enemy. -
|
||
<a href="https://github.com/phmullins"><span class="citation"
|
||
data-cites="phmullins">@phmullins</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Felix is an Earth soldier, encased in special body armor designed to
|
||
withstand Earth’s most implacable enemy-a bioengineered, insectoid alien
|
||
horde. But Felix is also equipped with internal mechanisms that enable
|
||
him, and his fellow soldiers, to survive battle situations that would
|
||
destroy a man’s mind. This is a remarkable novel of the horror, the
|
||
courage, and the aftermath of combat–and how the strength of the human
|
||
spirit can be the greatest armor of all.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-aurora-cycle-series-2019-2021-by-amie-kaufman-4.2"><a
|
||
href="https://www.goodreads.com/series/179394-the-aurora-cycle">The
|
||
Aurora Cycle Series</a> (2019-2021) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Amie_Kaufman">Amie Kaufman</a></em>
|
||
[4.2]</h4>
|
||
<p>This novel starts as a simple rescue by a cadet that led to the
|
||
entire universe fighting an epic battle they have no hope of
|
||
winning.</p>
|
||
<p>What makes this novel awesome is the build up to the final epic
|
||
battle. It starts as a small team of ragtags who were framed for a crime
|
||
and later find out that the least of their worry is the intergalactic
|
||
military but rather an incomprehensible galaxy ending force whose sole
|
||
existence is to added all living things to its hive. - <a
|
||
href="https://github.com/sammy4gh"><span class="citation"
|
||
data-cites="sammy4gh">@sammy4gh</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The year is 2380, and the graduating cadets of Aurora Academy are
|
||
being assigned their first missions. Star pupil Tyler Jones is ready to
|
||
recruit the squad of his dreams, but his own boneheaded heroism sees him
|
||
stuck with the dregs nobody else in the Academy would touch…</p>
|
||
<p>A cocky diplomat with a black belt in sarcasm, A sociopath scientist
|
||
with a fondness for shooting her bunkmates ,A smart-ass techwiz with the
|
||
galaxy’s biggest chip on his shoulder, An alien warrior with anger
|
||
management issues ,A tomboy pilot who’s totally not into him, in case
|
||
you were wondering</p>
|
||
<p>And Ty’s squad isn’t even his biggest problem—that’d be Aurora
|
||
Jie-Lin O’Malley, the girl he’s just rescued from interdimensional
|
||
space. Trapped in cryo-sleep for two centuries, Auri is a girl out of
|
||
time and out of her depth. But she could be the catalyst that starts a
|
||
war millions of years in the making, and Tyler’s squad of losers,
|
||
discipline-cases and misfits might just be the last hope for the entire
|
||
galaxy.</p>
|
||
<p>They’re not the heroes we deserve. They’re just the ones we could
|
||
find. Nobody panic.</p>
|
||
</blockquote>
|
||
</details>
|
||
<p>Books:</p>
|
||
<ul>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/30075662-aurora-rising">Aurora
|
||
Rising</a> [4.1]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/40516960-aurora-burning">Aurora
|
||
Burning</a> [4.3]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/40516976-aurora-s-end">Aurora’s
|
||
End</a> [4.2]</li>
|
||
</ul>
|
||
<h4 id="enders-game-1985-by-orson-scott-card-4.3"><a
|
||
href="https://www.goodreads.com/book/show/375802.Ender_s_Game">Ender’s
|
||
Game</a> (1985) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Orson_Scott_Card">Orson Scott
|
||
Card</a></em> [4.3] 🌟 🔥</h4>
|
||
<p>This is a quick read, but it has a slow burn; the more times I read
|
||
this book, and the more I think of it, the better it becomes. This book
|
||
is one of the most strategically interesting books I have read. At every
|
||
turn, you can feel Orson Scott Card manipulating you into seeing how
|
||
brilliant Ender is. A masterpiece. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<p>I’ve lost count of the amount of times I have read <em>Ender’s
|
||
Game</em>. I generally read it around once a year, at least. It is part
|
||
of a larger series, including <em>Speaker for the Dead</em>, and
|
||
<em>Xenocide</em> - follow-ups which build on <em>Ender’s Game</em> and
|
||
which are, in their own right, great books. <em>EG</em> was originally
|
||
just a short story, a kind of prequel to the themes spoken of in
|
||
<em>Speaker for the Dead</em>. It shows Card’s talent that he was able
|
||
to so fluently make it a stand-alone book.</p>
|
||
<p>I love <em>Ender’s Game</em>. All things considered, this is not a
|
||
book about emotional development, or about coming of age. It’s not about
|
||
taking on the weight of the world. Rather, this is a book about
|
||
strategy. More happens in the gaps between the pages than in the
|
||
chapters themselves - taking the time to figure out how Ender worked out
|
||
an advantage in a game room, and how you would have done it, is an
|
||
incredibly rewarding experience. Every now and then, there is a
|
||
wonderful feeling of ‘Damn, I wish I had done that! So smart.’ And, as
|
||
Card notes in the prologue:</p>
|
||
<blockquote>
|
||
<p>Fiction, because it is not about somebody who actually lived in the
|
||
real world, always has the possibility of being about ourself.</p>
|
||
</blockquote>
|
||
<p>So, you’re able to share in Ender’s cleverness, too. That’s what
|
||
makes this book a fun read. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In order to develop a secure defense against a hostile alien race’s
|
||
next attack, government agencies breed child geniuses and train them as
|
||
soldiers. A brilliant young boy—Andrew “Ender” Wiggin—lives with his
|
||
kind but distant parents, his sadistic brother Peter, and the person he
|
||
loves more than anyone else, his sister Valentine. Peter and Valentine
|
||
were candidates for the soldier-training program but didn’t make the
|
||
cut—young Ender is the Wiggin drafted to the orbiting Battle School for
|
||
rigorous military training.</p>
|
||
<p>Ender’s skills make him a leader in school and respected in the
|
||
Battle Room, where children play at mock battles in zero gravity. Yet
|
||
growing up in an artificial community of young soldiers Ender suffers
|
||
greatly from isolation, rivalry from his peers, pressure from the adult
|
||
teachers, and an unsettling fear of the alien invaders. His
|
||
psychological battles include loneliness, fear that he is becoming like
|
||
the cruel brother he remembers, and fanning the flames of devotion to
|
||
his beloved sister.</p>
|
||
<p>Is Ender the general Earth needs? But Ender is not the only result of
|
||
the genetic experiments. The war with the Buggers has been raging for a
|
||
hundred years, and the quest for the perfect general has been underway
|
||
for almost as long. Ender’s two older siblings are every bit as unusual
|
||
as he is, but in very different ways. Between the three of them lie the
|
||
abilities to remake a world. If, that is, the world survives.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="frontlines-series-2013--by-marko-kloos-4.05"><a
|
||
href="https://www.goodreads.com/series/125903-frontlines">Frontlines
|
||
Series</a> (2013-) <em>by <a href="https://www.markokloos.com/">Marko
|
||
Kloos</a></em> [4.05]</h4>
|
||
<p>A very entertaining military drama that has continued to grow on me,
|
||
book by book. <a href="https://github.com/alex-keyes"><span
|
||
class="citation" data-cites="AlexKeyes">@AlexKeyes</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The year is 2108, and the North American Commonwealth is bursting at
|
||
the seams. For welfare rats like Andrew Grayson, there are only two ways
|
||
out of the crime-ridden and filthy welfare tenements, where you’re
|
||
restricted to two thousand calories of badly flavored soy every day.</p>
|
||
<p>You can hope to win the lottery and draw a ticket on a colony ship
|
||
settling off-world, or you can join the service.</p>
|
||
<p>With the colony lottery a pipe dream, Andrew chooses to enlist in the
|
||
armed forces for a shot at real food, a retirement bonus, and maybe a
|
||
ticket off Earth. But as he starts a career of supposed privilege, he
|
||
soon learns that the good food and decent health care come at a steep
|
||
price…and that the settled galaxy holds far greater dangers than
|
||
military bureaucrats or the gangs that rule the slums.</p>
|
||
<p>The debut novel from Marko Kloos, Terms of Enlistment is a new
|
||
addition to the great military sci-fi tradition of Robert Heinlein, Joe
|
||
Haldeman, and John Scalzi.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="old-mans-war-2005-2015-by-john-scalzi-4.2"><a
|
||
href="https://www.goodreads.com/series/40789-old-man-s-war">Old Man’s
|
||
War</a> (2005-2015) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/John_Scalzi">John Scalzi</a></em>
|
||
[4.2]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Old Man’s War</em>, <em>The Last Colony</em> and <em>Zoe’s
|
||
Tale</em> were each nominated for the Hugo Award for Best Novel in their
|
||
respective years. <em>Zoe’s Tale</em> was additionally nominated for the
|
||
Andre Norton Award for Best Young Adult Science Fiction/Fantasy. <em>The
|
||
Ghost Brigades</em> was nominated for the Prometheus Award. <em>Old
|
||
Man’s War</em> was the winner of the Geffen Award in Israel; <em>The
|
||
Last Colony</em> the recipient of the Seiun Award in Japan.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="starship-troopers-1959-by-robert-a.-heinlein-4.0"><a
|
||
href="https://www.goodreads.com/book/show/17214.Starship_Troopers">Starship
|
||
Troopers</a> (1959) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Robert_A._Heinlein">Robert A.
|
||
Heinlein</a></em> [4.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In one of Robert Heinlein’s most controversial bestsellers, a recruit
|
||
of the future goes through the toughest boot camp in the Universe—and
|
||
into battle with the Terran Mobile Infantry against mankind’s most
|
||
frightening enemy.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-forever-war-1974-by-joe-haldeman-4.1"><a
|
||
href="https://www.goodreads.com/book/show/21611.The_Forever_War">The
|
||
Forever War</a> (1974) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Joe_Haldeman">Joe Haldeman</a></em>
|
||
[4.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The Earth’s leaders have drawn a line in the interstellar
|
||
sand—despite the fact that the fierce alien enemy that they would oppose
|
||
is inscrutable, unconquerable, and very far away. A reluctant conscript
|
||
drafted into an elite Military unit, Private William Mandella has been
|
||
propelled through space and time to fight in the distant thousand-year
|
||
conflict; to perform his duties without rancor and even rise up through
|
||
military ranks. Pvt. Mandella is willing to do whatever it takes to
|
||
survive the ordeal and return home. But “home” may be even more
|
||
terrifying than battle, because, thanks to the time dilation caused by
|
||
space travel, Mandella is aging months while the Earth he left behind is
|
||
aging centuries.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-ultramarines-omnibus-2008-by-graham-mcniell-3.96"><a
|
||
href="https://www.goodreads.com/book/show/31638.The_Ultramarines_Omnibus">The
|
||
Ultramarines Omnibus</a> (2008) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Graham_McNeill">Graham
|
||
Mcniell</a></em> [3.96]</h4>
|
||
<p>Conan the Barbarian in space. - <a
|
||
href="https://github.com/alex-keyes"><span class="citation"
|
||
data-cites="alex-keyes">@alex-keyes</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The Ultramarines are a byword for loyalty and courage, their martial
|
||
prowess is legendary and is second only to the God-Emperor.</p>
|
||
<p>Graham Mcneill’s epic trilogy of Ultramarines novels is a masterpiece
|
||
of non-stop action! Containing the novels Nightbringer, Warriors of
|
||
Ultramar and Dead Sky, Black Sun, plus a connected short story, Chains
|
||
of Command, the series follows the adventures of Space Marine Captain
|
||
Uriel Ventris and the Ultramarines as they battle against the enemies of
|
||
mankind. From their home world of Macragge, into the dreaded Eye of
|
||
Terror and beyond, Graham McNeill’s prose rattles like gunfire and
|
||
brings the Space Marines to life like never before.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="police-procedural-science-fiction">Police Procedural Science
|
||
Fiction</h3>
|
||
<h4 id="lock-in-2014-by-john-scalzi-3.8"><a
|
||
href="https://www.goodreads.com/book/show/21418013-lock-in">Lock In</a>
|
||
(2014) <em>by <a href="https://en.wikipedia.org/wiki/John_Scalzi">John
|
||
Scalzi</a></em> [3.8]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A novel of our near future, from one of the most popular authors in
|
||
modern SF.</p>
|
||
<p>Fifteen years from now, a new virus sweeps the globe. 95% of those
|
||
afflicted experience nothing worse than fever and headaches. Four
|
||
percent suffer acute meningitis, creating the largest medical crisis in
|
||
history. And one percent find themselves “locked in”—fully awake and
|
||
aware, but unable to move or respond to stimulus.</p>
|
||
<p>One per cent doesn’t seem like a lot. But in the United States,
|
||
that’s 1.7 million people “locked in”… including the President’s wife
|
||
and daughter.</p>
|
||
<p>Spurred by grief and the sheer magnitude of the suffering, America
|
||
undertakes a massive scientific initiative. Nothing can restore the
|
||
ability to control their own bodies to the locked in. But then two new
|
||
technologies emerge. One is a virtual-reality environment, “The Agora,”
|
||
in which the locked-in can interact with other humans, both locked-in
|
||
and not. The other is the discovery that a few rare individuals have
|
||
brains that are receptive to being controlled by others, meaning that
|
||
from time to time, those who are locked in can “ride” these people and
|
||
use their bodies as if they were their own.</p>
|
||
<p>This skill is quickly regulated, licensed, bonded, and controlled.
|
||
Nothing can go wrong. Certainly nobody would be tempted to misuse it,
|
||
for murder, for political power, or worse…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="techno-thriller">Techno Thriller</h3>
|
||
<p><em>Novels which draw from sci-fi, thrillers, spying, action and
|
||
wars. Include lots of technical detail regarding the subject
|
||
matter.</em></p>
|
||
<h4 id="cryptonomicon-1999-by-neal-stephenson-4.2"><a
|
||
href="https://www.goodreads.com/book/show/816.Cryptonomicon">Cryptonomicon</a>
|
||
(1999) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Neal_Stephenson">Neal
|
||
Stephenson</a></em> [4.2]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Cryptonomicon</em> zooms all over the world, careening
|
||
conspiratorially back and forth between two time periods—World War II
|
||
and the present. Our 1940s heroes are the brilliant mathematician
|
||
Lawrence Waterhouse, cryptanalyst extraordinaire, and gung-ho,
|
||
morphine-addicted marine Bobby Shaftoe. They’re part of Detachment 2702,
|
||
an Allied group trying to break Axis communication codes while
|
||
simultaneously preventing the enemy from figuring out that their codes
|
||
have been broken. Their job boils down to layer upon layer of deception.
|
||
Dr. Alan Turing is also a member of 2702, and he explains the unit’s
|
||
strange workings to Waterhouse. “When we want to sink a convoy, we send
|
||
out an observation plane first… Of course, to observe is not its real
|
||
duty—we already know exactly where the convoy is. Its real duty is to be
|
||
observed… Then, when we come round and sink them, the Germans will not
|
||
find it suspicious.”</p>
|
||
<p>All of this secrecy resonates in the present-day story line, in which
|
||
the grandchildren of the WWII heroes—inimitable programming geek Randy
|
||
Waterhouse and the lovely and powerful Amy Shaftoe—team up to help
|
||
create an offshore data haven in Southeast Asia and maybe uncover some
|
||
gold once destined for Nazi coffers. To top off the paranoiac tone of
|
||
the book, the mysterious Enoch Root, key member of Detachment 2702 and
|
||
the Societas Eruditorum, pops up with an unbreakable encryption scheme
|
||
left over from WWII to befuddle the 1990s protagonists with
|
||
conspiratorial ties.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="daemon-2006-2010-by-daniel-suárez-4.2"><a
|
||
href="https://www.goodreads.com/series/49858-daemon">Daemon</a> (2006,
|
||
2010) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Daniel_Su%C3%A1rez">Daniel
|
||
Suárez</a></em> [4.2]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Already an underground sensation, a high-tech thriller for the
|
||
wireless age that explores the unthinkable consequences of a computer
|
||
program running without human control—a daemon—designed to dismantle
|
||
society and bring about a new world order.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Technology controls almost everything in our modern-day world, from
|
||
remote entry on our cars to access to our homes, from the flight
|
||
controls of our airplanes to the movements of the entire world economy.
|
||
Thousands of autonomous computer programs, or daemons, make our
|
||
networked world possible, running constantly in the background of our
|
||
lives, trafficking e-mail, transferring money, and monitoring power
|
||
grids. For the most part, daemons are benign, but the same can’t always
|
||
be said for the people who design them.</p>
|
||
<p>Matthew Sobol was a legendary computer game designer—the architect
|
||
behind half-a-dozen popular online games. His premature death depressed
|
||
both gamers and his company’s stock price. But Sobol’s fans aren’t the
|
||
only ones to note his passing. When his obituary is posted online, a
|
||
previously dormant daemon activates, initiating a chain of events
|
||
intended to unravel the fabric of our hyper-efficient, interconnected
|
||
world. With Sobol’s secrets buried along with him, and as new layers of
|
||
his daemon are unleashed at every turn, it’s up to an unlikely alliance
|
||
to decipher his intricate plans and wrest the world from the grasp of a
|
||
nameless, faceless enemy—or learn to live in a society in which we are
|
||
no longer in control…</p>
|
||
<p>Computer technology expert Daniel Suarez blends haunting high-tech
|
||
realism with gripping suspense in an authentic, complex thriller in the
|
||
tradition of Michael Crichton, Neal Stephenson, and William Gibson.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="sphere-1987-by-michael-crichton-3.7"><a
|
||
href="https://www.goodreads.com/book/show/455373.Sphere">Sphere</a>
|
||
(1987) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Michael_Crichton">Michael
|
||
Crichton</a></em> [3.7] 🌟 🔥</h4>
|
||
<p>Twitter user: My favorite novel. Movie was worse than terrible.</p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A group of American scientists are rushed to a huge vessel that has
|
||
been discovered resting on the ocean floor in the middle of the South
|
||
Pacific. What they find defines their imaginations and mocks their
|
||
attempts at logical explanation. It is a spaceship of phenomenal
|
||
dimensions, apparently, undamaged by its fall from the sky. And, most
|
||
startling, it appears to be at least three hundred years old…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="fantasy">Fantasy</h3>
|
||
<p><em>Fantasy books which contain elements of science fiction. For pure
|
||
fantasy, see <a
|
||
href="https://github.com/RichardLitt/awesome-fantasy">this
|
||
list</a>.</em></p>
|
||
<h4 id="the-book-of-the-long-sun-1993-1994-1996-by-gene-wolfe-4.0"><a
|
||
href="https://www.goodreads.com/series/43253-the-book-of-the-long-sun">The
|
||
Book of the Long Sun</a> (1993, 1994, 1996) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Gene_Wolfe">Gene Wolfe</a></em>
|
||
[4.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set aboard a vast starship traveling for generations, <em>The Book of
|
||
the Long Sun</em> is a masterpiece of science fiction. The series
|
||
follows the story of Patera Silk, a priest who becomes a prophet as he
|
||
learns about the nature of his world and the gods he serves.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-book-of-the-new-sun-1980-1987-by-gene-wolfe-3.9"><a
|
||
href="https://www.goodreads.com/series/41474-the-book-of-the-new-sun">The
|
||
Book of the New Sun</a> (1980-1987) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Gene_Wolfe">Gene Wolfe</a></em>
|
||
[3.9]</h4>
|
||
<p>This is my favorite book. It is science fiction and, to a certain
|
||
extent, fantasy, but at places reads more like a philosophical tract of
|
||
a collection of stories. The plot is minimal, but the character of
|
||
Severian is fascinating; he forgets nothing, but lies to you. As you
|
||
read along, it becomes clear that earlier chapters were wrong or lacked
|
||
important details, which heavily contributes to a sense of wonder and
|
||
enchantment. Or, in my case, aw at Gene Wolfe’s writing abilities.
|
||
Highly suggested. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>The Book of the New Sun</em> is unanimously acclaimed as Gene
|
||
Wolfe’s most remarkable work, hailed as “a masterpiece of science
|
||
fantasy comparable in importance to the major works of Tolkien and
|
||
Lewis” by <em>Publishers Weekly</em>, and “one of the most ambitious
|
||
works of speculative fiction in the twentieth century” by <em>The
|
||
Magazine of Fantasy and Science Fiction</em>.</p>
|
||
<p>Young Severian, an apprentice in the Guild of Torturers on the world
|
||
called Urth, has been exiled for committing the ultimate sin of his
|
||
profession—showing mercy toward his victim.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="there-are-doors-1988-by-gene-wolfe-3.6"><a
|
||
href="https://www.goodreads.com/book/show/666601.There_Are_Doors">There
|
||
Are Doors</a> (1988) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Gene_Wolfe">Gene Wolfe</a></em>
|
||
[3.6]</h4>
|
||
<p>This is debatably science fiction. I mention it here because certain
|
||
elements, like a lot of Gene Wolfe’s works, are science fiction - for
|
||
instance, the android-esque doll. This book is much more of a fantasy. I
|
||
love it, but it’s a bit weird in places. If you like Gene Wolfe, read
|
||
it. - <a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>There Are Doors</em> is the story of a man who falls in love with
|
||
a goddess from an alternate universe. She flees him, but he pursues her
|
||
through doorways—interdimensional gateways—to the other place,
|
||
determined to sacrifice his life, if necessary, for her love.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="drama">Drama</h3>
|
||
<h4 id="the-bone-clocks-2014-by-david-mitchell-3.9"><a
|
||
href="https://www.goodreads.com/book/show/20819685-the-bone-clocks">The
|
||
Bone Clocks</a> (2014) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/David_Mitchell_%28author%29">David
|
||
Mitchell</a></em> [3.9]</h4>
|
||
<p>If you liked Cloud Atlas this is a good read.</p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Following a scalding row with her mother, fifteen-year-old Holly
|
||
Sykes slams the door on her old life. But Holly is no typical teenage
|
||
runaway: a sensitive child once contacted by voices she knew only as
|
||
“the radio people,” Holly is a lightning rod for psychic phenomena. Now,
|
||
as she wanders deeper into the English countryside, visions and
|
||
coincidences reorder her reality until they assume the aura of a
|
||
nightmare brought to life.</p>
|
||
<p>For Holly has caught the attention of a cabal of dangerous
|
||
mystics—and their enemies. But her lost weekend is merely the prelude to
|
||
a shocking disappearance that leaves her family irrevocably scarred.
|
||
This unsolved mystery will echo through every decade of Holly’s life,
|
||
affecting all the people Holly loves—even the ones who are not yet
|
||
born.</p>
|
||
<p>A Cambridge scholarship boy grooming himself for wealth and
|
||
influence, a conflicted father who feels alive only while reporting from
|
||
occupied Iraq, a middle-aged writer mourning his exile from the
|
||
bestseller list—all have a part to play in this surreal, invisible war
|
||
on the margins of our world. From the medieval Swiss Alps to the
|
||
nineteenth-century Australian bush, from a hotel in Shanghai to a
|
||
Manhattan townhouse in the near future, their stories come together in
|
||
moments of everyday grace and extraordinary wonder.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="biopunk">Biopunk</h3>
|
||
<p><em>Novels which focus on the near-future unintended consequences of
|
||
biotechnology revolutions.</em></p>
|
||
<h4 id="kiln-people-2002-by-david-brin-3.8"><a
|
||
href="https://www.goodreads.com/book/show/96478.Kiln_People">Kiln
|
||
People</a> (2002) <em>by <a
|
||
href="https://www.goodreads.com/author/show/14078.David_Brin">David
|
||
Brin</a></em> [3.8]</h4>
|
||
<p>This novel explores how society might adapt to affordable temporary
|
||
cloning of one’s self. - <a href="https://github.com/neontapir"><span
|
||
class="citation" data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a perilous future where disposable duplicate bodies fulfill every
|
||
legal and illicit whim of their decadent masters, life is cheap. No one
|
||
knows that better than Albert Morris, a brash investigator with a knack
|
||
for trouble, who has sent his own duplicates into deadly peril more
|
||
times than he cares to remember. But when Morris takes on a ring of
|
||
bootleggers making illegal copies of a famous actress, he stumbles upon
|
||
a secret so explosive it has incited open warfare on the streets of
|
||
Dittotown. Morris must enter a shadowy, nightmare world of ghosts and
|
||
golems where nothing – and no one – is what they seem, memory itself is
|
||
suspect, and the line between life and death may no longer exist.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="pandemic-2017-by-a.g.-riddle-4.04"><a
|
||
href="https://www.goodreads.com/book/show/34811896-pandemic">Pandemic</a>
|
||
(2017) <em>by <a
|
||
href="https://www.goodreads.com/author/show/3087199.A_G_Riddle">A.G.
|
||
Riddle</a></em> [4.04]</h4>
|
||
<p>The first book in a two part series called the extinction files, the
|
||
story explores a bioterrorist plot attempting to usurp the major world
|
||
governments, with an extra scifi twist . Not what I would call hard
|
||
SciFi and it has its fair share of cheese and cliche, but enough action
|
||
and suspense to keep the party going without getting boring. - <a
|
||
href="https://github.com/Rogue-System"><span class="citation"
|
||
data-cites="Rogue-System">@Rogue-System</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A deadly outbreak in Kenya. A conspiracy beyond imagination. And a
|
||
race to save humanity in its darkest hour.</p>
|
||
<p>From A.G. Riddle, the worldwide bestselling author of The Atlantis
|
||
Gene and Departure, comes a novel that will change everything you think
|
||
you know about pandemics.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-windup-girl-2009-by-paolo-bacigalupi-3.7"><a
|
||
href="https://www.goodreads.com/book/show/6597651-the-windup-girl">The
|
||
Windup Girl</a> (2009) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Paolo_Bacigalupi">Paolo
|
||
Bacigalupi</a></em> [3.7]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Anderson Lake is a company man, AgriGen’s Calorie Man in Thailand.
|
||
Under cover as a factory manager, Anderson combs Bangkok’s street
|
||
markets in search of foodstuffs thought to be extinct, hoping to reap
|
||
the bounty of history’s lost calories. There, he encounters Emiko…</p>
|
||
<p>Emiko is the Windup Girl, a strange and beautiful creature. One of
|
||
the New People, Emiko is not human; instead, she is an engineered being,
|
||
creche-grown and programmed to satisfy the decadent whims of a Kyoto
|
||
businessman, but now abandoned to the streets of Bangkok. Regarded as
|
||
soulless beings by some, devils by others, New People are slaves,
|
||
soldiers, and toys of the rich in a chilling near future in which
|
||
calorie companies rule the world, the oil age has passed, and the side
|
||
effects of bio-engineered plagues run rampant across the globe.</p>
|
||
<p>What happens when calories become currency? What happens when
|
||
bio-terrorism becomes a tool for corporate profits, when said
|
||
bio-terrorism’s genetic drift forces mankind to the cusp of post-human
|
||
evolution? Award-winning author Paolo Bacigalupi delivers one of the
|
||
most highly acclaimed science fiction novels of the twenty-first
|
||
century.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="speculative-fiction">Speculative Fiction</h3>
|
||
<h4 id="anathem-2008-by-neal-stephenson-4.2"><a
|
||
href="https://www.goodreads.com/book/show/2845024-anathem">Anathem</a>
|
||
(2008) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Neal_Stephenson">Neal
|
||
Stephenson</a></em> [4.2]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Fraa Erasmas is a young avout living in the Concent of Saunt Edhar, a
|
||
sanctuary for mathematicians, scientists, and philosophers, protected
|
||
from the corrupting influences of the outside “saecular” world by
|
||
ancient stone, honored traditions, and complex rituals. Over the
|
||
centuries, cities and governments have risen and fallen beyond the
|
||
concent’s walls. Three times during history’s darkest epochs violence
|
||
born of superstition and ignorance has invaded and devastated the
|
||
cloistered mathic community. Yet the avout have always managed to adapt
|
||
in the wake of catastrophe, becoming out of necessity even more austere
|
||
and less dependent on technology and material things. And Erasmas has no
|
||
fear of the outside—the Extramuros—for the last of the terrible times
|
||
was long, long ago.</p>
|
||
<p>Now, in celebration of the week-long, once-in-a-decade rite of Apert,
|
||
the fraas and suurs prepare to venture beyond the concent’s gates—at the
|
||
same time opening them wide to welcome the curious “extras” in. During
|
||
his first Apert as a fraa, Erasmas eagerly anticipates reconnecting with
|
||
the landmarks and family he hasn’t seen since he was “collected.” But
|
||
before the week is out, both the existence he abandoned and the one he
|
||
embraced will stand poised on the brink of cataclysmic change.</p>
|
||
<p>Powerful unforeseen forces jeopardize the peaceful stability of
|
||
mathic life and the established ennui of the Extramuros—a threat that
|
||
only an unsteady alliance of saecular and avout can oppose—as, one by
|
||
one, Erasmas and his colleagues, teachers, and friends are summoned
|
||
forth from the safety of the concent in hopes of warding off global
|
||
disaster. Suddenly burdened with a staggering responsibility, Erasmas
|
||
finds himself a major player in a drama that will determine the future
|
||
of his world—as he sets out on an extraordinary odyssey that will carry
|
||
him to the most dangerous, inhospitable corners of the planet… and
|
||
beyond.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="never-let-me-go-2005-by-kazuo-ishiguro-3.8"><a
|
||
href="https://www.goodreads.com/book/show/6334.Never_Let_Me_Go">Never
|
||
Let Me Go</a> (2005) <em>by <a
|
||
href="https://www.goodreads.com/author/show/4280.Kazuo_Ishiguro">Kazuo
|
||
Ishiguro</a></em> [3.8] 🔥</h4>
|
||
<p>A heartbreaking coming of age novel with a speculative, mysterious
|
||
twist. Definitely a character-driven story. - <a
|
||
href="https://github.com/sunrein"><span class="citation"
|
||
data-cites="sunrein">@sunrein</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>As children, Kathy, Ruth, and Tommy were students at Hailsham, an
|
||
exclusive boarding school secluded in the English countryside. It was a
|
||
place of mercurial cliques and mysterious rules where teachers were
|
||
constantly reminding their charges of how special they were. Now, years
|
||
later, Kathy is a young woman. Ruth and Tommy have reentered her life,
|
||
and for the first time she is beginning to look back at their shared
|
||
past and understand just what it is that makes them special— and how
|
||
that gift will shape the rest of their time together.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stranger-in-a-strange-land-1961-by-robert-a.-heinlein-3.9"><a
|
||
href="https://www.goodreads.com/book/show/350.Stranger_in_a_Strange_Land">Stranger
|
||
in a Strange Land</a> (1961) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Robert_A._Heinlein">Robert A.
|
||
Heinlein</a></em> [3.9] 🌟 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>NAME: Valentine Michael Smith ANCESTRY: Human ORIGIN: Mars</p>
|
||
<p>Here is Heinlein’s masterpiece—the brilliant spectacular and
|
||
incredibly popular novel that grew from a cult favorite to a bestseller
|
||
to a classic in a few short years. It is the story of Valentine Michael
|
||
Smith, the man from Mars who taught humankind grokking and
|
||
water-sharing. And love.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-end-of-eternity-1955-by-isaac-asimov-4.2"><a
|
||
href="https://www.goodreads.com/book/show/509784.The_End_of_Eternity">The
|
||
End of Eternity</a> (1955) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Isaac_Asimov">Isaac Asimov</a></em>
|
||
[4.2]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Andrew Harlan is an Eternal, a man whose job it is to range through
|
||
past and present Centuries, monitoring and, where necessary, altering
|
||
Time’s myriad cause-and-effect relationships. But when Harlan meets and
|
||
falls for a non-Eternal woman, he seeks to use the awesome powers and
|
||
techniques of the Eternals to twist time for his own purposes, so that
|
||
he and his love can survive together.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-shrinking-man-1956-by-richard-matheson-3.8"><a
|
||
href="https://www.goodreads.com/book/show/33549.The_Shrinking_Man">The
|
||
Shrinking Man</a> (1956) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Richard_Matheson">Richard
|
||
Matheson</a></em> [3.8] 🔥</h4>
|
||
<p>This was pretty good; it’s pretty obvious what it is about, and it
|
||
reads predictably, but the ending is strong enough to make the entire
|
||
book worth reading. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>While on holiday, Scott Carey is exposed to a cloud of radioactive
|
||
spray shortly after he accidentally ingests insecticide. The
|
||
radioactivity acts as a catalyst for the bug spray, causing his body to
|
||
shrink at a rate of approximately 1/7 of an inch per day. A few weeks
|
||
later, Carey can no longer deny the truth: not only is he losing weight,
|
||
he is also shorter than he was and deduces, to his dismay, that his body
|
||
will continue to shrink.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-years-of-rice-and-salt-2002-by-kim-stanley-robinson-3.7"><a
|
||
href="https://www.goodreads.com/book/show/2723.The_Years_of_Rice_and_Salt">The
|
||
Years of Rice and Salt</a> (2002) <em>by <a
|
||
href="https://www.goodreads.com/author/show/1858.Kim_Stanley_Robinson">Kim
|
||
Stanley Robinson</a></em> [3.7]</h4>
|
||
<p>The alternate history worldbuilding is the draw here, and the scale
|
||
and depth of it is impressive. - <a
|
||
href="https://github.com/neontapir"><span class="citation"
|
||
data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>It is the fourteenth century and one of the most apocalyptic events
|
||
in human history is set to occur - the coming of the Black Death.
|
||
History teaches us that a third of Europe’s population was destroyed.
|
||
But what if? What if the plague killed 99 percent of the population
|
||
instead? How would the world have changed? This is a look at the history
|
||
that could have been: a history that stretches across centuries, a
|
||
history that sees dynasties and nations rise and crumble, a history that
|
||
spans horrible famine and magnificent innovation. These are the years of
|
||
rice and salt.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="time-travel">Time Travel</h3>
|
||
<h4 id="behold-the-man-1969-by-michael-moorcock-3.8"><a
|
||
href="https://www.goodreads.com/book/show/60146.Behold_the_Man">Behold
|
||
the Man</a> (1969) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Michael_Moorcock">Michael
|
||
Moorcock</a></em> [3.8]</h4>
|
||
<p>Easily one of the most disrespectful, sacrilegious, memorable and
|
||
funny books I have read. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Karl Glogauer is a disaffected modern professional casting about for
|
||
meaning in a series of half-hearted relationships, a dead-end job, and a
|
||
personal struggle. His questions of faith surrounding his father’s
|
||
run-of-the-mill Christianity and his mother’s suppressed Judaism lead
|
||
him to a bizarre obsession with the idea of the messiah. After the
|
||
collapse of his latest affair and his introduction to a reclusive
|
||
physics professor, Karl is given the opportunity to confront his
|
||
obsession and take a journey that no man has taken before, and from
|
||
which he knows he cannot return.</p>
|
||
<p>Upon arriving in Palestine, A.D. 29, Glogauer finds that Jesus Christ
|
||
is not the man that history and faith would like to believe, but that
|
||
there is an opportunity for someone to change the course of history by
|
||
making the ultimate sacrifice.</p>
|
||
<p>First published in 1969, <em>Behold the Man</em> broke through
|
||
science fiction’s genre boundaries to create a poignant reflection on
|
||
faith, disillusion and self-sacrifice. This is the classic novel that
|
||
established the career of perhaps contemporary science fiction’s most
|
||
cerebral and innovative author.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="future-times-three-1968-by-rené-barjavel-3.8"><a
|
||
href="https://www.goodreads.com/book/show/2509242.Future_Times_Three">Future
|
||
Times Three</a> (1968) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ren%C3%A9_Barjavel">René
|
||
Barjavel</a></em> [3.8]</h4>
|
||
<p>A really good story about time travels, their consequences and the
|
||
famous <a
|
||
href="https://en.wikipedia.org/wiki/Grandfather_paradox">Grandfather
|
||
paradox</a>. - <a href="https://github.com/Gibet"><span class="citation"
|
||
data-cites="Gibet">@Gibet</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Here is a fantastic journey that takes you from the past into the
|
||
near-future—then to the year 300,000 A.D. into a world where a single
|
||
female creature, the size of a mountain, gives birth to all of
|
||
society!</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-dancers-at-the-end-of-time-1977-by-michael-moorcock-4.0"><a
|
||
href="https://www.goodreads.com/book/show/60147.The_Dancers_at_the_End_of_Time">The
|
||
Dancers at the End of Time</a> (1977) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Michael_Moorcock">Michael
|
||
Moorcock</a></em> [4.0]</h4>
|
||
<p>I liked this series so much I got a tattoo partially inspired by it.
|
||
- <a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>The Dancers at the End of Time</em> is a series of science
|
||
fiction novels and short stories, the setting of which is the End of
|
||
Time, an era “where entropy is king and the universe has begun
|
||
collapsing upon itself.” The inhabitants of this era are immortal
|
||
decadents, who create flights of fancy using power rings which draw on
|
||
energy devised and stored by their ancestors millions of years prior.
|
||
Time travel is possible, and throughout the series various points in
|
||
time are visited and revisited. Space travellers are also common, but
|
||
most residents of the End of Time find leaving the planet distasteful
|
||
and clichéd.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-door-into-summer-1957-by-robert-a.-heinlein-4.0"><a
|
||
href="https://www.goodreads.com/book/show/348.The_Door_Into_Summer">The
|
||
Door Into Summer</a> (1957) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Robert_A._Heinlein">Robert A.
|
||
Heinlein</a></em> [4.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>It is 1970, and electronics engineer Dan Davis has finally made the
|
||
invention of a lifetime: a household robot with extraordinary abilities,
|
||
destined to dramatically change the landscape of everyday routine. Then,
|
||
with wild success just within reach, Dan’s greedy partner and even
|
||
greedier fiancée steal his work and leave him penniless, and trick him
|
||
into taking the long sleep—suspended animation for thirty years.</p>
|
||
<p>They never imagine that the future time in which Dan awakens has a
|
||
very limited form of time travel, just enough that Davis can travel back
|
||
and recover his research. He then again undergoes suspended animation,
|
||
and awakens again in the high-tech future of the year 2000, with his
|
||
reputation, fortune, and his sweetheart.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-eyre-affair-2001-by-jasper-fforde-3.9"><a
|
||
href="https://www.goodreads.com/book/show/27003.The_Eyre_Affair">The
|
||
Eyre Affair</a> (2001) <em>by <a
|
||
href="https://www.goodreads.com/author/show/4432.Jasper_Fforde">Jasper
|
||
Fforde</a></em> [3.9]</h4>
|
||
<p>This novel is absurd fun – think Douglas Adams style with a literary
|
||
flair. Though flawed, the later novels in the series are in my reading
|
||
pile. - <a href="https://github.com/neontapir"><span class="citation"
|
||
data-cites="neontapir">@neontapir</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Great Britain circa 1985: time travel is routine, cloning is a
|
||
reality (dodos are the resurrected pet of choice), and literature is
|
||
taken very, very seriously. Acheron Hades, Third Most Wanted Man In the
|
||
World, steals the original manuscript of Martin Chuzzlewit and kills a
|
||
minor character, who then disappears from every volume of the novel ever
|
||
printed! Hades’ real target is the beloved Jane Eyre, and it’s not long
|
||
before he plucks her from the pages of Bronte’s novel. Enter Thursday
|
||
Next, the Special Operative’s renowned literary detective. With the help
|
||
of her uncle Mycroft’s Prose Portal, Thursday enters the novel to rescue
|
||
Jane Eyre from this heinous act of literary homicide. Can Thursday save
|
||
Jane Eyre and Bronte’s masterpiece?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-gone-world-2018-by-tom-sweterlitsch-3.94"><a
|
||
href="https://www.goodreads.com/book/show/33413556-the-gone-world">The
|
||
Gone World</a> (2018) <em>by <a
|
||
href="https://www.goodreads.com/author/show/6981174.Tom_Sweterlitsch">Tom
|
||
Sweterlitsch</a></em> [3.94]</h4>
|
||
<p>This novel shows interesting mix of hard sci-fi, Nordic noir,
|
||
parallel / alternative universe tree and path backtracking. The main
|
||
protagonist is fighting the global cataclysm in its own style. The
|
||
storytelling is so unique I’m afraid no one would be able to make a film
|
||
based on this masterpiece. There is a <a
|
||
href="https://www.thisisbarry.com/book/the-gone-world-ending-explained-tom-sweterlitsch-book/">great
|
||
book ending explanation</a> there. - <a
|
||
href="https://github.com/4ndrej"><span class="citation"
|
||
data-cites="4ndrej">@4ndrej</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Shannon Moss is part of a clandestine division within the Naval
|
||
Criminal Investigative Service. In western Pennsylvania, 1997, she is
|
||
assigned to solve the murder of a Navy SEAL’s family–and to locate his
|
||
vanished teenage daughter. Though she can’t share the information with
|
||
conventional law enforcement, Moss discovers that the missing SEAL was
|
||
an astronaut aboard the spaceship U.S.S. Libra—a ship assumed lost to
|
||
the currents of Deep Time. Moss knows first-hand the mental trauma of
|
||
time-travel and believes the SEAL’s experience with the future has
|
||
triggered this violence. Determined to find the missing girl and driven
|
||
by a troubling connection from her own past, Moss travels ahead in time
|
||
to explore possible versions of the future, seeking evidence to crack
|
||
the present-day case. To her horror, the future reveals that it’s not
|
||
only the fate of a family that hinges on her work, for what she
|
||
witnesses rising over time’s horizon and hurtling toward the present is
|
||
the Terminus: the terrifying and cataclysmic end of humanity itself.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-time-machine-1895-by-h.-g.-wells-3.8"><a
|
||
href="https://www.goodreads.com/book/show/2493.The_Time_Machine">The
|
||
Time Machine</a> (1895) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/H._G._Wells">H. G. Wells</a></em>
|
||
[3.8] 🌟 🔥</h4>
|
||
<p>Worth the read, mostly because it is the first time the words ‘time
|
||
machine’ were used, and because the story, while a bit cliched to modern
|
||
ears, is still good and gripping. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>“I’ve had a most amazing time…”</p>
|
||
<p>So begins the Time Traveller’s astonishing firsthand account of his
|
||
journey 800,000 years beyond his own era—and the story that launched H.
|
||
G. Wells’s successful career and earned him his reputation as the father
|
||
of science fiction. With a speculative leap that still fires the
|
||
imagination, Wells sends his brave explorer to face a future burdened
|
||
with our greatest hopes… and our darkest fears. A pull of the Time
|
||
Machine’s lever propels him to the age of a slowly dying Earth. There he
|
||
discovers two bizarre races—the ethereal Eloi and the subterranean
|
||
Morlocks—who not only symbolize the duality of human nature, but offer a
|
||
terrifying portrait of the men of tomorrow as well. Published in 1895,
|
||
this masterpiece of invention captivated readers on the threshold of a
|
||
new century. Thanks to Wells’s expert storytelling and provocative
|
||
insight, <em>The Time Machine</em> will continue to enthrall readers for
|
||
generations to come.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="comedy">Comedy</h3>
|
||
<h4 id="magic-2.0-series-2013-2014-2015-2017-by-scott-meyer-3.9"><a
|
||
href="https://www.goodreads.com/series/131379-magic-2-0">Magic 2.0
|
||
Series</a> (2013, 2014, 2015, 2017) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Scott_Meyer_(author)">Scott
|
||
Meyer</a></em> [3.9]</h4>
|
||
<p>A quick, fun mashup of two if my favorite genres. - <a
|
||
href="https://github.com/damenleeturks"><span class="citation"
|
||
data-cites="damenleeturks">@damenleeturks</span></a></p>
|
||
<p>Books:</p>
|
||
<ul>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/18616975-off-to-be-the-wizard">Off
|
||
to Be the Wizard</a> [3.98]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/21483760-spell-or-high-water">Spell
|
||
or High Water</a> [4.02]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/23249416-an-unwelcome-quest">An
|
||
Unwelcome Quest</a> [3.98]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/36566205-fight-and-flight">Fight
|
||
and Flight</a> [3.61]</li>
|
||
<li><a
|
||
href="https://www.goodreads.com/book/show/39751936-out-of-spite-out-of-mind">Out
|
||
of Spite, Out of Mind</a> [3.79]</li>
|
||
</ul>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Martin Banks is just a normal guy who has made an abnormal discovery:
|
||
he can manipulate reality, thanks to reality being nothing more than a
|
||
computer program. With every use of this ability, though, Martin finds
|
||
his little “tweaks” have not escaped notice. Rather than face
|
||
prosecution, he decides instead to travel back in time to the Middle
|
||
Ages and pose as a wizard.</p>
|
||
<p>What could possibly go wrong?</p>
|
||
<p>An American hacker in King Arthur’s court, Martin must now train to
|
||
become a full-fledged master of his powers, discover the truth behind
|
||
the ancient wizard Merlin… and not, y’know, die or anything.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="the-hitchhikers-guide-to-the-galaxy-1979-by-douglas-adams-4.2"><a
|
||
href="https://www.goodreads.com/book/show/11.The_Hitchhiker_s_Guide_to_the_Galaxy">The
|
||
Hitchhiker’s Guide to the Galaxy</a> (1979) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Douglas_Adams">Douglas
|
||
Adams</a></em> [4.2] 🌟 🔥</h4>
|
||
<p>One of the funniest series I have ever read. I laugh to myself and
|
||
think about this all of the time. Changed how I view the galaxy and lost
|
||
pens irreversibly. I also celebrate <a
|
||
href="https://en.wikipedia.org/wiki/Towel_Day">International Towel
|
||
Day</a> every year now. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Seconds before the Earth is demolished to make way for a galactic
|
||
freeway, Arthur Dent is plucked off the planet by his friend Ford
|
||
Prefect, a researcher for the revised edition of <em>The Hitchhiker’s
|
||
Guide to the Galaxy</em> who, for the last fifteen years, has been
|
||
posing as an out-of-work actor.</p>
|
||
<p>Together this dynamic pair begin a journey through space aided by
|
||
quotes from <em>The Hitchhiker’s Guide</em> (“A towel is about the most
|
||
massively useful thing an interstellar hitchhiker can have”) and a
|
||
galaxy-full of fellow travelers: Zaphod Beeblebrox—the two-headed,
|
||
three-armed ex-hippie and totally out-to-lunch president of the galaxy;
|
||
Trillian, Zaphod’s girlfriend (formally Tricia McMillan), whom Arthur
|
||
tried to pick up at a cocktail party once upon a time zone; Marvin, a
|
||
paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a
|
||
former graduate student who is obsessed with the disappearance of all
|
||
the ballpoint pens he bought over the years.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-laundry-series-2004-by-charles-stross-3.9"><a
|
||
href="https://www.goodreads.com/book/show/101869.The_Atrocity_Archives">The
|
||
Laundry Series</a> (2004) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Charles_Stross">Charles
|
||
Stross</a></em> [3.9]</h4>
|
||
<p>A bit of a lighthearted series, it’s a great drama - <a
|
||
href="https://github.com/alex-keyes"><span class="citation"
|
||
data-cites="alexkeyes">@alexkeyes</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>NEVER VOLUNTEER FOR ACTIVE DUTY …Bob Howard is a low-level techie
|
||
working for a super-secret government agency. While his colleagues are
|
||
out saving the world, Bob’s under a desk restoring lost data. His world
|
||
was dull and safe - but then he went and got Noticed. Now, Bob is up to
|
||
his neck in spycraft, parallel universes, dimension-hopping terrorists,
|
||
monstrous elder gods and the end of the world. Only one thing is
|
||
certain: it will take more than a full system reboot to sort this mess
|
||
out …This is the first novel in the Laundry Files.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h3 id="horror">Horror</h3>
|
||
<h4 id="house-of-leaves-2000-by-mark-z.-danielewski-4.12"><a
|
||
href="https://www.goodreads.com/book/show/24800.House_of_Leaves">House
|
||
of Leaves</a> (2000) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Mark_Z._Danielewski">Mark Z.
|
||
Danielewski</a></em> [4.12] 🔥</h4>
|
||
<p>This book has a cult following, and upon reading it this summer, I
|
||
fully understand why people are still so enamored with it almost twenty
|
||
years after its first publish. I still think back to it often, and I
|
||
will eventually re-read it (at least once) to get details I missed the
|
||
first time. You can get lost in this book both figuratively and
|
||
literally, so it’s best to take your time with it. Shout-out to <a
|
||
href="https://www.youtube.com/watch?v=bLpAd9j9n7k">Austin McConnell’s
|
||
video</a> for introducing me to <em>House of Leaves!</em> - <a
|
||
href="https://github.com/thedeany"><span class="citation"
|
||
data-cites="thedeany">@thedeany</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Years ago, when House of Leaves was first being passed around, it was
|
||
nothing more than a badly bundled heap of paper, parts of which would
|
||
occasionally surface on the Internet. No one could have anticipated the
|
||
small but devoted following this terrifying story would soon command.
|
||
Starting with an odd assortment of marginalized youth—musicians, tattoo
|
||
artists, programmers, strippers, environmentalists, and adrenaline
|
||
junkies—the book eventually made its way into the hands of older
|
||
generations, who not only found themselves in those strangely arranged
|
||
pages but also discovered a way back into the lives of their estranged
|
||
children.</p>
|
||
<p>Now, for the first time, this astonishing novel is made available in
|
||
book form, complete with the original colored words, vertical footnotes,
|
||
and newly added second and third appendices.</p>
|
||
<p>The story remains unchanged, focusing on a young family that moves
|
||
into a small home on Ash Tree Lane where they discover something is
|
||
terribly wrong: their house is bigger on the inside than it is on the
|
||
outside.</p>
|
||
<p>Of course, neither Pulitzer Prize-winning photojournalist Will
|
||
Navidson nor his companion Karen Green was prepared to face the
|
||
consequences of that impossibility, until the day their two little
|
||
children wandered off and their voices eerily began to return another
|
||
story—of creature darkness, of an ever-growing abyss behind a closet
|
||
door, and of that unholy growl which soon enough would tear through
|
||
their walls and consume all their dreams.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h2 id="short-story-collections">Short Story Collections</h2>
|
||
<h4 id="axiomatic-1995-by-greg-egan-4.2"><a
|
||
href="https://www.goodreads.com/book/show/156783.Axiomatic">Axiomatic</a>
|
||
(1995) <em>by <a href="https://en.wikipedia.org/wiki/Greg_Egan">Greg
|
||
Egan</a></em> [4.2]</h4>
|
||
<p>Hard-as-nails science fiction, but wonderfully fresh and imaginative
|
||
(especially if you haven’t had a chance to read anything written by Greg
|
||
Egan before.) The stories have aged surprisingly well — which only
|
||
underlines Egan’s penchant for sounding out the shape of the future. -
|
||
<a href="https://github.com/mihailim"><span class="citation"
|
||
data-cites="mihailim">@mihailim</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Axiomatic</em> is a collection of Greg Egan’s short stories that
|
||
appeared in various science fiction magazines (mostly <em>Interzone</em>
|
||
and <em>Asimov’s</em>) between 1989 and 1992. Like most of Egan’s work,
|
||
the stories focus on science and ideas, sometimes at the expense of the
|
||
writing. But although Egan may lack a certain stylistic flair, he more
|
||
than makes up for it with his wonderful visions of the future. Some of
|
||
the more interesting stories include <em>Into Darkness</em>, the tale of
|
||
a rescue worker whose territory is a runaway wormhole, and the title
|
||
story <em>Axiomatic</em>, which is about a man looking to find meaning
|
||
in the senseless death of his wife.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Contents: <em>The Infinite Assassin</em> (1991), <em>The Hundred
|
||
Light-Year Diary</em> (1992), <em>Eugene</em> (1990), <em>The
|
||
Caress</em> (1990), <em>Blood Sisters</em> (1991), <em>Axiomatic</em>
|
||
(1990), <em>The Safe-Deposit Box</em> (1990), <em>Seeing</em> (1995),
|
||
<em>A Kidnapping</em> (1995), <em>Learning to Be Me</em> (1990), <em>The
|
||
Moat</em> (1991), <em>The Walk</em> (1992), <em>The Cutie</em> (1989),
|
||
<em>Into Darkness</em> (1992), <em>Appropriate Love</em> (1991), <em>The
|
||
Moral Virologist</em> (1990), <em>Closer</em> (1992), <em>Unstable
|
||
Orbits in the Space of Lies</em> (1992)</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="city-1952-by-clifford-d.-simak-4.1"><a
|
||
href="https://www.goodreads.com/book/show/222093.City">City</a> (1952)
|
||
<em>by <a
|
||
href="https://en.wikipedia.org/wiki/Clifford_D._Simak">Clifford D.
|
||
Simak</a></em> [4.1]</h4>
|
||
<p>You will never think about ants the same way again. - <a
|
||
href="https://github.com/uraimo"><span class="citation"
|
||
data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Simak’s “City” is a series of connected stories, a series of legends,
|
||
myths, and campfire stories told by Dogs about the end of human
|
||
civilization, centering on the Webster family, who, among their other
|
||
accomplishments, designed the ships that took Men to the stars and gave
|
||
Dogs the gift of speech and robots to be their hands.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="i-robot-1950-by-isaac-asimov-4.1"><a
|
||
href="https://www.goodreads.com/book/show/41804.I_Robot">I, Robot</a>
|
||
(1950) <em>by <a href="https://en.wikipedia.org/wiki/Isaac_Asimov">Isaac
|
||
Asimov</a></em> [4.1] 🌟 🔥</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The three laws of Robotics:</p>
|
||
<ol type="1">
|
||
<li><p>A robot may not injure a human being or, through inaction, allow
|
||
a human being to come to harm.</p></li>
|
||
<li><p>A robot must obey orders given to it by human beings except where
|
||
such orders would conflict with the First Law.</p></li>
|
||
<li><p>A robot must protect its own existence as long as such protection
|
||
does not conflict with the First or Second Law.</p></li>
|
||
</ol>
|
||
<p>With these three, simple directives, Isaac Asimov changed our
|
||
perception of robots forever when he formulated the laws governing their
|
||
behavior. In <em>I, Robot</em>, Asimov chronicles the development of the
|
||
robot through a series of interlinked stories: from its primitive
|
||
origins in the present to its ultimate perfection in the not-so-distant
|
||
future—a future in which humanity itself may be rendered obsolete.</p>
|
||
<p>Here are stories of robots gone mad, of mind-read robots, and robots
|
||
with a sense of humor. Of robot politicians, and robots who secretly run
|
||
the world—all told with the dramatic blend of science fact and science
|
||
fiction that has become Asimov’s trademark.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="manhattan-in-reverse-2011-by-peter-f.-hamilton-3.9"><a
|
||
href="https://www.goodreads.com/book/show/10710770-manhattan-in-reverse">Manhattan
|
||
in Reverse</a> (2011) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Peter_F._Hamilton">Peter F.
|
||
Hamilton</a></em> [3.9]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>This is a collection of short stories from the master of space opera.
|
||
Peter F. Hamilton takes us on a journey from a murder mystery in an
|
||
alternative Oxford in the 1800s to a story featuring Paula Mayo, deputy
|
||
director of the Intersolar Commonwealth’s Serious Crimes
|
||
Directorate.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Contents: <em>Watching Trees Grow</em> (2000), <em>Footvote</em>
|
||
(2004), <em>If at First…</em> (2007), <em>The Forever Kitten</em>
|
||
(2005), <em>Blessed by an Angel</em> (2007), <em>The Demon Trap</em>
|
||
(2008), <em>Manhattan in Reverse</em> (2011)</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="of-time-and-stars-1972-by-arthur-c.-clarke-4.1"><a
|
||
href="https://www.goodreads.com/book/show/21798296-of-time-and-stars">Of
|
||
Time and Stars</a> (1972) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C.
|
||
Clarke</a></em> [4.1]</h4>
|
||
<p>I can’t praise this book enough. <em>The Nine Billion Names of
|
||
God</em> is brilliantly done; well written, executed, and
|
||
frisson-inducing. <em>If I Forget Thee, Oh Earth</em> is also a stark
|
||
reminder that we only have one planet. One of the most memorable Science
|
||
Fiction stories I have ever read. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p><em>Of Time and Stars</em> is a collection of short stories by
|
||
science fiction writer Arthur C. Clarke. The stories all originally
|
||
appeared in a number of different publications including the periodicals
|
||
<em>Dude</em>, <em>The Evening Standard</em>, <em>Lilliput</em>, <em>The
|
||
Magazine of Fantasy & Science Fiction</em>, <em>Future</em>, <em>New
|
||
Worlds</em>, <em>Startling Stories</em>, <em>Astounding</em>,
|
||
<em>Fantasy</em>, <em>King’s College Review</em>, <em>Satellite</em>,
|
||
<em>Amazing Stories</em>, <em>London Evening News</em>, <em>Infinity
|
||
Science Fiction</em> and <em>Ten Story Fantasy</em> as well as the
|
||
anthologies <em>Star Science Fiction Stories No.1</em> edited by
|
||
Frederik Pohl and <em>Time to Come</em> edited by August Derleth.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Contents: <em>The Nine Billion Names of God</em> (1953), <em>An Ape
|
||
About the House</em> (1962), <em>Green Fingers</em> (1956), <em>Trouble
|
||
with the Natives</em> (1951), <em>Into the Comet</em> (1960), <em>No
|
||
Morning After</em> (1954), <em>‘If I Forget Thee, Oh Earth…’</em>
|
||
(1951), <em>Who’s There?</em> (1958), <em>All the Time in the World</em>
|
||
(1952), <em>Hide and Seek</em> (1949), <em>Robin Hood, F.R.S.</em>
|
||
(1956), <em>The Fires Within</em> (1949), <em>The Forgotten Enemy</em>
|
||
(1953), <em>The Reluctant Orchid</em> (1956), <em>Encounter at Dawn</em>
|
||
(1953), <em>Security Check</em> (1957), <em>Feathered Friend</em>
|
||
(1957), <em>The Sentinel</em> (1951)</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="radicalized-2019-by-cory-doctorow-4.03"><a
|
||
href="https://www.goodreads.com/book/show/41447687-radicalized">Radicalized</a>
|
||
(2019) <em>by <a href="https://en.wikipedia.org/wiki/Cory_Doctorow">Cory
|
||
Doctorow</a></em> [4.03]</h4>
|
||
<p>The all-too-near-future novella <em>Unauthorized Bread</em> embodies
|
||
what cyberpunk should be all about: high tech, low life.
|
||
<em>Radicalized</em> and <em>The Masque of the Red Death</em> delve deep
|
||
into some dark corners of society, while <em>Model Minority</em> is a
|
||
pretty interesting take on Superman and racism. The book had me turning
|
||
pages late into the night. - <a href="https://github.com/nahkampf"><span
|
||
class="citation" data-cites="nahkampf">@nahkampf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Radicalized explores such issues as digital rights management, police
|
||
brutality, radicalization in internet communities, and doomsday
|
||
preppers. Doctorow has stated that the collection was inspired by
|
||
“dealing with the stress and anxiety of being alive in the Trump era,”
|
||
and that the stories are not meant to be predictive, but rather
|
||
allegorical.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Contents: <em>Unauthorized Bread</em> (2019), <em>Model Minority</em>
|
||
(2019), <em>Radicalized</em> (2019), <em>The Masque of the Red
|
||
Death</em> (2019)</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stories-of-your-life-and-others-2002-by-ted-chiang-4.4"><a
|
||
href="https://www.goodreads.com/book/show/729760.Stories_of_Your_Life_and_Others">Stories
|
||
of Your Life and Others</a> (2002) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ted_Chiang">Ted Chiang</a></em>
|
||
[4.4]</h4>
|
||
<p>What amazes me most about Ted Chiang’s stories is their
|
||
<em>richness</em>—the level of detail which the author managed to weave
|
||
into the stories without having them turn into fluff. Artfully executed,
|
||
uniformly good through excellent—which is by no means par for the course
|
||
in single-author collections! Reminds me the most of Greg Egan’s
|
||
<em>Axiomatic</em> collection, except Chiang manages to keep his
|
||
characters optimistic. - <a href="https://github.com/mihailim"><span
|
||
class="citation" data-cites="mihailim">@mihailim</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Ted Chiang’s first published story, “<em>Tower of Babylon</em>,” won
|
||
the Nebula Award in 1990. Subsequent stories have won the Asimov’s SF
|
||
Magazine reader poll, a second Nebula Award, the Theodore Sturgeon
|
||
Memorial Award, and the Sidewise Award for alternate history. He won the
|
||
John W. Campbell Award for Best New Writer in 1992. Story for story, he
|
||
is the most honored young writer in modern SF.</p>
|
||
<p>What if men built a tower from Earth to Heaven—and broke through to
|
||
Heaven’s other side? What if we discovered that the fundamentals of
|
||
mathematics were arbitrary and inconsistent? What if there were a
|
||
science of naming things that calls life into being from inanimate
|
||
matter? What if exposure to an alien language forever changed our
|
||
perception of time? What if all the beliefs of fundamentalist
|
||
Christianity were literally true, and the sight of sinners being
|
||
swallowed into fiery pits were a routine event on city streets? These
|
||
are the kinds of outrageous questions posed by the stories of Ted
|
||
Chiang. Stories of your life… and others.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Contents: <em>Tower of Babylon</em> (1990), <em>Understand</em>
|
||
(1991), <em>Division by Zero</em> (1991), <em>Story of Your Life</em>
|
||
(1998), <em>Seventy-Two Letters</em> (2000), <em>The Evolution of Human
|
||
Science</em> (2000), <em>Hell Is the Absence of God</em> (2001),
|
||
<em>Liking What You See: A Documentary</em> (2002)</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-illustrated-man-1951-by-ray-bradbury-4.1"><a
|
||
href="https://www.goodreads.com/book/show/24830.The_Illustrated_Man">The
|
||
Illustrated Man</a> (1951) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Ray_Bradbury">Ray Bradbury</a></em>
|
||
[4.1] 🌟</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>That <em>The Illustrated Man</em> has remained in print since being
|
||
published in 1951 is fair testimony to the universal appeal of Ray
|
||
Bradbury’s work. Only his second collection (the first was <em>Dark
|
||
Carnival</em>, later reworked into <em>The October Country</em>), it is
|
||
a marvelous, if mostly dark, quilt of science fiction, fantasy, and
|
||
horror. In an ingenious framework to open and close the book, Bradbury
|
||
presents himself as a nameless narrator who meets the Illustrated Man—a
|
||
wanderer whose entire body is a living canvas of exotic tattoos. What’s
|
||
even more remarkable, and increasingly disturbing, is that the
|
||
illustrations are themselves magically alive, and each proceeds to
|
||
unfold its own story, such as “The Veldt,” wherein rowdy children take a
|
||
game of virtual reality way over the edge. Or “Kaleidoscope,” a
|
||
heartbreaking portrait of stranded astronauts about to reenter our
|
||
atmosphere—without the benefit of a spaceship. Or “Zero Hour,” in which
|
||
invading aliens have discovered a most logical ally—our own children.
|
||
Even though most were written in the 1940s and 1950s, these 18 classic
|
||
stories will be just as chillingly effective 50 years from now. —Stanley
|
||
Wiater</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4
|
||
id="the-island-of-dr.-death-and-other-stories-and-other-stories-1980-by-gene-wolfe-4.1"><a
|
||
href="https://www.goodreads.com/book/show/271587.The_Island_of_Dr_Death_and_Other_Stories_and_Other_Stories">The
|
||
Island of Dr. Death and Other Stories and Other Stories</a> (1980)
|
||
<em>by <a href="https://en.wikipedia.org/wiki/Gene_Wolfe">Gene
|
||
Wolfe</a></em> [4.1]</h4>
|
||
<p>I think of these stories often; The Death of Dr. Island won a Nebula
|
||
and offers a startling view into the rehabilitation and justice system
|
||
we currently deal with and what we might have. The Doctor of Death
|
||
Island is the same - I often think of him taking off the book cover,
|
||
“like Mephistopholes”. It takes an amazing talent to make three
|
||
beautiful short stories out of permutations on a title. Also, Feather
|
||
Tigers made me view the jungles in South East Asia a bit differently
|
||
than I would have, and I think about Nashwonk a lot more than I should.
|
||
I highly suggest this book. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A superb collection of science fiction and fantasy stories, <em>The
|
||
Island of Doctor Death and Other Stories and Other Stories</em> is a
|
||
book that transcends all genre definitions. The stories within are mined
|
||
with depth charges, explosions of meaning and illumination that will
|
||
keep you thinking and feeling long after you have finished reading.</p>
|
||
</blockquote>
|
||
<blockquote>
|
||
<p>Contents: <em>The Island of Doctor Death and Other Stories</em>
|
||
(1970), <em>Alien Stones</em> (1972), <em>La Befana</em> (1973), <em>The
|
||
Hero as Werwolf</em> (1975), <em>Three Fingers</em> (1976), <em>The
|
||
Death of Dr. Island</em> (1973), <em>Feather Tigers</em> (1973),
|
||
<em>Hour of Trust</em> (1973), <em>Tracking Song</em> (1975), <em>The
|
||
Toy Theater</em> (1971), <em>The Doctor of Death Island</em> (1978),
|
||
<em>Cues</em> (1974), <em>The Eyeflash Miracles</em> (1976), <em>Seven
|
||
American Nights</em> (1978)</p>
|
||
</blockquote>
|
||
</details>
|
||
<h2 id="movies">Movies</h2>
|
||
<h4 id="a-space-odyssey-1968-8.3"><a
|
||
href="https://www.imdb.com/title/tt0062622/">2001: A Space Odyssey</a>
|
||
(1968) [8.3]</h4>
|
||
<p>Categories: <code>space</code> <code>ai</code>
|
||
<code>singularity</code><br> Director: <em>Stanley Kubrick</em></p>
|
||
<p>Cinematically, this movie is a masterpiece. This is one of the few
|
||
films on this list that is important as a film in itself, not just to
|
||
the genre. From the beginning to the end, it is captivating - if you
|
||
don’t mind a bit of a slower pace than most of the other films on here.
|
||
- <a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Humanity finds a mysterious, obviously artificial, object buried
|
||
beneath the Lunar surface and, with the intelligent computer H.A.L.
|
||
9000, sets off on a quest.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="a-clockwork-orange-1971-8.4"><a
|
||
href="https://www.imdb.com/title/tt0066921/">A Clockwork Orange</a>
|
||
(1971) [8.4]</h4>
|
||
<p>Categories: <code>dystopia</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In future Britain, charismatic delinquent Alex DeLarge is jailed and
|
||
volunteers for an experimental aversion therapy developed by the
|
||
government in an effort to solve society’s crime problem—but not all
|
||
goes according to plan.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="a-scanner-darkly-2006-7.1"><a
|
||
href="https://www.imdb.com/title/tt0405296/">A Scanner Darkly</a> (2006)
|
||
[7.1]</h4>
|
||
<p>Categories: <code>dystopia</code> <code>cyberpunk</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An undercover cop in a not-too-distant future becomes involved with a
|
||
dangerous new drug and begins to lose his own identity as a result.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="akira-1988-8.1"><a
|
||
href="https://www.imdb.com/title/tt0094625/">Akira</a> (1988) [8.1]</h4>
|
||
<p>Categories: <code>anime</code> <code>dystopia</code>
|
||
<code>thriller</code></p>
|
||
<p>One of the first mainstream anime movies. Psychologically horrifying
|
||
in more than a few ways. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A secret military project endangers Neo-Tokyo when it turns a biker
|
||
gang member into a rampaging psionic psychopath that only two kids and a
|
||
group of psionics can stop.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="arrival-2016-8.3"><a
|
||
href="https://www.imdb.com/title/tt2543164/">Arrival</a> (2016)
|
||
[8.3]</h4>
|
||
<p>Categories: <code>aliens</code> <code>linguistics</code><br />
|
||
Director: <em>Denis Villeneuve</em></p>
|
||
<p>A beautiful film, weaving together memory, languages, and the other.
|
||
The film is less about aliens and more about our perception of them;
|
||
like District 9, this film functions as a good mirror for how different
|
||
people and governments deal with alien interaction. The music is also
|
||
exceptional. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>When 12 mysterious spacecraft appear around the world, linguistics
|
||
professor Louise Banks is tasked with interpreting the language of the
|
||
apparent alien visitors.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="blade-runner-1982-8.2"><a
|
||
href="https://www.imdb.com/title/tt0083658/">Blade Runner</a> (1982)
|
||
[8.2]</h4>
|
||
<p>Categories: <code>dystopia</code> <code>ai</code>
|
||
<code>cyberpunk</code> <code>singularity</code><br> Director: <em>Ridley
|
||
Scott</em></p>
|
||
<p>Very few films can stand up to as many rewatches as this film can -
|
||
there are layers upon layers, and the bleak image of the future hasn’t
|
||
lost its power in the thirty years the film has been around. This was a
|
||
reworking of the Phillip K. Dick book (above), but without a lot of
|
||
unnecessary or largely spurious subplots, and it focuses much more on
|
||
identity, sexuality, and the psychological ramifications of technology.
|
||
A masterpiece. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A blade runner must pursue and try to terminate four replicants who
|
||
stole a ship in space and have returned to Earth to find their
|
||
creator.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="blade-runner-2049-2017-8.0"><a
|
||
href="https://www.imdb.com/title/tt1856101/">Blade Runner 2049</a>
|
||
(2017) [8.0]</h4>
|
||
<p>Categories: <code>dystopia</code> <code>ai</code>
|
||
<code>cyberpunk</code> <code>thriller</code> <code>mystery</code><br>
|
||
Director: <em>Denis Villeneuve</em></p>
|
||
<p>Blade Runner 2049 returns to the original book’s deep philosophical
|
||
questions about the nature of humanity, and expressed through a
|
||
captivating, epic mystery it amounts to a breathtaking, mind-bending
|
||
cinematic experience. - <a
|
||
href="https://github.com/TheSherlockHomie"><span class="citation"
|
||
data-cites="TheSherlockHomie">@TheSherlockHomie</span></a>s</p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A young blade runner’s discovery of a long-buried secret leads him to
|
||
track down former blade runner Rick Deckard, who’s been missing for
|
||
thirty years.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="brazil-1985-8.0"><a
|
||
href="https://www.imdb.com/title/tt0088846/">Brazil</a> (1985)
|
||
[8.0]</h4>
|
||
<p>Categories: <code>dystopia</code> <code>police</code></p>
|
||
<p>If you’re looking to replicate the experience of taking acid without
|
||
actually doing drugs, than this film is for you. Weird as hell, and De
|
||
Niro’s cameo is strange, but this film is very good. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A bureaucrat in a retro-future world tries to correct an
|
||
administrative error and himself becomes an enemy of the state.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="cargo-2009-6.2"><a
|
||
href="https://www.imdb.com/title/tt0381940/">Cargo</a> (2009) [6.2]</h4>
|
||
<p>Categories: <code>space</code> <code>dystopia</code></p>
|
||
<p>Why not try something out of the ordinary with this Swiss sci-fi
|
||
thriller? <a href="https://github.com/lekoaf"><span class="citation"
|
||
data-cites="Lekoaf">@Lekoaf</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In 2270, Earth is completely depleted and no one lives there anymore.
|
||
Those that have money move to Rhea; but most of the population lives in
|
||
orbit in space stations. Dr. Laura Portmann decides to work in the cargo
|
||
ship Kassandra in an eight year travel to Station 42 that is in orbit of
|
||
RH278 to raise money to meet her sister Arianne in Rhea.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="chappie-2015-7.1"><a
|
||
href="https://www.imdb.com/title/tt1823672/">Chappie</a> (2015)
|
||
[7.1]</h4>
|
||
<p>Categories: <code>ai</code> <code>police</code></p>
|
||
<p>A movie about an AI robot “growing up” (as in, learning about the
|
||
world and learning the difference between good and bad). An amazing
|
||
story, you really feel like Chappie is your friend by the end of the
|
||
movie. Visual effects are not that great in a couple of scenes. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the near future, crime is patrolled by a mechanized police force.
|
||
When one police droid, Chappie, is stolen and given new programming, he
|
||
becomes the first robot with the ability to think and feel for
|
||
himself.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="children-of-men-2006-7.9"><a
|
||
href="https://www.imdb.com/title/tt0206634/">Children of Men</a> (2006)
|
||
[7.9]</h4>
|
||
<p>Categories: <code>dystopia</code> <code>drama</code></p>
|
||
<p>Imagine a world where no baby has been born for 18 years because of
|
||
the global human infertility. Think which kinds of consequences would
|
||
that bring. Then, imagine a girl getting pregnant in that kind of world.
|
||
This movie is absolutely fantastic! The action shots are magnificent. I
|
||
rewatched it tonight and the movie gave me the same kind of goosebumps
|
||
it did when I first watched it a couple of years ago. I have no
|
||
compaints about this movie. It’s the perfect way to spend two hours. It
|
||
gets 10/10 from me. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<p>Absolutely beautiful film. The cinematography is fantastic; Michael
|
||
Caine has a memorable and well-played role (as ever, I mean, he’s
|
||
Michael Caine); and the soundtrack is spectacular, with both Radiohead’s
|
||
<em>Life in a Glasshouse</em> and King Crimson’s <em>The Court of the
|
||
Crimson King</em> actually managing to work in the same film. The best.
|
||
- <a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In 2027, in a chaotic world in which women have become somehow
|
||
infertile, a former activist agrees to help transport a miraculously
|
||
pregnant woman to a sanctuary at sea.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="cloud-atlas-2012-7.5"><a
|
||
href="https://www.imdb.com/title/tt1371111/">Cloud Atlas</a> (2012)
|
||
[7.5]</h4>
|
||
<p>Categories: <code>drama</code> <code>thriller</code></p>
|
||
<p>This is an awesome movie. It is a deep movie, with a complex plot.
|
||
You don’t want to be distracted while watching it. I liked how the six
|
||
different stories played by different characters are played by the same
|
||
actors and how the stories can be different but are linked by small
|
||
things. Also, if you like non standard narratives this is your movie. -
|
||
<a href="https://github.com/damaru2"><span class="citation"
|
||
data-cites="damaru2">@damaru2</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An exploration of how the actions of individual lives impact one
|
||
another in the past, present and future, as one soul is shaped from a
|
||
killer into a hero, and an act of kindness ripples across centuries to
|
||
inspire a revolution.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="coherence-2013-7.1"><a
|
||
href="https://www.imdb.com/title/tt2866360/">Coherence</a> (2013)
|
||
[7.1]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Strange things begin to happen when a group of friends gather for a
|
||
dinner party on an evening when a comet is passing overhead.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="contact-1997-7.4"><a
|
||
href="https://www.imdb.com/title/tt0118884/">Contact</a> (1997)
|
||
[7.4]</h4>
|
||
<p>Categories: <code>aliens</code> <code>space</code> <code>drama</code>
|
||
<code>mystery</code> <code>thriller</code><br> Director: <em>Robert
|
||
Zemeckis</em><br></p>
|
||
<p>Based on a novel by the fantastic Carl Sagan, this is a painstakingly
|
||
realistic piece of sci-fi art. - <a
|
||
href="https://github.com/abhineet97"><span class="citation"
|
||
data-cites="abhineet97">@abhineet97</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Dr. Ellie Arroway, after years of searching, finds conclusive radio
|
||
proof of extraterrestrial intelligence, sending plans for a mysterious
|
||
machine.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="dark-city-1998-7.7"><a
|
||
href="https://www.imdb.com/title/tt0118929/">Dark City</a> (1998)
|
||
[7.7]</h4>
|
||
<p>Categories: <code>aliens</code> <code>mystery</code>
|
||
<code>sci-fi</code> <code>thriller</code><br> Director: <em>Alex
|
||
Proyas</em><br></p>
|
||
<p>Excellent neo-noir about a man trapped in a city permanently in
|
||
nighttime. He suffers from amnesia, and he may or may not have killed
|
||
several women. Both the police and a group of men called the Strangers
|
||
are hot on his trail. I love the 1940s sci-fi setting and the plot full
|
||
of mysteries. - <a href="https://github.com/CodeWritingCow"><span
|
||
class="citation"
|
||
data-cites="CodeWritingCow">@CodeWritingCow</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A man struggles with memories of his past, including a wife he cannot
|
||
remember, in a nightmarish world with no sun.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="district-9-2009-8.0"><a
|
||
href="https://www.imdb.com/title/tt1136608/">District 9</a> (2009)
|
||
[8.0]</h4>
|
||
<p>Categories: <code>aliens</code> <code>thriller</code>
|
||
<code>apartheid</code><br> Director: <em>Neill Blomkamp</em><br> Writer:
|
||
<em>Neill Blomkamp, Terri Tatchell</em></p>
|
||
<p>:+1: I liked it. Very original. - <a
|
||
href="https://github.com/sindresorhus"><span class="citation"
|
||
data-cites="sindresorhus">@sindresorhus</span></a></p>
|
||
<p>Yep, the idea is pretty cool and original. Although I have some
|
||
doubts about the realization. I hope in twenty years someone will make a
|
||
better remake :) - <a href="https://github.com/marcoslhc"><span
|
||
class="citation" data-cites="marcoslhc">@marcoslhc</span></a></p>
|
||
<p>I thought it was pretty awesome, even just linguistically. Special
|
||
effects were great. Interesting given it was South African, too. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An extraterrestrial race forced to live in slum-like conditions on
|
||
Earth suddenly finds a kindred spirit in a government agent who is
|
||
exposed to their biotechnology.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="dune-1984-6.6"><a
|
||
href="https://www.imdb.com/title/tt0087182/">Dune</a> (1984) [6.6]</h4>
|
||
<p>Categories: <code>space</code> <code>aliens</code><br> Director:
|
||
<em>David Lynch</em></p>
|
||
<p>This is based on the Dune book by Herbert, listed above. This version
|
||
is legendary - it has Patrick Stewart and Sting as actors, and David
|
||
Lynch’s direction is weird and weighty. The soundtrack, by Toto, is good
|
||
enough to stand on its own. I can’t imagine reading the books without
|
||
thinking of this viewing. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A Duke’s son leads desert warriors against the galactic emperor and
|
||
his father’s evil nemesis when they assassinate his father and free
|
||
their desert world from the emperor’s rule.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="edge-of-tomorrow-2014-7.9"><a
|
||
href="https://www.imdb.com/title/tt1631867/">Edge of Tomorrow</a> (2014)
|
||
[7.9]</h4>
|
||
<p>Categories: <code>thriller</code> <code>police</code>
|
||
<code>aliens</code></p>
|
||
<p>Thrilling and original. Feels like a cross between Halo (the game),
|
||
Groundhog Day and The Butterfly Effect. - <a
|
||
href="https://github.com/sindresorhus"><span class="citation"
|
||
data-cites="sindresorhus">@sindresorhus</span></a></p>
|
||
<p>I was thinking that this movie would be like the rest of the movies
|
||
starring Tom Cruise, but I was pleasantly surprised. The first half of
|
||
the movie had nice humoristic scenes. They made the repeating of the day
|
||
far more interesting than in the Groundhog Day. The love story between
|
||
the main characters doesn’t look cheap. The visual effects is not in the
|
||
center of the attention, it’s the story. I have to say that the movie
|
||
was way better than I expected it to be by looking at the trailers for
|
||
it. I highly recommend it. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<p>It was pretty good, the premise is quiet interesting, and the acting
|
||
was quite good. - <a href="https://github.com/elssar"><span
|
||
class="citation" data-cites="elssar">@elssar</span></a></p>
|
||
<p>I thought it was great, and I was a bit anxious about there being so
|
||
many scenes repeating the same thing, but it worked! - <a
|
||
href="https://github.com/tjFogarty"><span class="citation"
|
||
data-cites="tjFogarty">@tjFogarty</span></a></p>
|
||
<p>One of my favorite sci-fi movies of all time. The source material is
|
||
supposed to be good too, which is a manga called “All You Need is Kill”.
|
||
Haven’t read it yet, but if you liked the movie then you would probably
|
||
like this too. - <a href="https://github.com/wulfshadow"><span
|
||
class="citation" data-cites="wulfshadow">@wulfshadow</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A military officer is brought into an alien war against an
|
||
extraterrestrial enemy who can reset the day and know the future. When
|
||
this officer is enabled with the same power, he teams up with a Special
|
||
Forces warrior to try and end the war.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="eraserhead-1977-7.4"><a
|
||
href="https://www.imdb.com/title/tt0074486/">Eraserhead</a> (1977)
|
||
[7.4]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Henry Spencer tries to survive his industrial environment, his angry
|
||
girlfriend, and the unbearable screams of his newly born mutant
|
||
child.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="europa-report-2013-6.5"><a
|
||
href="https://www.imdb.com/title/tt2051879/">Europa Report</a> (2013)
|
||
[6.5]</h4>
|
||
<p>Categories: <code>space</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An international crew of astronauts undertakes a privately funded
|
||
mission to search for life on Jupiter’s fourth largest moon.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="ex-machina-2015-7.9"><a
|
||
href="https://www.imdb.com/title/tt0470752/">Ex Machina</a> (2015)
|
||
[7.9]</h4>
|
||
<p>Categories: <code>ai</code></p>
|
||
<p>Thought-provoking movie that explores what it means to be human.
|
||
Deep, suspenseful, and at times claustrophobic. Acting is to perfection.
|
||
Visual effects are so well done and natural you don’t even notice them.
|
||
Truly the best sci-fi movie I’ve watched in years. - <a
|
||
href="https://sindresorhus.com"><span class="citation"
|
||
data-cites="sindresorhus">@sindresorhus</span></a></p>
|
||
<p>Kind of a parody about Google. The owner of a huge search provider
|
||
creates an A.I. humanoid in a complete secrecy and calls a young
|
||
programmer to perform a slight variation of a <a
|
||
href="https://en.wikipedia.org/wiki/Turing_test">Turing test</a> to test
|
||
his creation in a secret underground lab. Can be a good introduction to
|
||
Turing test to people interested in A.I. To be honest, the end of the
|
||
movie was a bit disappointing to me. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A young programmer is selected to participate in a breakthrough
|
||
experiment in artificial intelligence by evaluating the human qualities
|
||
of a breathtaking female A.I.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="existenz-1999-6.8"><a
|
||
href="https://www.imdb.com/title/tt0120907/">eXistenZ</a> (1999)
|
||
[6.8]</h4>
|
||
<p>Categories: <code>thriller</code></p>
|
||
<p>This is an independent movie, their budget wasn’t very good and thus
|
||
maybe the shots and the special effects are not the best, but it has all
|
||
the good elements of a scifi movie and a thriller. I liked all the
|
||
details about how the perfect virtual reality devices work and what the
|
||
users feel when in game. - <a href="https://github.com/damaru2"><span
|
||
class="citation" data-cites="damaru2">@damaru2</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A game designer on the run from assassins must play her latest
|
||
virtual reality creation with a marketing trainee to determine if the
|
||
game has been damaged.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="forbidden-planet-1956-7.6"><a
|
||
href="https://www.imdb.com/title/tt0049223/">Forbidden Planet</a> (1956)
|
||
[7.6]</h4>
|
||
<p>Categories: <code>Action</code> <code>Adventure</code>
|
||
<code>Sci-Fi</code></p>
|
||
<p>Forbidden Planet is one of, if not the most iconic Science Fiction
|
||
movie to have have been released during the 1950’s. It stands shoulder
|
||
to shoulder with the likes of “The Day the Earth Stood Still” and “The
|
||
Invasion of the Body Snatchers”.</p>
|
||
<p>Forbidden Planet takes the “hard” Sci-Fi route, whilst retaining
|
||
fantastical elements that are associated with space dramas. The film
|
||
carries a level of class that elevates it above its genre contemporaries
|
||
due to the fantastic production values. The special effects and set
|
||
designs hold up remarkably well even by today’s standards. - <span
|
||
class="citation" data-cites="augustopedro">@augustopedro</span></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A starship crew goes to investigate the silence of a planet’s colony
|
||
only to find two survivors and a deadly secret that one of them has.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="galaxy-quest-1999-7.3"><a
|
||
href="https://www.imdb.com/title/tt0177789/">Galaxy Quest</a> (1999)
|
||
[7.3]</h4>
|
||
<p>Categories: <code>comedy</code> <code>space</code>
|
||
<code>aliens</code></p>
|
||
<p>If you’ve heard of Star Trek, and like comedy, this is for you - the
|
||
entire film is a giant joke on the scifi industry, played by fantastic
|
||
actors. Hilarious. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The alumni cast of a space opera television series have to play their
|
||
roles as the real thing when an alien race needs their help.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="gattaca-1997-7.8"><a
|
||
href="https://www.imdb.com/title/tt0119177/">Gattaca</a> (1997)
|
||
[7.8]</h4>
|
||
<p>Categories: <code>biopunk</code> <code>space</code></p>
|
||
<p>This film gets more relevant every year. Slow at times, the questions
|
||
it raises are especially pertinent as your data becomes more important
|
||
to insurance companies and governments, and as Western culture is
|
||
increasingly becoming aware of genetic advantages and privilege. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A genetically inferior man assumes the identity of a superior one in
|
||
order to pursue his lifelong dream of space travel.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="ghost-in-the-shell-1995-8.0"><a
|
||
href="https://www.imdb.com/title/tt0113568/">Ghost in the Shell</a>
|
||
(1995) [8.0]</h4>
|
||
<p>Categories: <code>anime</code> <code>ai</code>
|
||
<code>police</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A female cyborg cop and her partner hunt a mysterious and powerful
|
||
hacker called the Puppet Master.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="godzilla-1954-7.5"><a
|
||
href="https://www.imdb.com/title/tt0047034/">Godzilla</a> (1954)
|
||
[7.5]</h4>
|
||
<p>Categories: <code>apocalypse</code> <code>aliens</code>
|
||
<code>action</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>American nuclear weapons testing results in the creation of a
|
||
seemingly unstoppable, dinosaur-like beast.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="hackers-1995-6.2"><a
|
||
href="https://www.imdb.com/title/tt0113243/">Hackers</a> (1995)
|
||
[6.2]</h4>
|
||
<p>Categories: <code>cyberpunk</code> <code>police</code>
|
||
<code>thriller</code></p>
|
||
<p>In a strange loop, a lot of the statements made in this film about
|
||
who hackers are have gone full circle and been incorporated into our
|
||
culture (Substack’s ending most of his slides with ‘Hack the planet’,
|
||
for instance). The actual hacking is ridiculous, but the punks on the
|
||
edge of society coming into their own makes this worth watching. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A young boy is arrested by the U.S. Secret Service for writing a
|
||
computer virus and is banned from using a computer until his 18th
|
||
birthday. Years later, he and his new-found friends discover a plot to
|
||
unleash a dangerous computer virus, but they must use their computer
|
||
skills to find the evidence while being pursued by the Secret Service
|
||
and the evil computer genius behind the virus.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="her-2014-8.0"><a
|
||
href="https://www.imdb.com/title/tt1798709/">Her</a> (2014) [8.0]</h4>
|
||
<p>Categories: <code>ai</code> <code>drama</code>
|
||
<code>singularity</code></p>
|
||
<p>Hey, lets all fall in love in our operating systems! The movie seems
|
||
like a plausible love story and it takes the reality of our addiction to
|
||
technology to a whole new level. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<p>This is a beautiful film; the plot was forced at times, especially
|
||
towards the end, but the character development was fantastic, and
|
||
Joaquin Phoenix’s acting carries the film. The set design and clothes
|
||
are also impeccable, with a few of what the near future might look like.
|
||
I cried. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A lonely writer develops an unlikely relationship with his newly
|
||
purchased operating system that’s designed to meet his every need.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="i-origins-2014-7.3"><a
|
||
href="https://www.imdb.com/title/tt2884206/">I Origins</a> (2014)
|
||
[7.3]</h4>
|
||
<p>Categories: <code>cyberpunk</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A molecular biologist and his laboratory partner uncover evidence
|
||
that may fundamentally change society as we know it.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="i-robot-2004-7.1"><a
|
||
href="https://www.imdb.com/title/tt0343818/">I, Robot</a> (2004)
|
||
[7.1]</h4>
|
||
<p>Categories: <code>ia</code> <code>crime</code></p>
|
||
<p>The name of this movie comes from the Asimov’s book of the same name,
|
||
which consists of science fiction short stories. The movie could
|
||
perfectly be another of Asimov’s stories. It mimics his style and shows
|
||
an interesting movie posing questions about artificial intelligence,
|
||
conscience and emotion. - <a href="https://github.com/damaru2"><span
|
||
class="citation" data-cites="damaru2">@damaru2</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In 2035, a technophobic cop investigates a crime that may have been
|
||
perpetrated by a robot, which leads to a larger threat to humanity.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="inception-2010-8.8"><a
|
||
href="https://www.imdb.com/title/tt1375666/">Inception</a> (2010)
|
||
[8.8]</h4>
|
||
<p>Categories: <code>cyberpunk</code></p>
|
||
<p>A major blockbuster, this film stretches the limits of recursion
|
||
while maintaining its action. Well acted and beautifully shot. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A thief who steals corporate secrets through use of dream-sharing
|
||
technology is given the inverse task of planting an idea into the mind
|
||
of a CEO.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="interstellar-2014-8.7"><a
|
||
href="https://www.imdb.com/title/tt0816692/">Interstellar</a> (2014)
|
||
[8.7]</h4>
|
||
<p>Categories: <code>space</code></p>
|
||
<p>An interesting (and long) movie about a humanity trying to safe
|
||
itself by leaving Earth after a huge climate change that made it
|
||
difficult to grow food. Truly remarkable story and amazing graphic. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<p>The visuals are pretty good. There are plotholes here and there, but
|
||
overall I really liked this movie. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A team of explorers travel through a wormhole in an attempt to ensure
|
||
humanity’s survival.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="la-jetée-1962-8.4"><a
|
||
href="https://www.imdb.com/title/tt0056119/">La Jetée</a> (1962)
|
||
[8.4]</h4>
|
||
<p>Categories: <code>time travel</code> <code>drama</code></p>
|
||
<p>This film inspired Twelve Monkeys, but is more notable for being one
|
||
of the earliest short scifi films that deals with time travel and its
|
||
ramifications for revolutions and society as a whole. Black and white
|
||
and beautiful. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Time travel, still images, a past, present and future and the
|
||
aftermath of World War III. The tale of a man, a slave, sent back and
|
||
forth, in and out of time, to find a solution to the world’s fate. To
|
||
replenish its decreasing stocks of food, medicine and energies, and in
|
||
doing so, resulting in a perpetual memory of a lone female, life, death
|
||
and past events that are recreated on an airports jetée.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="metropolis-1927-8.3"><a
|
||
href="https://www.imdb.com/title/tt0017136/">Metropolis</a> (1927)
|
||
[8.3]</h4>
|
||
<p>Categories: <code>apocalypse</code></p>
|
||
<p>This is the kind of film that sells out art houses when someone finds
|
||
an early roll of the film in a theatre in Buenos Aires, stacked away
|
||
behind decades of other movies. Seminal in its ability to show a
|
||
technological future when we were just beginning to understand what that
|
||
would look like, this film is a masterpiece of class statements, and is
|
||
much braver at times than a lot of modern, ‘edgy’ scripts. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a futuristic city sharply divided between the working class and
|
||
the city planners, the son of the city’s mastermind falls in love with a
|
||
working class prophet who predicts the coming of a savior to mediate
|
||
their differences.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="minority-report-2002-7.7"><a
|
||
href="https://www.imdb.com/title/tt0181689/">Minority Report</a> (2002)
|
||
[7.7]</h4>
|
||
<p>Categories: <code>ai</code> <code>police</code></p>
|
||
<p>Predicting future crimes? Sure, I am all for it, <em>until</em> they
|
||
make a mistake and implicate the hero himself. After watching the movie,
|
||
you could be thinking, <em>we</em> should probably not try to predict
|
||
the future! Nevertheless, great movie! - <a
|
||
href="https://github.com/icyflame"><span class="citation"
|
||
data-cites="icyflame">@icyflame</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a future where a special police unit is able to arrest murderers
|
||
before they commit their crimes, an officer from that unit is himself
|
||
accused of a future murder.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="moon-2009-8.0"><a
|
||
href="https://www.imdb.com/title/tt1182345/">Moon</a> (2009) [8.0]</h4>
|
||
<p>Categories: <code>space</code> <code>drama</code></p>
|
||
<p>This is one of the best drawn-out psychodrama films about space out
|
||
there, along with 2001: A Space Odyssey and Solaris. Sam Bell is pretty
|
||
much the only actor in the film, and his lonely acting makes you feel
|
||
the loneliness of isolation. This film is also fantastic for its
|
||
powerful score. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Astronaut Sam Bell has a quintessentially personal encounter toward
|
||
the end of his three-year stint on the Moon, where he, working alongside
|
||
his computer, GERTY, sends back to Earth parcels of a resource that has
|
||
helped diminish our planet’s power problems.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="mr.-nobody-2009-7.9"><a
|
||
href="https://www.imdb.com/title/tt0485947">Mr. Nobody</a> (2009)
|
||
[7.9]</h4>
|
||
<p>Categories: <code>drama</code> <code>romance</code></p>
|
||
<p>This is one of my favourite movies. A myriad of stories are told: the
|
||
different ramifications of how Mr. Nobody’s life would have been if he
|
||
had made different choices or if different things happened around him.
|
||
What’s best of this movie is that each of these <strong>lifes</strong>
|
||
is completely different (and <strong>would have been equally
|
||
meaningful</strong> :D) which means a lot of stuff is happening all the
|
||
time and you have to follow what is going on now in this life, how it
|
||
relates to its past which is probably another life shown in the movie
|
||
and it’s the common past of several of the lives you’ll see. At the same
|
||
time you have to understand the common theme of the movie, which I think
|
||
it is what is trying to communicate after all. The end is surprising and
|
||
difficult to grasp at first. The film also makes substantial use of
|
||
chaos theory and the butterfly effect to accentuate the lack of control
|
||
that humanity as individuals possesses - <a
|
||
href="https://github.com/damaru2"><span class="citation"
|
||
data-cites="damaru2">@damaru2</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A boy stands on a station platform as a train is about to leave.
|
||
Should he go with his mother or stay with his father? Infinite
|
||
possibilities arise from this decision. As long as he doesn’t choose,
|
||
anything is possible.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="oblivion-2013-7.0"><a
|
||
href="https://www.imdb.com/title/tt1483013/">Oblivion</a> (2013)
|
||
[7.0]</h4>
|
||
<p>Categories: <code>apocalypse</code></p>
|
||
<p>A post-apocalyptic movie, starring Tom Cruise as Jack Harper (Tech
|
||
49) and Andrea Riseborough as Victoria (Vica). Jack has a lot of
|
||
questions, Vica shrugs them off, and then, they get answered and Jack
|
||
can barely live with it! Beuatifully shot! - <a
|
||
href="https://github.com/icyflame"><span class="citation"
|
||
data-cites="icyflame">@icyflame</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A veteran assigned to extract Earth’s remaining resources begins to
|
||
question what he knows about his mission and himself.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="open-your-eyes-1997-7.8"><a
|
||
href="https://www.imdb.com/title/tt0125659/">Open Your Eyes</a> (1997)
|
||
[7.8]</h4>
|
||
<p>Categories: <code>drama</code> <code>romance</code></p>
|
||
<p>The original spanish movie <a href="#vanilla-sky-2001-69">Vanilla
|
||
Sky</a> was based on, way better acting, you should watch this first. -
|
||
<a href="https://github.com/uraimo"><span class="citation"
|
||
data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A very handsome man finds the love of his life, but he suffers an
|
||
accident and needs to have his face rebuilt by surgery after it is
|
||
severely disfigured.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="paprika-2006-7.7"><a
|
||
href="https://www.imdb.com/title/tt0851578/">Paprika</a> (2006)
|
||
[7.7]</h4>
|
||
<p>Categories: <code>ai</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>When a machine that allows therapists to enter their patients’ dreams
|
||
is stolen, all hell breaks loose. Only a young female therapist can stop
|
||
it: Paprika.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="possible-worlds-2000-6.9"><a
|
||
href="https://www.imdb.com/title/tt0222293/">Possible Worlds</a> (2000)
|
||
[6.9]</h4>
|
||
<p>Categories: <code>philosophy</code> <code>drama</code></p>
|
||
<p>This is an extraordinary film that manages to give an expose of
|
||
possible worlds without ending with a completely deranged plot. It is
|
||
well done, and the mystery and romance of the characters involved adds
|
||
to the constanct feeling of apprehension. Which reality is the viewer
|
||
in? Also, Tilda Swinton is great in this. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A man lives in parallel worlds, falling in love with the same woman,
|
||
while the police hunt down a serial killer who steals brains.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="predestination-2014-7.5"><a
|
||
href="https://www.imdb.com/title/tt2397535/">Predestination</a> (2014)
|
||
[7.5]</h4>
|
||
<p>Categories: <code>time travel</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The life of a time-traveling Temporal Agent. On his final assignment,
|
||
he must pursue the one criminal that has eluded him throughout time.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="primer-2004-7.0"><a
|
||
href="https://www.imdb.com/title/tt0390384/">Primer</a> (2004)
|
||
[7.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Four friends/fledgling entrepreneurs, knowing that there’s something
|
||
bigger and more innovative than the different error-checking devices
|
||
they’ve built, wrestle over their new invention.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="screamers-1995-6.3"><a
|
||
href="https://www.imdb.com/title/tt0114367/">Screamers</a> (1995)
|
||
[6.3]</h4>
|
||
<p>Categories: <code>apocalyptic</code>
|
||
<code>artificial intelligence</code> <code>space</code></p>
|
||
<p>A thrilling ride that expertly blends suspense with thought-provoking
|
||
themes about technology and warfare. If you enjoy films that challenge
|
||
your perceptions of humanity and technology, this is definitely one to
|
||
watch! - <a href="https://github.com/johan-stenqvist"><span
|
||
class="citation"
|
||
data-cites="johan-stenqvist">@johan-stenqvist</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A military commander stationed off planet during an interplanetary
|
||
war travels through the devastated landscape to negotiate a peace
|
||
treaty, but discovers that the primitive robots they built to kill enemy
|
||
combatants have gained sentience.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="serenity-firefly-2005-8.0"><a
|
||
href="https://www.imdb.com/title/tt0379786/">Serenity (Firefly)</a>
|
||
(2005) [8.0]</h4>
|
||
<p>Categories: <code>space</code> <code>western</code>
|
||
<code>action</code></p>
|
||
<p>Watch the Firefly series before seeing this film. It is good in
|
||
itself, for the special effects if nothing else, but it wraps up and
|
||
solidifies a lot of things that the cancelled show left open, to the
|
||
equal chagrin and joy of its fanatic fanbase. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The crew of the ship Serenity tries to evade an assassin sent to
|
||
recapture one of their number who is telepathic.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="snowpiercer-2013-7.0"><a
|
||
href="https://www.imdb.com/title/tt1706620/">Snowpiercer</a> (2013)
|
||
[7.0]</h4>
|
||
<p>Categories: <code>apocalypse</code> <code>action</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set in a future where a failed climate-change experiment kills all
|
||
life on the planet except for a lucky few who boarded the Snowpiercer, a
|
||
train that travels around the globe, where a class system emerges.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="solaris-1972-8.1"><a
|
||
href="https://www.imdb.com/title/tt0069293/">Solaris</a> (1972)
|
||
[8.1]</h4>
|
||
<p>Categories: <code>space</code> <code>drama</code><br> Director:
|
||
<em>Andrei Tarkovsky</em></p>
|
||
<p>This is the original film based on the book. It is much slower than
|
||
the remake, but a classic. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A psychologist is sent to a station orbiting a distant planet in
|
||
order to discover what has caused the crew to go insane.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="solaris-2002-6.2"><a
|
||
href="https://www.imdb.com/title/tt0307479/">Solaris</a> (2002)
|
||
[6.2]</h4>
|
||
<p>Categories: <code>space</code> <code>drama</code><br> Director:
|
||
<em>Steven Soderbergh</em></p>
|
||
<p>Starring George Clooney and Natasha McElhone, this is much more of a
|
||
modern psychodrama with fantastic shots and a more colored atmosphere
|
||
than the original film. The original score by Cliff Martinez really adds
|
||
to the film, and is great on its own. One of my favorite films. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A troubled psychologist is sent to investigate the crew of an
|
||
isolated research station orbiting a bizarre planet.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="source-code-2011-7.5"><a
|
||
href="https://www.imdb.com/title/tt0945513/">Source Code</a> (2011)
|
||
[7.5]</h4>
|
||
<p>Categories: <code>ai</code> <code>action</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A soldier wakes up in someone else’s body and discovers he’s part of
|
||
an experimental government program to find the bomber of a commuter
|
||
train. A mission he has only 8 minutes to complete.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stalker-1979-8.2"><a
|
||
href="https://www.imdb.com/title/tt0079944/">Stalker</a> (1979)
|
||
[8.2]</h4>
|
||
<p>Stalker is a philosophical art movie and aesthetic masterpiece, based
|
||
on “Roadside Picnic”. - <a href="https://github.com/ggb"><span
|
||
class="citation" data-cites="ggb">@ggb</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Near a gray and unnamed city is the Zone, an alien place guarded by
|
||
barbed wire and soldiers. Over his wife’s objections, a man rises in the
|
||
early morning and leaves her with their disabled daughter to meet two
|
||
men. He’s a Stalker, one of a handful who have the mental gifts (and who
|
||
risk imprisonment) to lead people into the Zone to the Room, a place
|
||
where one’s secret hopes come true.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="strange-days-1995-7.2"><a
|
||
href="https://www.imdb.com/title/tt0114558/">Strange Days</a> (1995)
|
||
[7.2]</h4>
|
||
<p>Categories: <code>action</code> <code>police</code>
|
||
<code>thriller</code> Director: <em>Kathryn Bigelow</em> Writer:
|
||
<em>James Cameron</em>, <em>Jay Cocks</em></p>
|
||
<p>Borrowing copiously from cyperpunk but giving things enough spin to
|
||
keep them interesting, “Strange Days” gives an orginal sci-fi version of
|
||
the old washed-up-cop turns soft-hearted criminal. Set in the futuristic
|
||
year of 1999, during new years eve, the main character has to solve a
|
||
case in which he unwittingly finds himself, if he wants to survive the
|
||
night. The movie also contains music performance by Juliette Lewis and
|
||
the band Skunk Anansie. - <a href="https://github.com/potherca"><span
|
||
class="citation" data-cites="potherca">@potherca</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A former cop turned street-hustler accidentally uncovers a conspiracy
|
||
in Los Angeles in 1999.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="sunshine-2007-7.3"><a
|
||
href="https://www.imdb.com/title/tt0448134/">Sunshine</a> (2007)
|
||
[7.3]</h4>
|
||
<p>Categories: <code>space</code> <code>action</code></p>
|
||
<p>This is a pretty good movie. The science is ridiculous, but the
|
||
characters are great and the CGI is fantastic. At points, chilling. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A team of international astronauts is sent on a dangerous mission to
|
||
reignite the dying Sun with a nuclear fission bomb in 2057.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="tenet-2020-7.3"><a
|
||
href="https://www.imdb.com/title/tt6723592/">Tenet</a> (2020) [7.3]</h4>
|
||
<p>Categories: <code>time travel</code> <code>action</code>
|
||
<code>thriller</code></p>
|
||
<p>A great watch for those who like complex movies that you probably
|
||
have to watch several times to understand everything. - <a
|
||
href="https://github.com/gilStettler"><span class="citation"
|
||
data-cites="gilStettler">@gilStettler</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Armed with only the word “Tenet,” and fighting for the survival of
|
||
the entire world, CIA operative, The Protagonist, journeys through a
|
||
twilight world of international espionage on a global mission that
|
||
unfolds beyond real time.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-city-of-lost-children-1995-7.7"><a
|
||
href="https://www.imdb.com/title/tt0112682/">The City of Lost
|
||
Children</a> (1995) [7.7]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A scientist in a surrealist society kidnaps children to steal their
|
||
dreams, hoping that they slow his aging process.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-fifth-element-1997-7.6"><a
|
||
href="https://www.imdb.com/title/tt0119116/">The Fifth Element</a>
|
||
(1997) [7.6]</h4>
|
||
<p>Categories: <code>space</code> <code>action</code></p>
|
||
<p>This movie is ridiculous. Worth watching just for the amazing opera
|
||
scene - the ‘science’ in ‘science fiction’ isn’t really worth it,
|
||
though. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In the colorful future, a cab driver unwittingly becomes the central
|
||
figure in the search for a legendary cosmic weapon to keep Evil and Mr
|
||
Zorg at bay.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-hitchhikers-guide-to-the-galaxy-2005-6.8"><a
|
||
href="https://www.imdb.com/title/tt0371724/">The Hitchhiker’s Guide to
|
||
the Galaxy</a> (2005) [6.8]</h4>
|
||
<p>Categories: <code>adventure</code> <code>comedy</code></p>
|
||
<p>Pretty much like the first book of the trilogy of five books with the
|
||
same name, with some Holywood adaptations. (Why, Hollywood?). Very funny
|
||
and enjoyable. - <a href="https://github.com/damaru2"><span
|
||
class="citation" data-cites="damaru2">@damaru2</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Mere seconds before the Earth is to be demolished by an alien
|
||
construction crew, journeyman Arthur Dent is swept off the planet by his
|
||
friend Ford Prefect, a researcher penning a new edition of “The
|
||
Hitchhiker’s Guide to the Galaxy.”</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-island-2005-6.9"><a
|
||
href="https://www.imdb.com/title/tt0399201/">The Island</a> (2005)
|
||
[6.9]</h4>
|
||
<p>Categories: <code>action</code></p>
|
||
<p>I rather liked this film; Steve Buscemi’s acting abilities brings a
|
||
poorly-written character above and beyond what I would have thought
|
||
possible, and Ewan McGregor and Scarlett Johanssen were perfectly cast.
|
||
This was a solid film. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Lincoln Six-Echo is a resident of a seemingly Utopian but contained
|
||
facility in the year 2019. Like all of the inhabitants of this carefully
|
||
controlled environment, Lincoln hopes to be chosen to go to the “The
|
||
Island” - reportedly the last uncontaminated spot on the planet. But
|
||
Lincoln soon discovers that everything about his existence is a lie. He
|
||
and all of the other inhabitants of the facility are actually human
|
||
clones. Lincoln makes a daring escape with a beautiful fellow resident
|
||
named Jordan Two-Delta. Relentlessly pursued by the forces of the
|
||
sinister institute that once housed them, Lincoln and Jordan engage in a
|
||
race for their lives to literally meet their makers.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-man-from-earth-2007-8.0"><a
|
||
href="https://www.imdb.com/title/tt0756683/">The Man from Earth</a>
|
||
(2007) [8.0]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An impromptu goodbye party for Professor John Oldman becomes a
|
||
mysterious interrogation after the retiring scholar reveals to his
|
||
colleagues he never ages and has walked the earth for 14,000 years.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-martian-2015-8.2"><a
|
||
href="https://www.imdb.com/title/tt3659388/">The Martian</a> (2015)
|
||
[8.2]</h4>
|
||
<p>This is a fairly accurate representation of the awesome book, but it
|
||
focuses much more on Watney’s personality than on the science (which is
|
||
a given, as we can actually see Watney in this, as opposed to just read
|
||
his logs in the book). The space shots were incredibly well done, and
|
||
one scene with a ribbon like an umbilical chord floating in zero g -
|
||
absolutely beautiful. This film had great actors, marvelously cast. And
|
||
there’s even a reference to Glorfindel at the council of Elrond; I don’t
|
||
think I’ve laughed that hard in a theatre in years. Loved it. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>During a manned mission to Mars, Astronaut Mark Watney is presumed
|
||
dead after a fierce storm and left behind by his crew. But Watney has
|
||
survived and finds himself stranded and alone on the hostile planet.
|
||
With only meager supplies, he must draw upon his ingenuity, wit and
|
||
spirit to subsist and find a way to signal to Earth that he is
|
||
alive.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-matrix-1999-8.7"><a
|
||
href="https://www.imdb.com/title/tt0133093/">The Matrix</a> (1999)
|
||
[8.7]</h4>
|
||
<p>Categories: <code>ai</code> <code>action</code>
|
||
<code>apocalypse</code> <code>singularity</code></p>
|
||
<p>One of the most well known scifi films, this is a great expose on
|
||
what people thought of hackers in the late 90s. The first in a trilogy,
|
||
this film stands on its own legs, for its well-written script, great
|
||
casting, and solid score. The unworldly choreography combined with slow
|
||
motion filming was so influential it is now a cliché. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A computer hacker learns from mysterious rebels about the true nature
|
||
of his reality and his role in the war against its controllers.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-signal-2014-6.2"><a
|
||
href="https://www.imdb.com/title/tt2910814/">The Signal</a> (2014)
|
||
[6.2]</h4>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>On a road trip, Nic and two friends are drawn to an isolated area by
|
||
a computer genius. When everything suddenly goes dark, Nic regains
|
||
consciousness - only to find himself in a waking nightmare.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-thirteenth-floor-1999-7.0"><a
|
||
href="https://www.imdb.com/title/tt0139809/">The Thirteenth Floor</a>
|
||
(1999) [7.0]</h4>
|
||
<p>Categories: <code>thriller</code> <code>ai</code></p>
|
||
<p>It’s a classic, came out the same year of the matrix but is focused
|
||
on the interactions between the real world and the virtual, no slow
|
||
motion gun fights here. - <a href="https://github.com/uraimo"><span
|
||
class="citation" data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Computer scientist Hannon Fuller has discovered something extremely
|
||
important. He’s about to tell the discovery to his colleague, Douglas
|
||
Hall, but knowing someone is after him, the old man leaves a letter in
|
||
the computer generated parallel world his company has created (which
|
||
looks like the 30’s with seemingly real people with real emotions).
|
||
Fuller is murdered in our real world the same night, and his colleague
|
||
is suspected. Douglas discovers a bloody shirt in his bathroom and he
|
||
cannot recall what he was doing the night Fuller was murdered. He logs
|
||
into the system in order to find the letter, but has to confront the
|
||
unexpected. The truth is harsher than he could ever imagine…</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-time-machine-2002-4.2"><a
|
||
href="https://www.imdb.com/title/tt0268695/">The Time Machine</a> (2002)
|
||
[4.2]</h4>
|
||
<p>Categories: <code>remake</code> <code>steampunk</code></p>
|
||
<p>It is an entertaining and a well done movie with lots of scifi
|
||
topics: time travels, artificial intelligence, a post apocalyptic world
|
||
with a new race of humans and more. - <a
|
||
href="https://github.com/damaru2"><span class="citation"
|
||
data-cites="damaru2">@damaru2</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Hoping to alter the events of the past, a 19th century inventor
|
||
instead travels 800,000 years into the future, where he finds humankind
|
||
divided into two warring races.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="transcendence-2014-6.3"><a
|
||
href="https://www.imdb.com/title/tt2209764/">Transcendence</a> (2014)
|
||
[6.3]</h4>
|
||
<p>Categories: <code>ai</code></p>
|
||
<p>A love story between a woman and her husband uploaded into a
|
||
computer. What makes the movie a bit scary is that, although a bit
|
||
unrealistic, it is placed in a near future. - <a
|
||
href="https://github.com/aleksandar-todorovic"><span class="citation"
|
||
data-cites="aleksandar-todorovic">@aleksandar-todorovic</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A scientist’s drive for artificial intelligence, takes on dangerous
|
||
implications when his consciousness is uploaded into one such
|
||
program.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="twelve-monkeys-1996-8.1"><a
|
||
href="https://www.imdb.com/title/tt0114746/">Twelve Monkeys</a> (1996)
|
||
[8.1]</h4>
|
||
<p>Categories: <code>time travel</code> <code>action</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>In a future world devastated by disease, a convict is sent back in
|
||
time to gather information about the man-made virus that wiped out most
|
||
of the human population on the planet.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="vanilla-sky-2001-6.9"><a
|
||
href="https://www.imdb.com/title/tt0259711/">Vanilla Sky</a> (2001)
|
||
[6.9]</h4>
|
||
<p>Categories: <code>drama</code> <code>romance</code></p>
|
||
<p>This is an early version of <a href="#inception">Inception</a> in a
|
||
lot of ways, and a remake of Possible Worlds in others. While the acting
|
||
isn’t spectactular (notably Tom Cruise’s), what is interesting is the
|
||
myriad level of interpretations of the film and possibly realities
|
||
involved. The budget ensured that the actual plot was well done, as
|
||
opposed to just a poor implementation of possible world ideas. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A self-indulgent and vain publishing magnate finds his privileged
|
||
life upended after a vehicular accident with a resentful lover.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h2 id="movie-series">Movie Series</h2>
|
||
<h3 id="star-trek">Star Trek</h3>
|
||
<p><img
|
||
src="https://cloud.githubusercontent.com/assets/170270/7905777/f4fc5402-081e-11e5-9a71-8dad63e3b30b.gif" /></p>
|
||
<h4 id="star-trek-ii-the-wrath-of-khan-7.7"><a
|
||
href="https://www.imdb.com/title/tt0084726/">Star Trek II: The Wrath of
|
||
Khan</a> [7.7]</h4>
|
||
<p>This is a classic film, and well worth watching if only for the
|
||
incredible and iconic ‘khaaaaan’ echo. More impressive, however, is
|
||
Ricardo Montalban’s performance, which is incredible on its own. As
|
||
well, in a move that goes against mainstream whitewashing, a Mexican and
|
||
not a Caucasian plays a genetically engineered superhuman, making this a
|
||
movie that showed the power of diversity well ahead of its time. This
|
||
movie is great to watch. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>With the assistance of the Enterprise crew, Admiral Kirk must stop an
|
||
old nemesis, Khan Noonien Singh, from using his son’s life-generating
|
||
device, the Genesis Device, as the ultimate weapon.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h2 id="tv-series">TV Series</h2>
|
||
<h4 id="babylon-5-19941998-8.2"><a
|
||
href="https://www.imdb.com/title/tt0105946/">Babylon 5</a> (1994–1998)
|
||
[8.2]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>drama</code></p>
|
||
<p>Babylon 5’s special effects left a lot to be desired, but the plot
|
||
was amazing. - <a href="https://github.com/elektrovert"><span
|
||
class="citation" data-cites="elektrovert">@elektrovert</span></a></p>
|
||
<p>The CGI hasn’t aged well—but the show’s strength lies in character
|
||
development and (on a meta level) the pre-planned structure which is
|
||
fairly unique for TV series. On the other hand, it’s a polarizing show…
|
||
So my vote is a conditional yes :) - <a
|
||
href="https://github.com/mihailim"><span class="citation"
|
||
data-cites="mihailim">@mihailim</span></a></p>
|
||
<p>This is awesome for its nostalgic value, if little else. The line
|
||
about frictionless sheets is hilarious. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A space station in neutral territory is the focus of a unique five
|
||
year saga.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="battlestar-galactica-20042009-8.8"><a
|
||
href="https://www.imdb.com/title/tt0407362/">Battlestar Galactica</a>
|
||
(2004–2009) [8.8]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>drama</code></p>
|
||
<p>This show. Watch this show. It’s military science fiction done right.
|
||
The interpersonal relationships are the best part, and the constant
|
||
questioning of what it means to be human. At times it is a bit heavy
|
||
handed. At other times it paints humanity as a desperate and stupid
|
||
species, but at least it does so faithfully and self-referentially. The
|
||
show is written tremendously well. Gaius Baltar, in particular, is a
|
||
character worth watching out for. Be warned: once you start, you can’t
|
||
really stop. Portlandia even made a skit about needing <a
|
||
href="https://www.youtube.com/watch?v=yYjLrJRuMnY">one more episode</a>.
|
||
- <a href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>When an old enemy, the Cylons, resurfaces and obliterate the 12
|
||
colonies, the crew of the aged Galactica protects a small civilian fleet
|
||
- the last of humanity - as they journey toward the fabled 13th colony
|
||
of Earth.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="black-mirror-2011-8.8"><a
|
||
href="https://www.imdb.com/title/tt2085059/">Black Mirror</a> (2011– )
|
||
[8.8]</h4>
|
||
<p>Categories: <code>drama</code> <code>thriller</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A television anthology series that shows the dark side of life and
|
||
technology.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="blakes-7-19781981-8.0"><a
|
||
href="https://www.imdb.com/title/tt0076987/">Blakes 7</a> (1978–1981)
|
||
[8.0]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A group of convicts and outcasts fight a guerrilla war against the
|
||
totalitarian Terran Federation from a highly advanced alien
|
||
spaceship.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="children-of-dune-2003-7.7"><a
|
||
href="https://www.imdb.com/title/tt0287839/">Children of Dune</a> (2003)
|
||
[7.7]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code>
|
||
<code>fantasy</code></p>
|
||
<p>James McAvoy’s acting as Leto II is absolutely incredible in this
|
||
short series, as is Susan Sarandon’s as Princess Corrinno. This
|
||
miniseries is short and sweet, and manages to make the most out of what
|
||
really is one of the lesser of the Dune book series. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The twins of Paul “Muad’dib” Atreides become embroiled in the
|
||
political landscape of Arrakis (“Dune”) and the rest of the
|
||
universe.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="continuum-20122015-7.8"><a
|
||
href="https://www.imdb.com/title/tt1954347/">Continuum</a> (2012–2015)
|
||
[7.8]</h4>
|
||
<p>Categories: <code>action</code> <code>thriller</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A detective from the year 2077 finds herself trapped in present day
|
||
Vancouver and searching for ruthless criminals from the future.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="doctor-who-1964-1989-2005-8.9"><a
|
||
href="https://www.imdb.com/title/tt0436992/">Doctor Who</a> (1964-1989,
|
||
2005– ) [8.9]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code>
|
||
<code>family</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The further adventures of the time traveling alien adventurer and his
|
||
companions.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="dune-2000-7.1"><a
|
||
href="https://www.imdb.com/title/tt0142032/">Dune</a> (2000) [7.1]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code>
|
||
<code>fantasy</code></p>
|
||
<p>Out of all–big or small screen–Dune adaptations, I felt this one has
|
||
come closest to Herbert’s vision. They didn’t go too crazy on the CGI
|
||
either, in that it didn’t distract from the story. The acting was a bit
|
||
meh, but that’s usually a question of budget (wasn’t HBO… :wink:). Given
|
||
the dearth of good SF on TV, I would consider it awesome by comparison.
|
||
- <a href="https://github.com/mihailim"><span class="citation"
|
||
data-cites="mihailim">@mihailim</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A three-part miniseries on politics, betrayal, lust, greed and the
|
||
coming of a Messiah. Based on Frank Herbert’s classic science fiction
|
||
novel.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="eureka-2006-2012-7.9"><a
|
||
href="https://www.imdb.com/title/tt0796264/">Eureka</a> (2006-2012)
|
||
[7.9]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code>
|
||
<code>family</code></p>
|
||
<p>It is all about a fictional town called Eureka. Inhabitants are
|
||
geniuses and scientists. This is where the most major technology
|
||
inventions in the last five decades did happen. Very enjoyable and
|
||
entertaining show. Most of the episodes were keeping me guessing ‘what
|
||
will happen next?’ and ‘how this all will end?’. - <a
|
||
href="https://github.com/vovinacci"><span class="citation"
|
||
data-cites="vovinacci">@vovinacci</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A U.S. Marshall becomes the sheriff of a remote cozy little
|
||
Northwestern town of Eureka where the best minds in the US have secretly
|
||
been tucked away to build futuristic inventions for the government which
|
||
often go disastrously wrong.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="farscape-19992003-8.4"><a
|
||
href="https://www.imdb.com/title/tt0187636/">Farscape</a> (1999–2003)
|
||
[8.4]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Thrown into a distant part of the universe, an Earth astronaut finds
|
||
himself part of a fugitive alien starship crew.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="firefly-20022003-9.2"><a
|
||
href="https://www.imdb.com/title/tt0303461/">Firefly</a> (2002–2003)
|
||
[9.2]</h4>
|
||
<p>Categories: <code>adventure</code> <code>drama</code>
|
||
<code>western</code></p>
|
||
<figure>
|
||
<img
|
||
src="https://cloud.githubusercontent.com/assets/170270/11022860/c94c77c2-869c-11e5-9830-ec232159f00e.gif"
|
||
alt="Rise again" />
|
||
<figcaption aria-hidden="true">Rise again</figcaption>
|
||
</figure>
|
||
<p>Asking someone if they wish Firefly would be rebooted tells me
|
||
everything I need to know about a person.</p>
|
||
<p>It’s in my opinion the best scifi TV-show ever made. - <a
|
||
href="https://github.com/sindresorhus"><span class="citation"
|
||
data-cites="sindresorhus">@sindresorhus</span></a></p>
|
||
<p>What he said. - <a href="https://github.com/RichardLitt"><span
|
||
class="citation" data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Five hundred years in the future, a renegade crew aboard a small
|
||
spacecraft tries to survive as they travel the unknown parts of the
|
||
galaxy and evade warring factions as well as authority agents out to get
|
||
them.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="fringe-20082013-8.5"><a
|
||
href="https://www.imdb.com/title/tt1119644/">Fringe</a> (2008–2013)
|
||
[8.5]</h4>
|
||
<p>Categories: <code>drama</code> <code>mystery</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A television drama centered around a female FBI agent who is forced
|
||
to work with an institutionalized scientist in order to rationalize a
|
||
brewing storm of unexplained phenomena.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="hitchhikers-guide-to-the-galaxy-1981-8.0"><a
|
||
href="https://www.imdb.com/title/tt0081874/">Hitchhiker’s Guide to the
|
||
Galaxy</a> (1981) [8.0]</h4>
|
||
<p>Categories: <code>comedy</code> <code>adventure</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An Earth man and his alien friend escape Earth’s destruction and go
|
||
on a truly strange adventure as space hitchhikers.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="mr.-robot-2015--8.6"><a
|
||
href="https://www.imdb.com/title/tt4158110/">Mr. Robot</a> (2015- )
|
||
[8.6]</h4>
|
||
<p>Categories: <code>crime</code> <code>drama</code>
|
||
<code>thriller</code></p>
|
||
<p>Mr. Robot is a sci fi series which actually is close enogh to
|
||
reality, it uses technical terms properly and is fun to watch. - <a
|
||
href="https://github.com/iamzubin"><span class="citation"
|
||
data-cites="iamzubin">@iamzubin</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Elliot, a brilliant but highly unstable young cyber-security engineer
|
||
and vigilante hacker, becomes a key figure in a complex game of global
|
||
dominance when he and his shadowy allies try to take down the corrupt
|
||
corporation he works for.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="neon-genesis-evangelion-19951996-8.6"><a
|
||
href="https://www.imdb.com/title/tt0112159/">Neon Genesis Evangelion</a>
|
||
(1995–1996) [8.6]</h4>
|
||
<p>Categories: <code>animation</code> <code>action</code>
|
||
<code>drama</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>15 years after the enormous catastrophe that killed half of the world
|
||
population, another crisis has come—the unidentified invaders called
|
||
“Angels” begin to attack human-kind. Mankind’s only hope lies with giant
|
||
organic mecha and their teenage pilots.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="person-of-interest-2011-2016-8.5"><a
|
||
href="https://www.imdb.com/title/tt1839578/">Person of Interest</a>
|
||
(2011-2016) [8.5]</h4>
|
||
<p>Categories: <code>action</code> <code>crime</code> <code>drama</code>
|
||
<code>artificial intelligence</code></p>
|
||
<p>Starting with crime prevention, the show progresses to gradually
|
||
touching on AI and man’s misuse of technology such as mass surveillance,
|
||
which is the key focus. Add to that the complicated pasts of the two
|
||
protagonists’ government work and you have a genre defining TV Show
|
||
standing apart from it’s peers by tackling relevant issues in the modern
|
||
digital era. “You are being watched.” - <a
|
||
href="https://github.com/AB1908"><span class="citation"
|
||
data-cites="AB1908">@AB1908</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An ex-assassin and a wealthy programmer save lives via a surveillance
|
||
AI that sends them the identities of civilians involved in impending
|
||
crimes. However, the details of the crimes–including the civilians’
|
||
roles–are left a mystery.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="red-dwarf-19881999-2009-8.5"><a
|
||
href="https://www.imdb.com/title/tt0094535/">Red Dwarf</a> (1988–1999,
|
||
2009– ) [8.5]</h4>
|
||
<p>Categories: <code>comedy</code></p>
|
||
<p>This stretched my ideas of how stupid and silly space travel could
|
||
be. It’s smegging awesome. - <a
|
||
href="https://github.com/RichardLitt"><span class="citation"
|
||
data-cites="RichardLitt">@RichardLitt</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>The adventures of the last human alive and his friends, stranded
|
||
three million years into deep space on the mining ship Red Dwarf.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="rick-and-morty-2013--9.3"><a
|
||
href="https://www.imdb.com/title/tt2861424/">Rick and Morty</a> (2013-)
|
||
[9.3]</h4>
|
||
<p>Categories: <code>animation</code> <code>adventure</code>
|
||
<code>comedy</code></p>
|
||
<p>Rick and Morty is one of the best animated shows to have come out in
|
||
the last decade. The commentary that the show delivers on the society as
|
||
a whole, while describing the adventures of an old man and his grandon
|
||
is hilarious. This is a must-watch for anyone who is into veiled
|
||
sarcasm, animation and sci-fi. - <a
|
||
href="https://github.com/AsliRoy"><span class="citation"
|
||
data-cites="ArindumRoy">@ArindumRoy</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An animated series that follows the exploits of a super scientist and
|
||
his not-so-bright grandson.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="star-trek-deep-space-nine-19931999-7.9"><a
|
||
href="https://www.imdb.com/title/tt0106145/">Star Trek: Deep Space
|
||
Nine</a> (1993–1999) [7.9]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>drama</code></p>
|
||
<p>In contrast to the setting of the other Star Trek TV shows, DS9 takes
|
||
place on a space station instead of a starship. This made continuing
|
||
story arcs and appearance of recurring characters much more feasible.
|
||
The show is noted for well-developed characters, originality, complex
|
||
plots, religious themes and for starring the only black captain of all
|
||
the Star Trek series to be featured as the show’s protagonist. The
|
||
series often showcased darker themes, less physical exploration of
|
||
space, and (in later seasons) an emphasis on many aspects of war. -
|
||
<span class="citation"
|
||
data-cites="augustopedro">@augustopedro</span></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Orbiting the liberated planet of Bajor, a Federation space station
|
||
guards the opening of a stable wormhole to the far side of the
|
||
galaxy.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="star-trek-discovery-2017--7.3"><a
|
||
href="https://www.imdb.com/title/tt5171438/">Star Trek: Discovery</a>
|
||
(2017-) [7.3]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>drama</code></p>
|
||
<p>While Discovery is fundamentally quite different from much of the
|
||
Trek that’s come before, its engagement with the franchise, and
|
||
willingness to both celebrate and examine its core values, keep it true
|
||
to that spirit. As the medium of television evolves, it’s comforting to
|
||
know that Star Trek is there to evolve right along with it. - <span
|
||
class="citation" data-cites="augustopedro">@augustopedro</span></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Ten years before Kirk, Spock and the Enterprise, the USS Discovery
|
||
discovers new worlds and lifeforms as one Starfleet officer learns to
|
||
understand all things alien.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="star-trek-enterprise-20012005-7.5"><a
|
||
href="https://www.imdb.com/title/tt0244365/">Star Trek: Enterprise</a>
|
||
(2001–2005) [7.5]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>mystery</code></p>
|
||
<p>A worthy successor to The Next Generation, well developed characters,
|
||
great Xindi/Time War story arc. - <a
|
||
href="https://github.com/uraimo"><span class="citation"
|
||
data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A century before Captain Kirk’s five-year mission, Jonathan Archer
|
||
captains Earth ship Enterprise NX-01 during the early years of Starfleet
|
||
leading up to the formation of the Federation and the Earth-Romulan
|
||
War.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="star-trek-the-next-generation-19871994-8.7"><a
|
||
href="https://www.imdb.com/title/tt0092455/">Star Trek: The Next
|
||
Generation</a> (1987–1994) [8.7]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>mystery</code></p>
|
||
<p>Similar in ethic and setting to the Star Trek: The Original Series,
|
||
but with new enemies and technologies; continues to deal with issues of
|
||
morality, culture, and politics. The stories and the acting are
|
||
excellent, and it has pretty amazing special effects for that time.
|
||
There’s also 4 movies which take place after the series. - <span
|
||
class="citation" data-cites="augustopedro">@augustopedro</span></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set decades after Captain James T. Kirk’s 5-year mission, a new
|
||
generation of Starfleet officers in a new Enterprise set off on their
|
||
own mission to go where no one has gone before.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="star-trek-the-original-series-19661969-8.4"><a
|
||
href="https://www.imdb.com/title/tt0060028/">Star Trek: The Original
|
||
Series</a> (1966–1969) [8.4]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>mystery</code></p>
|
||
<p>A science-fiction masterpiece, Star Trek has been a really important
|
||
vision not only of what future technology could look like, but also a
|
||
reflection of what the hopes were, especially in the 60’s, for what
|
||
human society could look like.</p>
|
||
<p>The Original Series, in many ways, is Star Trek at its purest. It’s
|
||
true that it could be campy and slow, but don’t mistake that for it
|
||
being unsophisticated. It was very smartly written, and while it can
|
||
vary wildly in quality (like many shows from the 60’s) it has a solid
|
||
philosophical core, and often had some interesting things to say.</p>
|
||
<p>Plus, I’m not sure the franchise has ever quite topped the amazing
|
||
chemistry between Shatner, Nimoy, and Kelly. It’s worth watching for
|
||
them alone. - <span class="citation"
|
||
data-cites="augustopedro">@augustopedro</span></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Captain James T. Kirk and the crew of the Starship Enterprise explore
|
||
the Galaxy and defend the United Federation of Planets.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stargate-atlantis-20042009-8.1"><a
|
||
href="https://www.imdb.com/title/tt0374455/">Stargate Atlantis</a>
|
||
(2004–2009) [8.1]</h4>
|
||
<p>Categories: <code>action</code> <code>drama</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>An international team of scientists and military personnel discover a
|
||
Stargate network in the Pegasus Galaxy and come face-to-face with a new,
|
||
powerful enemy, The Wraith.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stargate-sg1-19972007-8.5"><a
|
||
href="https://www.imdb.com/title/tt0118480/">Stargate SG1</a>
|
||
(1997–2007) [8.5]</h4>
|
||
<p>Categories: <code>action</code> <code>adventure</code>
|
||
<code>drama</code></p>
|
||
<p>Well worth the 9000+ minutes you’ll need to watch all the series.
|
||
Finally a series where the human race, starting from a position of
|
||
abysmal inferiority, defeats superior enemies against all odds with a
|
||
mix of cleverness and intelligent exploitation of alien technology. - <a
|
||
href="https://github.com/uraimo"><span class="citation"
|
||
data-cites="uraimo">@uraimo</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>A secret military team, SG-1, is formed to explore the recently
|
||
discovered Stargates.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="stargate-universe-20092011-7.7"><a
|
||
href="https://www.imdb.com/title/tt1286039/">Stargate Universe</a>
|
||
(2009–2011) [7.7]</h4>
|
||
<p>Categories: <code>drama</code></p>
|
||
<p>The show feels completely different than Stargate SG-1 and Atlantis,
|
||
it is certainly the most cinematic looking of the three series. It is
|
||
darker, the plot seems slower, but also more realistic and intense,
|
||
which provides a higher dose of suspense to the show. - <a
|
||
href="https://github.com/HQarroum"><span class="citation"
|
||
data-cites="HQarroum">@HQarroum</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Trapped on an Ancient spaceship billions of light years from home, a
|
||
group of soldiers and civilians struggle to survive and find their way
|
||
back to Earth.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-100-2014-7.7"><a
|
||
href="https://www.imdb.com/title/tt2661044/">The 100</a> (2014–)
|
||
[7.7]</h4>
|
||
<p>Categories: <code>drama</code> <code>mystery</code></p>
|
||
<p>I never really understood the need or reason for binge watching until
|
||
I encountered The 100. The first and second season were absolutely
|
||
mesmerizing and compelling. The character development, the story, the
|
||
plot twists; all amazing! Literally, pulled a few all-nighters because I
|
||
had to know what happened next in the series. The premise of the show is
|
||
after evacuating Earth do to global nuclear bombings and radiation, the
|
||
International Space Station decide to send ‘100’ of the stations
|
||
adolescent deliquents down to earth so see if it is habitable again.
|
||
Middle to end of season 3 start to get a little weird and supposedly it
|
||
was supposed to end after season 3 so they attempt to wrap up the
|
||
series. I have tried to continue watching but am no where as entranced
|
||
as I was with seasons 1 and 2. - <a
|
||
href="https://github.com/kyebrowning"><span class="citation"
|
||
data-cites="kyebrowning">@kyebrowning</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Set ninety-seven years after a nuclear war has destroyed
|
||
civilization, when a spaceship housing humanity’s lone survivors sends
|
||
one hundred juvenile delinquents back to Earth, in hopes of possibly
|
||
re-populating the planet.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-orville-2017-7.9"><a
|
||
href="https://www.imdb.com/title/tt5691552/">The Orville</a> (2017–)
|
||
[7.9]</h4>
|
||
<p>Categories: <code>adventure</code> <code>comedy</code>
|
||
<code>drama</code></p>
|
||
<p>The Orville does an awesome job recreating the feeling of past Star
|
||
Trek series. The look and feel is very TNG-era. Many episodes tackle
|
||
modern day social issues like LGBTQ rights, social media and religion.
|
||
The characters are interesting and relatable, since they talk and behave
|
||
like real, imperfect people. Though the series has a comedic element, it
|
||
doesn’t interfere with the other messages, and we get a very good
|
||
balance of sci-fi, humor, drama and moral. Highly recommended for (but
|
||
not only) Trekkies. - <a href="https://github.com/gabiaxel"><span
|
||
class="citation" data-cites="GabiAxel">@GabiAxel</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Follows the crew of the not-so-functional exploratory ship in the
|
||
Earth’s interstellar fleet, 400 years in the future.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-prisoner-19671968-8.8"><a
|
||
href="https://www.imdb.com/title/tt0061287/">The Prisoner</a>
|
||
(1967–1968) [8.8]</h4>
|
||
<p>Categories: <code>drama</code> <code>mystery</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>After resigning, a secret agent is abducted and taken to what looks
|
||
like an idyllic village, but is really a bizarre prison. His warders
|
||
demand information. He gives them nothing, but only tries to escape.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-x-files-1993-2002-2016--8.8"><a
|
||
href="https://www.imdb.com/title/tt0106179/">The X-Files</a> (1993-2002,
|
||
2016- ) [8.8]</h4>
|
||
<p>Categories: <code>drama</code> <code>mystery</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Two FBI agents, Fox Mulder the believer and Dana Scully the skeptic,
|
||
investigate the strange and unexplained while hidden forces work to
|
||
impede their efforts.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="twilight-zone-19591964-9.0"><a
|
||
href="https://www.imdb.com/title/tt0052520/">Twilight Zone</a>
|
||
(1959–1964) [9.0]</h4>
|
||
<p>Categories: <code>drama</code> <code>fantasy</code>
|
||
<code>horror</code></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Rod Serling’s seminal anthology series focused on ordinary folks who
|
||
suddenly found themselves in extraordinary, usually supernatural,
|
||
situations. The stories would typically end with an ironic twist that
|
||
would see the guilty punished.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h2 id="comic-books">Comic Books</h2>
|
||
<h4 id="alex-ada-2013-2015-by-jonathan-luna-sarah-vaughn-4.11"><a
|
||
href="https://www.goodreads.com/book/show/30896668-alex-ada">Alex +
|
||
Ada</a> (2013-2015) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Luna_Brothers">Jonathan Luna</a>, <a
|
||
href="https://www.goodreads.com/author/show/7372180.Sarah_Vaughn">Sarah
|
||
Vaughn</a></em> [4.11]</h4>
|
||
<p>Categories: <code>ai</code> <code>drama</code>
|
||
<code>sci-fi</code></p>
|
||
<p>Alex + Ada is a thought provoking and moving exploration of what it
|
||
means to be alive, and what rights can and should be afforded to
|
||
non-human sentient beings. It’s a short and effective near-future look
|
||
at the obligations we have to both each other and to the intelligent
|
||
life we create. - <a href="https://github.com/thejessleigh"><span
|
||
class="citation" data-cites="thejessleigh">@thejessleigh</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>From JONATHAN LUNA (THE SWORD, GIRLS, Spider-Woman: Origin) and SARAH
|
||
VAUGHN (Sparkshooter, Ruined) comes ALEX + ADA, a sci-fi/drama set in
|
||
the near future. The last thing in the world Alex wanted was an X5, the
|
||
latest in realistic androids. But after Ada is dropped into his life, he
|
||
discovers she is more than just a robot. Alex takes a huge risk to
|
||
unlock Ada so she can think for herself and explore life as a sentient
|
||
android.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="arzach-1975-by-moebius-4.06"><a
|
||
href="https://www.goodreads.com/book/show/8748185-arzach">Arzach</a>
|
||
(1975) <em>by Moebius</em> [4.06]</h4>
|
||
<p>Categories: <code>hard-science-fiction</code> <code>sci-fi</code>
|
||
<code>cyberpunk</code></p>
|
||
<p>One of the most influential french sci-fi comics. It inspired a lot
|
||
of what became Heavy Metal Magazine. Moebius in this onirical tale uses
|
||
no words to this graphical prose. - <a
|
||
href="https://github.com/matheusteixeira"><span class="citation"
|
||
data-cites="matheusteixeira">@matheusteixeira</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Arzach fut une révolution pour la bande dessinée de l’époque. Elle
|
||
est constituée d’une série de cinq histoires autonomes, sortes de «
|
||
nouvelles graphiques » de quelques planches chacune. Sa particularité
|
||
réside tout d’abord en son absence totale de dialogues : on y croise un
|
||
voire deux personnages récurrents (Arzach et son Ptéroïde, sorte de
|
||
ptérodactyle) mais apparemment muets, en tout cas l’auteur ne leur
|
||
autorise pas la parole pour s’exprimer.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="black-science-2014-by-rick-remender-3.93"><a
|
||
href="https://www.goodreads.com/book/show/20881139-black-science-vol-1">Black
|
||
Science</a> (2014) <em>by <a
|
||
href="https://en.wikipedia.org/wiki/Rick_Remender">Rick
|
||
Remender</a></em> [3.93]</h4>
|
||
<p>Categories: <code>space-opera</code> <code>sci-fi</code></p>
|
||
<p>Black Science is one of those stories where you explain it to people
|
||
at a really high level and gradually get more excited as you do so. It’s
|
||
essentially what happens if Rick & Morty had a less skilled and
|
||
lucky Rick. Grant McKay goes through some really dark experiences, and
|
||
the multiverse around him feels nothing for his plight. It’s a story to
|
||
read and revisit. - <a href="https://github.com/EricPonvelle"><span
|
||
class="citation" data-cites="EricPonvelle">@EricPonvelle</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Grant McKay, former member of The Anarchistic Order of Scientists,
|
||
has finally done the impossible: He has deciphered Black Science and
|
||
punched through the barriers of reality. But what lies beyond the veil
|
||
is not epiphany, but chaos. Now Grant and his team are lost, living
|
||
ghosts shipwrecked on an infinite ocean of alien worlds, barreling
|
||
through the long-forgotten, ancient, and unimaginable dark realms. The
|
||
only way is forward. The only question is how far are they willing to
|
||
go, and how much can they endure, to get home again? Join writer RICK
|
||
REMENDER and the superstar art team of MATTEO SCALERA & DEAN WHITE
|
||
for this face-melting science fiction epic spanning the lifetimes of a
|
||
cast of dimensional castaways lead by the man who caused it all.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="global-frequency-2002-2004-by-warren-ellis-4.05"><a
|
||
href="https://www.goodreads.com/book/show/15819022-global-frequency">Global
|
||
Frequency</a> (2002-2004) <em>by Warren Ellis</em> [4.05]</h4>
|
||
<p>Categories: <code>hard-science-fiction</code> <code>sci-fi</code></p>
|
||
<p>Global Frequency is a very livid, strong, and fast-paced
|
||
adventure/action-packed sci-fi. Each of the twelve issues is kinda
|
||
independent and all of them are bursting with life. - <a
|
||
href="https://github.com/matheusteixeira"><span class="citation"
|
||
data-cites="matheusteixeira">@matheusteixeira</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Created by Entertainment Weekly “It” writer, Global Frequency is a
|
||
worldwide rescue organization that offers the last shred of hope when
|
||
all other options have failed. Manned by 1001 operatives, the Frequency
|
||
is made up of experts in fields as diverse as bio-weapon engineering and
|
||
Le Parkour Running. Each agent-equipped with a special mobile
|
||
vid-phone-is speciffically chosen by Miranda Zero, enigmatic leader of
|
||
the Global Frequency, based on proximity, expertise, and, in some cases,
|
||
sheer desperation!</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="saga-2014--by-brian-k.-vaughan-4.56"><a
|
||
href="https://www.goodreads.com/book/show/17131869-saga-vol-2">Saga</a>
|
||
(2014-) <em>by Brian K. Vaughan</em> [4.56]</h4>
|
||
<p>Categories: <code>fantasy</code> <code>sci-fi</code>
|
||
<code>space-opera</code></p>
|
||
<p>Saga is a comic that is an elevator pitch proof. It’s impossible to
|
||
describe it in a sentence. All I can say is that it’s a beautifully
|
||
written and drawn story about love and family, in a very interesting
|
||
space opera-like world. It’s kinda like Star Wars, but not at all. While
|
||
in Star Wars the heroes are in a huge journey to end the war, in Saga
|
||
they just want to be left alone to live with their family. - <a
|
||
href="https://github.com/matheusteixeira"><span class="citation"
|
||
data-cites="matheusteixeira">@matheusteixeira</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Saga is an epic space opera/fantasy comic book series created by
|
||
writer Brian K. Vaughan and artist Fiona Staples, published monthly by
|
||
Image Comics. The series is heavily influenced by Star Wars, and based
|
||
on ideas Vaughan conceived both as a child and as a parent. It depicts
|
||
two lovers from long-warring extraterrestrial races, Alana and Marko,
|
||
fleeing authorities from both sides of a galactic war as they struggle
|
||
to care for their newborn daughter, Hazel, who occasionally narrates the
|
||
series.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-incal-1981-by-alejandro-jodorowsky-and-mœbius-4.2"><a
|
||
href="https://www.goodreads.com/book/show/10842223-the-incal">The
|
||
Incal</a> (1981) <em>by Alejandro Jodorowsky and Mœbius</em> [4.2]</h4>
|
||
<p>Categories: <code>sci-fi</code> <code>dystopian</code>
|
||
<code>surrealist</code> <code>space-opera</code></p>
|
||
<p>Highly imaginative, hilarious, sprawling epic graphic novel — a
|
||
collaboration between two giants of weird storytelling. Jodorowsky is an
|
||
auteur of avant-garde film, and Mœbius is a legendary cartoonist;
|
||
together their work has been a huge influence on such classic films as
|
||
Alien, Tron, and Star Wars. The story is all kinds of preposterous, a
|
||
dazzling display of surrealist science fiction, and the illustrations
|
||
render it way-larger-than-life on the page. This single-volume
|
||
collection of the complete series is well-worth the read. - <a
|
||
href="https://github.com/bschlagel"><span class="citation"
|
||
data-cites="bschlagel">@bschlagel</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>John Difool, a low-class detective in a degenerate dystopian world,
|
||
finds his life turned upside down when he discovers an ancient, mystical
|
||
artifact called “The Incal.” Difool’s adventures will bring him into
|
||
conflict with the galaxy’s greatest warrior, the Metabaron, and will pit
|
||
him against the awesome powers of the Technopope. These encounters and
|
||
many more make up a tale of comic and cosmic proportions that has Difool
|
||
fighting for not only his very survival, but also the survival of the
|
||
entire universe.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="the-manhattan-projects-2015--by-jonathan-hickman-3.9"><a
|
||
href="https://www.goodreads.com/book/show/15736709-the-manhattan-projects-volume-1">The
|
||
Manhattan Projects</a> (2015-) <em>by Jonathan Hickman</em> [3.9]</h4>
|
||
<p>Categories: <code>hard-science-fiction</code> <code>sci-fi</code></p>
|
||
<p>Mind boggling, crazy high concepts based on historical events. - <a
|
||
href="https://github.com/matheusteixeira"><span class="citation"
|
||
data-cites="matheusteixeira">@matheusteixeira</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>What if the research and development department created to produce
|
||
the first atomic bomb was a front for a series of other, more unusual,
|
||
programs?</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="transmetropolitan-1998-by-warren-ellis-4.23"><a
|
||
href="https://www.goodreads.com/book/show/22416.Transmetropolitan_Vol_1">Transmetropolitan</a>
|
||
(1998) <em>by Warren Ellis</em> [4.23]</h4>
|
||
<p>Categories: <code>hard-science-fiction</code> <code>sci-fi</code>
|
||
<code>cyberpunk</code></p>
|
||
<p>One of the most anarchistic comics I ever read. Transmetropolitan has
|
||
no mercy for anyone. Strong polical and social commentary in a world
|
||
that is not that far from ours. - <a
|
||
href="https://github.com/matheusteixeira"><span class="citation"
|
||
data-cites="matheusteixeira">@matheusteixeira</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>After years of self-imposed exile from a civilization rife with
|
||
degradation and indecency, cynical journalist Spider Jerusalem is forced
|
||
to return to a job that he hates and a city that he loathes. Working as
|
||
an investigative reporter for the newspaper The Word, Spider attacks the
|
||
injustices of his surreal 23rd Century surroundings. Combining black
|
||
humor, life-threatening situations, and moral ambiguity, this book is
|
||
the first look into the mind of an outlaw journalist and the world he
|
||
seeks to destroy.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="we3-2005-by-grant-morrison-3.95"><a
|
||
href="https://www.goodreads.com/book/show/22358.We3">We3</a> (2005)
|
||
<em>by Grant Morrison</em> [3.95]</h4>
|
||
<p>Categories: <code>hard-science-fiction</code> <code>sci-fi</code>
|
||
<code>society</code></p>
|
||
<p>One of the most emotional stories I ever read. We3 is a very visceral
|
||
and incredibly well drawn tale of freedom. - <a
|
||
href="https://github.com/matheusteixeira"><span class="citation"
|
||
data-cites="matheusteixeira">@matheusteixeira</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Writer Grant Morrison and artist Frank Quitely tell the unforgettable
|
||
story of three innocent pets-a dog, a cat and a rabbit-who have been
|
||
converted into deadly cyborgs by a sinister military weapons
|
||
program.With nervous systems amplified to match their terrifying
|
||
mechanical exoskeletons, the members of Animal Weapon 3 have the
|
||
firepower of a battalion between them. But they are just the program’s
|
||
prototypes, and now that their testing is complete, they’re slated to be
|
||
permanently “de-commissioned”-until they seize their one chance to make
|
||
a desperate run for freedom. Relentlessly pursued by their makers, the
|
||
WE3 team must navigate a frightening and confusing world where their
|
||
instincts and heightened abilities make them as much a threat as those
|
||
hunting them-but a world, nonetheless, in which somewhere there is
|
||
something called “home.”</p>
|
||
</blockquote>
|
||
</details>
|
||
<h4 id="y-the-last-man-2003-2008-by-brian-k.-vaughan-4.33"><a
|
||
href="https://www.goodreads.com/series/86528-y-the-last-man">Y: The Last
|
||
Man</a> (2003-2008) <em>by Brian K. Vaughan</em> [4.33]</h4>
|
||
<p>Categories: <code>dystopian</code> <code>sci-fi</code></p>
|
||
<p>Y: The Last Man is graphic novel series unlike any other I have read.
|
||
The “last man” struggles with trying to learn why every other man on
|
||
earth is dead and how did he survive. Adding to his own internal
|
||
struggle, the women on earth are divided between wanting to ensure
|
||
humanity lives on, and those who believe they should be the last
|
||
generation of humans on earth. - <a
|
||
href="https://github.com/derekneuland"><span class="citation"
|
||
data-cites="derekneuland">@derekneuland</span></a></p>
|
||
<details>
|
||
<summary>
|
||
Description
|
||
</summary>
|
||
<blockquote>
|
||
<p>Y: The Last Man is a dystopian science fiction comic book series by
|
||
Brian K. Vaughan and Pia Guerra published by Vertigo beginning in 2002.
|
||
The series is about the only man to survive the apparent simultaneous
|
||
death of every male mammal (barring the same man’s pet monkey) on
|
||
Earth.</p>
|
||
</blockquote>
|
||
</details>
|
||
<h2 id="links">Links</h2>
|
||
<ul>
|
||
<li><a href="https://news.ycombinator.com/item?id=9056319">What are your
|
||
favourite sci-fi books?</a> - Hacker News</li>
|
||
<li><a
|
||
href="https://www.reddit.com/r/AskReddit/comments/k70dh/whats_the_best_scifi_novel_you_have_ever_read/">Whats
|
||
the best Sci-Fi novel you have ever read?</a> - Reddit</li>
|
||
<li><a
|
||
href="https://www.npr.org/2011/08/11/139085843/your-picks-top-100-science-fiction-fantasy-books">Top
|
||
100 sci-fi and fantasy books as picked by NPR listeners</a> - NPR</li>
|
||
<li><a
|
||
href="https://letterboxd.com/potherca/list/the-awesome-sci-fi-list/">List
|
||
of all the movies from this list on Letterboxd</a></li>
|
||
<li><a
|
||
href="https://www.goodreads.com/list/show/148073.The_Awesome_Sci_Fi_List">List
|
||
of all the novels, short story collections, and comic books from this
|
||
list on Goodreads</a></li>
|
||
</ul>
|
||
<h2 id="credit">Credit</h2>
|
||
<p>Maintained by <a href="https://github.com/RichardLitt">Richard
|
||
Littauer</a> and <a
|
||
href="https://github.com/sindresorhus/awesome-scifi/graphs/contributors">these
|
||
marvelous humanoids</a>.</p>
|
||
<p><a href="https://github.com/sindresorhus/awesome-scifi">scifi.md
|
||
Github</a></p>
|